Back in stock
Whobub
The great surprise with the French quintet Hubbub comes with seeing them in performance before you’ve heard one of their recordings. Five men walk on stage, two carry saxophones, one a guitar, the pianist and drummer sit down at their instruments. It looks like a conventional notion of a band, the sole concession to the world of electronics the Gibson Les Paul, itself a guitar design that has changed little in the past sixty years. Every instrument carries with it the expectation of a characteri…
Collider
*In process of stocking* Or, 'whose drum is it, anyway?'
Recording of a drum solo concert given at Network Theatre, London on 6th February, 2012
Visionary Fantasies
The 100th record released by Matchless! A series of inspired solo and duo performances from AMM founder, percussionist Eddie Prevost and free improvising saxophonist John Butcher, captured live at London's Iklectik in 2018, splitting the album between solo and duo work as the two morph their instruments into incredible sonic devices, with intense concentration and dialog nothing short of fantastic."Although Eddie Prévost and John Butcher shared the stage at Derek Bailey's 1990 London Company Wee…
Bean Soup and Bouquets
Matchless Recordings presents the reunion concert of Eddie Prevost's 1970s band at Cafe OTO, London, 17th February, 2020.The album includes three tracks performed by Eddie Prévost - Drums, Geoff Hawkins - Tenor Saxophone, Gerry Gold - Trumpet, Flugelhorn, Marcio Mattos - Double Bass.
Unearthed
"Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique." - squidco.com
The Art Of Noticing
'Making a journey to a Bright Nowhere' series - marking Eddie Prévost's 80th birthday.
Volume 2, Cafe OTO 16th July 2022
Do Disturb
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of N.O. Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
"Launch show for the quartet to mark the release of new CD 'EMPoWered' on Brooklyn's 577 Records. Edwards, Moore and Prévost have comprise…
Bioelectrical Music
We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations…
Electronic Works
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…
I.D. Art #2
When the Los Angeles Free Music Society 10 CD set came out I eagerly flipped through the contents to see what treasures had finally been made available again. Much to my surprise the early compilation I.D. Art #2 was not included in this otherwise major overview of the LAFMS. I.D. Art #2 was the second LP release on their label, coming after Le Forte Four’s ‘Bikini tennis shoes’ LP, and before the 2LP ‘Live at the Brand’, a split album between Le 44 and The Doo-Dooettes. It dates from 1976. It i…
Installation Recordings (1973-2008) 2Cd
This 2CD is essentially a retrospective of Max Eastley's Installation work. As such, it updates and adds many new examples to the 1975 release 'New and Rediscovered Musical Instruments', which was released as a split LP with David Toop on Brian Eno's Obscure Records. This is Eastley's first solo CD. Of the 35 tracks, only the last 2 have any guests or 'playing' (the most virtuosic moment being George Lewis playing a grass blade). All the other pieces are either powered by the natural forces of w…
Return To Acapulco - Music For Hotels (Vol. 1)
The story of a family of hoteliers active since the 1960s on the Versilia Riviera, the renowned Tuscan seaside area, becomes the occasion for the compilation by the music critic and cultural agitator Vittore Baroni of an anthology of "Music for Hotels", a theme curiously ignored by international discography. A large group of musicians active in a variety of genres and styles have been asked to create a soundtrack for the different zones of the Hotel Acapulco in Forte dei Marmi - portrayed in the…
Marconi’s Drift
Evan Parker and Matthew Wright’s Trance Map project has included improvised live events across Europe and the US, involving other invited guest performers, with various Trance Map+ recordings released on Intakt and FMR Records. Since 2020, Trance Map+ have undertaken ambitious streamed and networked performances, connecting with musicians around the world from The Hot Tin venue in Faversham, Kent, UK. In 2022, this resulted in Transatlantic Trance Map, a simultaneous performance between seven mu…
Mirror
Paradigm Discs present a reissue of Amnon Raviv's Mirror, originally released in Israel in 1983 and only available in a handmade edition of just 50 copies. As such, this edition is the first widely available issue of this LP, giving it a chance to reach an audience beyond the 50 hardened collectors who got to hear this strange experimental record back in the '80s. There's nothing else quite like it from that era, let alone from Israel, although it does have some parallels with earlier avant-gard…
I Believe
Vinyl only album created by Gerritt Wittmer 2012-2018. Mastered by Giuseppe Ielasi. Packaged in deluxe tip-on LP jacket. Pressed on Natural, edition of 272. Gerritt Wittmer is a sound and performance artist based in Houston, Texas. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He is half the black noise group Deathroes and the vocalist for the band Names. He also directs the publishing house Misanthropic Agenda.
Live At Fox Theater (Atlanta, GA, 24 February 1980)
Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. Th…
The Beholder's Share
"The narrative has many faces, twisted, oneiric, mysterious and expressive."- Andrzej Nowak (Spontaneous Music Tribune)
Especially For You
“Repeated listening discovers more and more nuances in the subtle interplay and the clever and endless sonic games of these pioneers of European improvised music.” - Eyal Hareuveni, Salt Peanuts
Feu !
MKB Fraction Provisoire (Messageros Killers Boys) is the variable-geometry musical project of filmmaker and writer F.J. Ossang, founded in 1980 to feed a need for creativity fueled by the punk movement and the Industrial scene. The band’s music is characterized by a blend of punk rock, blues, and avant-garde influences, with Ossang’s poetic lyrics often addressing themes of alienation, decadence, and despair.
After a self-released EP in 1981, Provenance France, M.K.B. released their first LP, Te…
Here And How
"Three musicians who seem like impressionist painters, building, stroke by stroke, on small scale, finally creating a strong statement for the fresh catalogue of the label." - Fotis Nikolakopoulos, Freejazzblog