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The overall atmosphere and aura of You Are Here... I Am There points at the influences of American jazz musicians such as John Coltrane, Archie Shepp, and Charles Mingus. The record shows a strong tendency, however, towards a distinctive sound that was, at the time, new, embraced by musicians such as Jan Garbarek and Ian Carr. Above all, Keith Tippett's compositional style bears traces of the artist's classical training, unveiled by his harmonic and dynamic awareness and careful balance between …
Field recordings, synthesizers and an organ - prepared samples, found objects and a zither - recorded on a rainy winter's day in Berlin. By Chris Abrahams / Burkhard Beins / Andrea Ermke
*2024 stock* Gatefold cover. Second Yanagida Hiro album, with Kimio Mizutani at the helm, swirling acid leads, heavy psych moves: a fuzzed out guitar record reminding me a little of Human Instinct. Like this guitar was dipped in fuzz! The grooves are great, and there are folky Japanese tunes that are nice. The album stays on the lighter side of groove, even on the uptempo joints, but this album is worth exploring for lovers of that Japanese rock sound in progressive and soloing. The 50's homage…
*2024 stock* Gatefold cover. Here’s the fourth full LP release of this great Japanese rock band. The Long Trip is indeed a special one with three parts of the same song and other numbers all in a psychedelic and folk rock vein with great arrangements. Contrary to 'Kirikyogen' with strong taste of Flowers (Joe and Hideki), "Hikishio Michishio" should be Kuni's album, with full of his concept and attitude for progressive rock all over the world. 1971 was absolutely a dawn, golden year for Japanese…
*300 copies limited release* Cheval Fou was one of the most important, prolific and authentic psychedelic outfits that thrived on the margins of the French underground during the first half of the 70s. A precursor to the by now more well-known and equally outstanding space-rock formation NYL, Cheval Fou’s salvaged recordings are a testament to the purest made-in-Europe free-form, freak-out psychedelia. Just picture an amalgamation between Group 1850’s Agemo and Amon Duul’s Phallus Dei, with Dash…
Long lost krautrock classic delivering a dynamic, complex combination between fuzzy freak out improvisations (full of Hammond organ and catchy heavy guitar leads) and epic folk arrangements for the flute. Sperrmull formed in 1971 but went through various lineup changes until they recorded this their only album in December of 1972. It was produced by Dieter Dierks and recorded at his studio. Dieter also played some synths on the opening track. A very accomplished essay. Similar to (early) Nosfera…
** 2021 Stock ** Eryck Abecassis (b 1956) is a french-algerian composer, musician and electric guitar player. He went to Paris in 1976 to study film at the CLCF (Conservatoire Libre du Cinéma Français) and worked as a photographer. From 1979 to 1983 he took private lessons in composition and harmony with Julien Falk (1902-1987) and studied Jazz orchestration with Derryl Hall at the Centre d'informations musicales in Paris. In the following years he took various courses at IRCAM, among others in …
"Ville Vannemaa Cassiopeia is an exciting quintet project led by reed player Ville Vannemaa, a key player in UMO Jazz Orchestra and known for his engagement in several other Finnish jazz constellations. With him on this date is vibraphonist Panu Savolainen, Kasperi Sarikoski on trombone, Heikko Remmel on bass and Jaska Lukkarinen on drums. Six sublime songs penned by Ville himself, plenty of detail and swinging from joy to melancholy in a melodic sense aimed for repeated listening. Future classi…
Limited LP, Deluxe 180-gram reissue including original artwork & credits.. The second album by folk artist Tim Hardin, released in 1967, Tim Hardin 2 contains his most popular and much-covered composition “If I Were a Carpenter,” most notably recorded by Bobby Darin, whose version peaked at #8 in the US and #9 in the UK in 1966. While not as prolific as Bob Dylan, Paul Simon, or Neil Young, the prototypical folk-rocker Tim Hardin remains one of the greatest singer/songwriters, as much for his ma…
She is beautiful. And in a world where so much can easily be possessed on a whim or for a promise, she is not comparable. She has a clear, pure ring, a trueness, like an arrow that has hit an inner mark and can’t be wedged loose. Her voice and her manner, that stretch farther into the past than perhaps she realizes, may set the new style: an existential pop style that is as earthy as Mary Travers (Peter, Paul & Mary) yet more elegant, more isolated. Her name is Nico. I don’t know where she was b…
Minuzia consists in an acoustic version of an audio installation that the French bassoon player Dafne Vicente-Sandoval had been presenting at a few sound art exhibitions; a handful bassoon cane reeds were regularly soaked into water, and these very thin slices of wood would start crackling in the course of their drying out process. These minute sounds were amplified by contact microphones and listened to through headphones. With an original text by the British anthropologist Tim Ingold.
Score:
S…
"Repress of Johnny Dyani's 1979 LP Song for Biko, recorded in the summer of 1978 with the powerful front line-up of Don Cherry and Dudu Pukwana, the album was dedicated to the martyred South African activist against apartheid Steve Biko (1946-1977). Johnny Mbizo Dyani (bassist/composer) was born in East London, South Africa in 1945 and became one of South Africa's most internationally acknowledged musicians. Since his arrival in England in 1965 as a member of South African jazz group called The …
A career-spanning overview of almost epic proportions, Miserable Poison is a massive 2.5 hour collection of Pumice recordings made between 1996 and 2021. The tracks on Miserable Poison are culled from a huge slection of often very limited lathe cut, cassette, CDr and vinyl releases originally put out on labels like Stabbies etc, Root Don Lonie For Cash, Audiobot, 8mm, Yellowelectric, Doubtful Sounds and Soft Abuse. Mastered by Lasse Marhaug and packaged in a gloss 6-panel digipack.
The End is the fourth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974. The End is her fifth collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on The Marble Index (1968) and Desertshore (1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery fel…
With the use of an audio recorder, the sounds of selected places or specific sonic phenomena are recorded. At a later date, these initial recordings are deleted again. This process is captured in the form of „writing“. Thus a series of notations is being created.
Example:Wind (gentle)Record: 8.8.2021, 3:24 PM, Mönbachtal Eifel, (D).Delete: 8.8.2021, 3:31 PMDuration: 3’17“
In January 2023, all the notations created since 2004 were recorded in the studio of the Südwestrundfunk (SWR) by a female an…
Edition of 40. In 1992 the Italian sound artist Francesco Michi curated a project for the Volterra Teatro Festival, called “I Popoli Virtuali” (Virtual Populations). The original idea was to create and show the evidences of the existence of these virtual populations. Michi arranged a series of installations, performances and an exhibition. He himself created the Eugrughi Population, with their own poetics and rituals. “Poesie Eugrughe” is the representation of a supposed Eugrughian poets recital…
The Sounding Museum fuses anthropology, acoustic ecology, soundscape composition, and trans-cultural communication inside the context of museum education. Based on the piece “Two Weeks in Alert Bay”, it supplies researchers, practitioners, and audiences with an instrument to gain an acoustic image of the contemporary cultural and everyday life of the Kwakwaka’wakw of Alert Bay, BC. The project mediates intercultural competence thorough the affective agency of sound.With the coeval Session Musici…
**Includes 120-page booklet** "Silent quest for sound, constant listening in the streets of Brooklyn, the Swiss Alps, the forests of Pennsylvania and the landscape of New Mexico. What if, after hours of walking, the mind finally clears, the ears open? Keep on walking, listening, giving space to resonances. Christopher Shultis, drummer and Professor Emeritus of the University of New Mexico and Craig Shepard, trombonist and member of the Wandelweiser collective, take Henry David Thoreau at his wor…
Marine Mammals and fish of Lofoten and Vesterålen’ is a collection that fits perfectly within the Gruenrekorder field recording series. The driving force behind this publication was Heike Vester, a marine biologist who in 2005 founded the organisation Ocean Sounds with the aim of encouraging a greater understanding and appreciation of marine animals. From 2005-2008, Vester recorded the sounds of species encountered by her team in Norwegian waters and presents a selection of these recordings here…
*In process of stocking. Limited edition of 500 copies.* Sounds of Absence collects artistic positions on the notion of absence, shaped by two years of pandemic lockdowns. The compilation is a cooperation project with the research group ARS – art research sound – at the Hochschule für Musik Mainz, led by Peter Kiefer, and curated by Wingel Mendoza and Joshua Weitzel. In 2020, ARS initiated a website to collect sounds of public spaces during lockdown conditions, in order to capture the sound of t…