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A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style — from his industrial-avant-garde works on Nurse With Wound’s United Diaries label as SEMA to his legendary ambient drum and bass records as Omni Trio on Moving Shadow — Robe…
*In process of stocking* Silvia Tarozzi and Deborah Walker have emerged as one of the most interesting duos in contemporary improvised music. First introduced to Unseen Worlds through their performance on the Philip Corner recording "Extreemizms: early & late", Tarozzi and Walker elevated recent recordings, Eliane Radigue "Occam Ocean 3", Pascal Criton "Infra", and Tarozzi’s own "Mi specchio e rifletto" to greatness. Their finely tuned sound makes even the most adventurous tones compelling.
With…
Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse - An Intelligent Instrument” on a Macint…
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
4 Cuts Placed In "A First Quarter", the companion piece to Solos, is the sonic result of a collaboration with artist Lawrence Weiner. As Landry remembers, “I was working for Keith Sonnier at Castelli Gallery and met Lawrence. He asked ‘can you make a video for me?’ So we did "To and Fro..." At some point he was working on "A First Quarter" (1973) and wanted me to do the music. I said ‘I already have the music.’ He said ‘what do you mean?’ I had recorded several pieces with Kurt Munkcasi and walk…
In 1978 Having Been Built on Sand was conceived as a vinyl edition and released by the Rüdiger Schöttle gallery in Munich with sleeve design by Weiner. The piece consists of eight untitled tracks. Lawrence Weiner, Tina Girouard, and Britta Le Va recite text with Dickie Landry’s woodwinds, all recorded in the natural reverb of Robert Rauschenberg’s studio, a former mission and chapel in Lower Manhattan. Layering Girouard in English, Le Va in German, and Weiner in English and German blocks of rela…
180 gram exact repro reissue, originally released in 1969. Classic Harry Partch, and the kind of record that's a great introduction to his music. There's lots of Partch's weird invented instruments – like chromelodeon, diamond marimba, mazda marimba, cloud-chamber bowls, gourd tree, and the crazy "spoils of war". "The World of Harry Partch collects three of his best short pieces. 'Daphne of the Dunes' (1967) is a side-long update of 'Windsong' written for dance. The melodic segments are given mo…
*300 copies limited edition* "Rain and experimental music have had an interesting connection for decades. Under the umbrella of American film music promotion, Hanns Eisler was already looking for "Vierzehn Arten, den Regen zu beschreiben” (fourteen ways to describe the rain) in 1941. A good 20 years later, The Cascades interpreted the periodicity of rain as a rhythm of mourning. For the Beatles ("If the rain falls, they run and hide their heads"), the precipitation inspired the band to use backw…
The South African response to Chick Corea’s Return to Forever and Miles’ On the Corner. A defining musical statement in South Africa’s jazz canon – pinpointing the moment of social and musical ferment in which the country’s terms of engagement with jazz were irreversibly changed. Forged when township kids were facing down bullets, this is an electric mulberry funk – slick, intense and complex.
20 Years of Sound Art is a new release that covers the past 20 years of Lars Lundehave Hansen's work as a sound artist. 48p book with 180 gr double vinyl in exclusive handbound foil stamped linen wrapped box.
Enchanting, gorgeous works for solo piano, strings, organ and Eastern percussion by preeminent composer Leo Svirsky. Seeming to unravel and weave simultaneously in mid-air, ‘River Without Banks’ is a significant new opus that taps into a rich vein somewhere between Charlemagne Palestine’s sustained ecstasies, the phasing pulses of Steve Reich, and the beatific glory of Alice Coltrane... ““How to begin? No beginning... never ending reverberation,” Antoine Beuger writes in the accompanying notes …
For Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: “Green Glass” interprets an untitled recording by Quechuan folk musicians …
Stellar Tip! Previously unreleased recordings of one of Sweden's most legendary jazz groups. A raucous and energic set of free jazz from the vibrant Swedish scene of the mid '60s – a perfect match for the groundbreaking German scene of the FMP generation! Quoting Jim O'Rourke from the hype sticker: “Someone quadruple booked the same session, because the music on this record is at the crossroads where FMP, Faust, The Insect Trust, and Catherine Ribiero met, but we know that road was never built. …
2022 Repress, in process of stocking. The Expanding Universe is the 1980 debut album by composer and computer music pioneer Laurie Spiegel. The original album is reissued here as a massively expanded 3LP or 2CD set, containing all four original album tracks plus an additional 15 tracks from the same period, nearly all previously unreleased and many making their first appearance on vinyl in this brand new 2018 edition. Since this album’s first reissue in 2012, it has gone on to be widely establis…
Temporary Super Offer! Cacophonic present a first time vinyl reissue of a pioneering album of French free jazz, François Tusques's Free Jazz, originally released in 1965. Comprising some of the earliest, uninhibited performances from musicians behind groundbreaking European records and films, Free Jazz captures the birth of an exciting movement that would soon earn its Parisian birthplace as the go-to European spiritual home of improvised and avant-garde music. Spearheaded by pianist and compose…
Tip! *LP ltd to 415, black vinyl, 2 color (blue and black) silkscreened jacket with obi (black or light grey), 2 inserts and a postcard. Printed by Alan Sherry* Chita, the third album proper by Japanese guitar pop trio Usurabi, is their most elegant, stylish confection yet. Over the past four years, Toshimitsu Akiko (vocals, guitar), Kawaguchi Masami (bass) and Morohashi Shigeki (drums) have been recording, playing live, and releasing songs of rare melodic warmth, centring Toshimitsu’s unique mu…
Tip! Wasteland Jazz Unit is a staple in the world of destroyed music. With countless releases cataloged by a literal who's who in the field, (cassettes, CDrs and records on American Tapes, Troniks, New Forces, Oxen, Torn Light, Nashazphone and of course - there was a split 7" w/ Tiger Hatchery on Gilgongo), the duo of Jon Lorenz and John Rich occasionally expand their scathing, feedback-saturated reed work into a full ensemble. Here, as a 7 piece group including Dylan Posa (guitar), Edward Ricar…