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*2022 stock* CD edition: the last time Fennesz released an album on Austrian label Mego it was 2001 and the name of that release was 'Endless summer'. Now, in 2014 P-Vine Records is extremely proud to release the conceptual follow up that landmark of abstract pop. Becs (pronounced 'baeetch') is Hungarian for Vienna and is the first full length Fennesz solo release since 2008's 'Black Sea'.Eschewing the more drone orientated works of 'Black Sea', 'Becs' returns to the more florid pop mechanisms …
Sachiko M with two sinewaves on one empty sampler. Sachiko M is a musician who uses the sampler as an instrument. Rather than apply the device's original function of sampling recorded material, she makes music using nothing but its internal test tone sine waves. Her approach to this radically minimalistic sound and meticulously thorough music has created a sensation worldwide. Currently one of the most sought-after improvisers on the scene, Sachiko M collaborates with influential artists both in…
Vienna resident Radu Malfatti, who turns 60 in December, is a trombonist and composer with a long and impressive career. In the nineties he established the unique compositional/improvisational style, using very few sounds, that he continues to develop. Thirty-something guitarist Taku Sugimoto has since the late nineties followed a similar path, pursuing a playing style marked by extreme sonic spareness. His work has received critical acclaim in Japan and abroad and has greatly influenced many yo…
Over the past few years, alto sax player Masahiko Okura has led an astonishingly full and varied musical life. Active as a soloist, as leader of the jazz-rock band Gnu, and as a member of the improvisational trio Bject (with Tetuzi Akiyama and Utah Kawasaki), he also collaborates with many other improvisers, including Otomo Yoshihide, Taku Sugimoto, Ami Yoshida, Axel Dörner, Alessandro Bosetti, Werner Dafeldecker, and Günter Müller. With the recent addition to his repertoire of two more instrume…
Kaffe Matthews (laptop), Andrea Neumann (inside piano), Sachiko M (sinewaves, contact microphones). Recorded live in Tokyo, 3/17/02. Although I and II include two and three tracks, respectively, each is a single work. They are divided into multiple tracks for listeners' convenience. Kaffe Matthews created her sound by live-sampling and processing her own and the other musicians' sounds as they played.
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result being a truly original performance style. Over the past four years, Nakamura has released the solo NIMB CDs No-Input Mixing Board (on the Zero Gravity label), No-Input Mixing Board 2 (a bruit secret), Vehicle (cubic music), and No-Input Mixing Board […
Limited edition of 400. This masterful performance was born of the meeting of two master improvisers, Kazuo Imai from Japan and Roger Turner from the UK. Imai, who studied with Masayuki Takayanagi and Takehisa Kosugi, is one of Japan's leading improvisers and guitarists. Turner is a drummer and percussionist who has been actively performing throughout the world since the beginning of the 1970s. His Japan tour in October 2017 included concerts with Japanese musicians in various locations, includi…
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing and completely unknown activities was revealed. The release compiled works created by Art Zyklus as well as Yamashita. Worth mentioning is that ‘Music for Electric Metronomes’ by Toshi Ichiyanagi was premiered in Japan. Apart from that, the fact that …
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of Light', originally released in 1970 by the legendary Pilz label, features wonderful trippy and progressive folk music with ethnic and even jazzy elements. This LP should appeal to fans of fellow Germans s.a. Witthueser & Westrup and Bröselmaschine, …
*In process of stocking. 300 copies limited edition* In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would…
'Mention of Motian and LaFaro brings us to this disc, perhaps belatedly. But other than observing that the music is presented here following immaculate and unprecedented sound restoration, what more needs to be said about it? What more, usefully, can be said? The performances are as close to perfection as makes no difference, and as close to immortality, too, and if you are still reading thesenotes, you will not need to be told why.' – Chris May
Executive producer’s notes: 'Once you start to …
At the World Exposition held in Osaka in 1970, many multi-media works such as experimental music were presented at different pavilions. Some of the recordings were released on discs, however, the information was lacking what music was produced for what event held at the Festival Plaza. Although many sound sources were lost, we managed to analyze some part of treasurable recordings that were still available! tr.1 "Flag, Flag, Flag and Plaza of Light" (music: Yori-aki Matsudaira) The event was a …
The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually broadcasted on the radio with the title Kuu after a producer renamed it. Here, the original title is used, following Ichiyanagi's initial intention. This work has no relation to the short experimental film Shikisokuzekuu (1974), produced by filmmaker T…
"Kumo no Ito" (trans. "The Spider's Thread): "In 1977 I started the project of a musical piece for a female narrator and 4-channel electronic sounds using the text of the well-known Akutagawa novel. I worked with a hand-made analog synthesizer which had been installed two years before in my home studio in Tokyo. Needless to say, the editing was done without digital machines. I worked with the recorded tapes together with scissors and splicing tape. It was the resonance-adding apparatus tha…
Kuniharu Akiyama (1929-1996) was well-known as a music critic, mainly of modern and contemporary music. However, his career was not only in the music field -- he was also a very well-regarded avant-garde artist (he especially related to the early Fluxus movement). This release consists of his three unknown tape music pieces. They are very strange. Excerpt from the liner notes: "'Environmental Mechanical Orchestra' (1966) was made for an exhibition called 'From Space to Environment,' carried out …
Volume one of Omega Point's Obscure Tape Music of Japan series, featuring Joji Yuasa's "Aoi-no-Ue" (1961) and "My Blue Sky" (1975). Joji Yuasa (b. 1929) is one of most important composers in Japan after World War II. "Aoi-no-Ue" was composed for experimental theater at Sogetsu Art Center. The sound of this work is made from the chants of Japanese traditional "Noh" theater. "The text is recomposed by me keeping the original words. And it was sung in the style of Noh-chant by three brothers ... Th…
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is Kyriakides 8th album on Unsounds records.
* Glass-mastered CD housed in a die-cut customised debossed outer case (14.5 x 14.5cm) with rounded obi, 16pp inserts with words in Japanese and English from Meitei. Offset printed, full colour on premium matt paper. * Meitei’s 2020 album Kofū was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s Kwaidan and 2019’s Komachi. All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being w…
Biggest Tip! "Muziekkamer is a minimalwave project by Martin Keuning and Cees van de Oever, based in Leiden, the Netherlands, in the 1980s. The first album, 'I' (aka Kamermuziek), is a self-healing calm unified by hushed-toned electric guitars and faint synths, while the second album is a more experimental and pop minimalist/electronic sound, similar to Kubus Kassettes' work. The guitar harmonics are hazy. The long, dreamy parts, with a vague layers of guitar harmonics, is one of the best ambien…
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…