Back in stock
Cosmic Pulses
Karlheinz Stockhausen – “Cosmic Pulses” is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. It is the 13th "hour" of Stockhausen's originally-planned 24-part cycle Klang ("Sound") which is based on the 24 hours of the day. This electronic work is composed of 24 layers of synthesizer-generated melodic material, with each layer having a different speed and pitch register. The layers enter one by one, starting from the lowest/slowest layer, a…
Sirius
*2022 Stock.* Karlheinz Stockhausen – “Sirius” eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. "It begins with a slowly emerging hum - like a disturbance in the wiring of your sound equipment -; then evolves into a murmur of great timbral depths, finally releasing itself into a spinning, swooshing, disturbing sound of higher frequencies in the foreground, panning between the spea…
Hymnen
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra grou…
Alveare
"Alveare, a collection of electroacoustic music by Italian percussionist / composer Andrea Belfi, is part of a collaborative multimedia project with photographer Matthias Heiderich. Inspired by Heiderich’s pictures of the modernist housing complexes put up in Italy after World War II, the LP’s five tracks were composed and played between 2007 and 2016. As befits Belfi’s status as a percussionist, all are firmly set on a foundation of rhythmic drumming or percussion work, often wrapped in an atmo…
Descriptive
"Descriptive" completes the series of official reissues of the only two LPs released under the Corviria moniker by Edizioni Leonardi in 1977 (Psyco Analysis) and 1980 (Descriptive) respectively. Both are among the most obscure titles of Italian library music, whose composers can only be traced in the figures of Luigi Bergonzi and Vittoria Corona.
Musically, "Descriptive" marks an evolution of the electronic and dark sound of the previous "Psyco Analysis", starting with the four-part opening mini…
A Queer Anthology of Drums / Lucha Libre / Basta Now
This bundle includes the following releases on Valentina Magaletti's Permanent Draft label:- Valentina Magaletti "A Queer Anthology of Drums" LP- Valentina Magaletti "Lucha Libre" 12"- Fanny Chiarello "Basta Now: Women, Trans & Non-binary in Experimental Music" Book
Philip K. Dick Volume One
Following well-received releases on labels such as Satatuhatta, Krim Kram, and White Centipede Noise, Cyess Afxzs debuts a new series based on the novels of Philip K. Dick. It is tempting to describe this work as post-noise. But such verbiage is reductive at best.
Dead Harbor
This is a cassette released by American noise artist Dead Door Unit from the country's experimental/noise label Tribe Tapes in April 2024. Contains two 2-minute Lo-Fi junk harsh noise songs using field recordings and tapes.
A sound lover's feast. The reincarnation of the individual sounds would be enough but the scalpel is applied in broader strokes.
Laugh At The Devil
Tip! *2024 reprint* Dead Door Unit is the alias of Northeastern US artist Ken Geiger. The project follows in an exploratory vein of tape-recorded junk noise and field recordings. "Laugh At The Devil" is a work raucously out-of-time, bringing to mind the murk of mid-aughts Hanson releases or even the obscure malice of Dom Fernow's earlier work. Geiger breeds a fresh perspective through destruction and reassembly; "desperation."
The Spyked / Lamb Lays Down In Georgia
"The weave of events rises and falls creating an undulating flow like a living river of aural dramas."
46-minute program, handmade packagingJohn Olson, Max Julian Eastman, Creighton Jenkins
Music By Jean Eichelberger Ivey For Voices, Instruments, And Tape
*2024 stock. Custom CDr* This 1973 recording combines live performance and tape in order to “offer the best of both worlds, plus a dimension which neither live performer nor tape can reach alone.” There are four pieces on the album: “Terminus” and “Aldebaran” are each for a solo performer and tape, “Three Songs of Night” is for a large ensemble with intermittent tape, and “Cortege—for Charles Kent” is an entirely electronic piece. Liner notes contain a biography of composer Jean Eichelberger Ive…
Electronic Music
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.
Waka and Other Compositions: Contemporary Music of Japan
2024 stock. This 1960 release is a selection of compositions by Japanese experimental composer Michiko Toyama. The 12 compositions are drawn from traditional Japanese musical forms with additional influence from many of the experimental composers in the West that were active during the twentieth century. Some pieces are sung with instrumental accompaniment; others are spoken poetry. The instrumentation consists of a mix of traditional Japanese and modern Western instruments, including electronic…
Sounds Of The Sea Vol. 1: Underwater Sounds Of Biological Origin
2024 stock. Did you know that cancer crabs are great percussionists, as are catfish, snapping shrimp, drum fish and black croakers? Hear the noises of our underwater friends, recorded at depths of from five feet to two thousand fathoms below by the Naval Research Laboratory in the tropical waters of the Atlantic and Pacific.
At The Helm
*2024 stock. Custom CDr* East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings!
The sound is loose and free – spiritually…
Music Of A Timeless Earth
*2024 stock. Custom CDr* This 1980 album features compositions by Barton McLean, Charles Gruber, Gene Menger, and Catherine Schieve that present “several highly individualistic approaches to the combination of cultures in sound.” Influences from electronic music, from notation systems that can “translate” sounds and gestures from the human and natural worlds, and music based on non-Western oral and pre-literate tradition combine to inspire these works. Liner notes contain an introduction to the …
New American Music, Vol. 1
*2024 stock. Custon CDr* From Milford Graves’ guttural experiments with percussion and the body to Mary Lou Williams’ jazz combo interrupted by atonal “fungus,” this compilation of new (1970s) music makes for an eclectic mix of musical sounds. Star innovators Gil Evans, Sam Rivers, Sunny Murray also contribute to this collection of jazz.
New American Music, Vol. 4
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
Electronic Music From The Outside In
*2024 stock. Custom CDr* Electronic Music from the Outside In presents the experimental musical sounds of Barton and Priscilla McLean (The McLean Mix), Reed Holmes, and Kevin Hanlon as they explain how they seek to explore the extremes of music and sound. Each track begins with a spoken introduction about the reasoning and process behind the music. Both of the McLeans have won numerous awards and grants for their work in promoting and creating experimental music.
Four Fantasies For Synclavier
*2024 stock* In this 1982 Folkways release, Jon Appleton plays four compositions written for the Synclavier, a digital synthesizer he helped to develop in the late 1970s. “The Sweet Dreams of Miss Pamela Beach” was recorded in a studio using a 24-track recorder to “layer” portions of the music. The remaining three pieces were performed live with “some small sections and accompaniments contained in the digital memory of the instrument at the time of performance.” Liner notes contain brief descrip…