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** Edition of 210. Deluxe cover with handmade silver foil printed on 450g paper, also includes a 30x30cm double-sided insert with detailed notes and a SMET / Enore Zaffiri exhaustive chronology. ** The Italian early electronic music scene has been at the core of Die Schachtel’s activity since their very beginnings in the early 2000s. The record that inaugurated the label’s venture was Pietro Grossi’s “Musica Automatica” (2003), followed in 2004 by the very first recording in LP format by Enore Z…
*In process of stocking. 2022 stock* The Brooklyn-based noise-jazz violinist Sana Nagano often finds herself at the center of the storm. As other instruments crash and careen around her, her assuredly melodic violin works to ground and stabilize the overall sound. And nowhere is this better heard than on Smashing Humans, her new quintet album coming March 19th on 577 Records. Featuring Peter Apfelbaum on sax, Keisuke Matsuno on guitar, Ken Filiano on bass, and Joe Hertenstein on drums, it’s an L…
Gerald Cleaver’s newest album, 22/23, journeys through genre, exploring the future and recalling history, in his most place-based album yet. Born and raised in Detroit, Cleaver is a product of the Motor City’s rich musical history. Long the manufacturing capital of America, Detroit citizens have never been afraid of imagination: technological innovation, a strong labor movement, techno-utopianism or afrofuturism. This spirit of innovation is felt on Cleaver’s newest album, particularly on songs …
Leo Genovese - Piano, saxWilliam Parker - BassFrancisco Mela - Drums
Recorded November 13, 2020 by Jeremy Loucas at Douglass Recording, Brooklyn, New YorkAssistant engineer: Juanma TrujilloMixed and mastered by Jeremy Loucas at Sear Sound, New York City
*300 copies limited edition* As an artist and a thinker, Massimo Magee has been consistently drawn towards patterns: traditions, lines of influence, schools and the unexpected intersections of each. This album, Toneflower, presents a solo programme, meditating on many of those concepts. As an entirely improvised set of pieces, it is also inspired by Anthony Braxton’s solo alto tradition and the larger solo saxophone canon. Similarly, it draws from Magee’s prior percussive experimentations with T…
Nichunimu is a Chilean improvisational trio working at the edges of free jazz, ritualism, noise, minimalism and krautrock music. Since 2014, Benjamin Vergara (Trumpet), Nicolás Carrasco (Synthesizer) and Matías Mardones (Percussion) have been inspired by repetition, textures and friendship through the sound, focusing on circular shapes in music that bind them together. Based between the cities of Valdivia and Santiago, their members have also collaborated on projects like La Kut, Cariñito 3, Dub…
SSWAN presents their first outing "Invisibility is an unnatural disaster" a raucous jaunt of free jazz on the premiere fire music label 577 Records. The music is rooted in the Black American art form of jazz, stemming into the branches of free improvisation, noise and experimentalism while pushing to the edges of each idiom. The idiosyncratic playing of guitarist Jessica Ackerley starts off the album's title track and jumps headfirst into a Hendrix-tinged duo with drummer Jason Nazary. Patrick S…
A recording of live performances which brought together two essential figures of the contemporary scene: an oustanding Norwegian composer and vocal artist Maja S.K. Ratkje and a celebrated improviser and composer, former DNA drummer, Ikue Mori. The common sound territory, created together by Mori and Ratkje, balances between quietly growing tension and powerful outbursts of unrestrained, relentless noise. Within this harmony, Ratkje takes adventurous excursions towards the borders and unknown fa…
The trio is a perfect composition for broadly understood improvised music, sufficient in terms of minimum and generally reflecting to the maximum what the musicians want to convey to the listener. In the case of the Wrocław-based trio Marek Otwinowski, Michał Sikorski and Marcin Witkowski, this "width" of understanding improvisation is particularly visible. This is not a classic free-jazz band or even free-improv, because the musicians go far beyond these frames, touching noise, avant-garde, ind…
*2024 stock* Anthology of Cage's "protominimalist" compositions, from "Prelude for meditation" of 1944 to 1952, the year of the silent piece 4'33". In between beautiful and magical pages such as "In a landscape" and "A room"... Performers Boris Berman, Paul Hillier, Juan Hidalgo and others.
In the Dan Blacksberg Trio, the innovative and genre-defying trombonist brings an expansive and creative new vision to the cutting-edge jazz traditions of pioneers like Ornette Coleman, Don Cherry, and Albert Ayler. The trio is celebrating the release of Perilous Architecture, their second album for Lithuanian-based NoBusiness Records. Blacksberg has penned a set of music that pushes at the technical and timbral limits of his instrument, opening up into far-reaching sounds worlds while maintaini…
Mark Dresser has been composing and performing solo contrabass and ensemble music professionally since 1972 throughout North America, Europe and the Far East. He was commissioned by the Banliues Bleues Festival in Paris to premier Dresser's composition "Bosnia", later recorded on CD by the "Double Trio" as "Green Dolphy Street" on ENJA. A founding member of the Arcado String Trio, he also received a commission from WDR Radio of Cologne, Germany in 1991 to compose "For Not the Law," an extended w…
Percussionist Juan Pablo Carletti leads a trio with Tony Malaby on sax and Christopher Hoffman on cello, beautifully unfolding jazz that balances light and dark, melodic and free approaches with textural percussive work. For his debut album, NYC-based Argentinian drummer Juan Pablo Carletti has made some wise choices, even before one considers the music. Foremost among those is the selection of saxophonist Tony Malaby to front his trio. Malaby has a compelling track record of energising such thr…
The music was performed in the frame of Vilnius Jazz and Music of Silent Film festivals. Adaptation of the silent film The Lost World was made by Artūras Jevdokimovas. Recorded live on the 17th October 2016 at Vilnius Jazz Festival by Valdas Karpuška.
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
This open-minded trio recorded Plaything in October of 2012 at Studio Juillaguet, a recording and dance space located in a rural part of southwest France that is run by Kent Carter and his wife, a professional choreographer. Bassist Kent Carter produced the album, along with the NoBusiness label. Gianni Lenoci and Bill Elgart first met in Evil Rabbit's 2010 Amsterdam music festival. Subsequently Lenoci invited Carter to Monopoli, Italy to do a workshop with his orchestra, which Carter …
Big Tip! Unreleased session from 1975."Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of r…
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
Temporary Super Offer! John Coltrane is the steady catalyst, channeling galvanizing thoughts and energy through the tangible mechanics of his horns and sometimes running momentarily afoul of the lacunae between intent and implements. That it was all accomplished from the comparatively cramped confines of a basement jazz club stage is both the miracle and promise of momentous jazz music. The boon of emotional reciprocity between band and audiences was in optimal effect across these nights, even i…
Temporary Super Offer! Ezz-Thetics presents New York Eye And Ear Control 1964, Revisited. Albert Ayle tenor saxophone, Don Cherry cornet & trumpet, John Tchicai alto saxophone, Roswell Rudd trombone, Gary Peacock double bass and Sunny Murray drums.
As a visitor of the Albert Ayler Quintet concert 1966 in Lörrach, Germany and producer of his recordings since 1982, I like to present New York Eye And Ear Control by Albert Ayler, remastered, given permission for it by Desiree Ayler-Fellows of the Al…