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2009 release ** The third full-length CD by AREA C, released this time by Students of Decay: "Glacial harmonics drift in and out of each channel, skittering, modulated notes pulse and surge, sputtering suddenly to luminescent manifestation before disappearing just as quickly."
2005 release ** "Obsessive electronic music to tell the end of the world chronicle. A project of electronics with strong colors where the occult imprint lives..."
2002 release ** Limited edition of 555 hand-numbered copies. "In more than one case, Europe beyond the Iron Curtain has generated interesting groups, especially in the fields of industrial and esoteric music: just think of names like Laibach, Autopsia and ACTUS. Fellow countrymen of the latter, the Slovakian Simulacrum record their second work for our Amplexus, endowed with a distinctive character that, while remaining within the scope of a very dark ambient ritual, distinguishes them from the l…
Expanded new edition of this 1969 classic. 244 pages, English/German edition. There must be no victors, not even in the arts… This was the credo Dieter Schnebel shared with artists like John Cage and remained faithful to his whole life. The arts and the world, music and everyday life – these were no contrasts to the composer, church minister, musicologist and teacher who had been born in Lahr in Baden. He created a new open concept of work which left boundaries in space and time behind and saw t…
* 320 pages with many drawings, music examples and photographs * Peter Ablinger used to say that he communicated in sound, not words. But his literary legacy is substantial, as this book demonstrates. He is a composer whose work is questioning basic assumptions about music as time-based performance-generated art form. Even though conceptually homogenous, his works are perplexing when observed through the traditional contexts of musical presentation. Most of the clues for their understanding come…
528 pages. English Edition. Collection of Interviews, Scores and Writings by American composer Alvin Lucier during the years 1965–1994, offering a wonderfully complete look at Lucier's musical activities through the years. Alvin Lucier (1931-2021) was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University, Lucier was a member of the influential Sonic Arts Union, which included…
A general introduction to Tom Johnson’s music, as well as many articles written from 1961 until 2018, with texts both In English and German. "I can not say that I always manage to find my music. Sometimes it still seems necessary to compose it, particularly when I want to produce another opera. I can say, however, that there is something particularly satisfying about projects where the logic (the music) seems to arise naturally from some discovery outside of myself, and where everything comes to…
"Music with Roots in the Aether" is a series of interviews with seven composers who seemed to me (Robert Ashley) when I conceived the piece-and who still seem to me twenty-five years later-to be among the most important, influential and active members of the so-called avant-garde movement in American music, a movement that had its origins in the work of and in the stories about composers who started hearing things in a new way at least fifty years ago.There is, of course, our indebtedness to Eur…
David Fanning’s book is the first full account of Weinberg’s life and works in any language. Drawing on unpublished materials in the family archives and on the personal reminiscences of those close to Weinberg, he tells the story of a composer who devoted his life to music against heavy odds, memorializing those who did not live to share in his problematic freedom.
Mieczysław Weinberg (1919–96) made two narrow escapes from the Nazis: in 1939 from his native Warsaw to Minsk, then in 1941 to Tashk…
2007 release ** "Concerto for organ, synthesizers, percussions and orchestra, op. 49. originally created in 1998. This work is initially an extensive composition in quasi-oratorial form, in final version abbreviated and restructuralised. The solo role of the organ not always dominant and its parts are often taken over by other instruments. The reworked second version (live and studio) of the project is markedly shorter, placing more emphasis on systematic approach to its theme, without essential…
Sinusoidal Run Rhythm is generated by adding up in-phase cosine functions in whole number ratios. They are temporally and dynamically shifted in their maxima compared to corresponding notated rhythms and feature a physicality that is not present in discretely controlled rhythms. sinusoidal run rhythm thus conceives of rhythm as a wave and clearly stands out from the conventional rhythm theory of a European musical tradition. It opens up an inexhaustible variety of beguiling physical music.
The v…
**English edition. 272 pp., Large format. Hardcover** Some think Eric Dolphy was an otherworldly apparition. His stellar career lasted little more than 5 years. He was one of the most important pioneers of the jazz avant-garde of the 1960s. As a multi-instrumentalist, Dolphy played flute, bass clarinet, alto saxophone and clarinet. He also composed and arranged. His brilliant solos in performances with the Mingus Band, among others, are milestones in jazz and music history. Guillaume Belhomme t…
2015 release ** Limited edition of 200 hand-numbered copies. "There is a temptation to connect field recordings with documentaries. It's an impulse compelled by the sense that field recordings are uncontrived compared to conventional music, which requires instrumentation and a high degree of human intervention. But documenting and repeating the sounds of nature requires just as much mediation as does strumming a guitar or playing a keyboard. For one thing, Montero's subjects are precise. He cons…
2015 release ** "The tromba marina is a huge single-stringed instrument, played with a bow. For "in memory of james tenney", in four parts, Möller and Maldfeld each wrestle with one such beast, using instruments from the 17th and early 18th centuries. And f it's grain you want, step right up--this thing, especially Part I, sounds like the bow is severely serrated, close to being able to saw wood. A huge rumble that encloses myriad tones high to low. Think of an Eliane Radigue cello piece with yo…
The Equinox is PainKiller's much anticipated sequel to their critically praised 2024 album Samsara, and it has a more varied and adaptable style than their previous work.
2015 release ** "What happens when music becomes a weapon? For his project "Conflict Music - The Soundtrack of World Cultures", composer and film director Christian von Borries deals with the role of music in military conflicts. In doing so, different perspectives and facets such as military training, music as weapon, music in future wars are picked up on and artistically processed. Musically, early incarnations of military march music as well as scores and compositions from distinct artists suc…
2005 release ** "Justin Meyers of Devillock distinguishes himself from the mediocre masses with the release These Graves, or, if one combines the track titles, “The Blood From,” “These Graves,” “Weigh Forever,” “On Rotten Creatures”. To me, the mark of a good noise, experimental, or ambient disc is the ability to make me uncomfortable. To take me out of the daily comfortable reality and make me feel fear, dread, hate, melancholy – this is the reason I listen to noise. These Graves combines drone…
2009 release ** "Lucio Capece and Sergio Merce play music together since 1993. They started out as members of a saxophone quartet dedicated to playing early and baroque polyphonic music (Guillaume de Machaut, Perotin, Josquin des Prés, Frescobaldi, J.S.Bach). A few years later they were part of Avion Negro, an ensemble dedicated to play its own music; there they worked on long music structures, combining improvisation and composition. In 2002 Merce and Capece started playing together as a duo. M…