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None Corsa
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…
split 7"
Campbell Kneale moves ever closer to the glistening, levitation altar, with backwards bliss-shimmer, spooked chant and analogue squawk and squeal, kaleidoscoping around triumphant snare punctuation. Bark Haze (Thurston Moore & Gown duo) hit back with focused power-drone guitar duelling from the heart of the bong, smoking out into tunnel-visoned, crumbled-amp chunder. Artwork by Campbell Kneale/Kim Gordon.
Monster Mittens
A new single by neil campbell’s ever-evolving solo project, astral social club. neil (a band, vibracathedral orchestra) with assistance from karl bauer (axolotl) unleashes two electronic psychedelic noise jams with distorted loops, cascading feedback, and the sound of hypnotic drones recorded in space.
Monumento Fiume
*300 copies limited edition* In 2021, the Municipality of Cotignola, Ravenna invited sound artist and composer Giovanni Lami to participate in an artist residency as part of a broader project aiming to investigate the anthropic landscape of the local area. The two-piece composition Monumento Fiume stems from the huge body of field recordings collected by Lami throughout his residency period, which is going to contribute to the soon-to-be Sound archive of Cotignola. As Massimiliano Fabbri points …
Spectres #04 – A Thousand Voices
*Bilingual English-French* The fourth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice. Contributions by Joan La Barbara, Sarah Hennies, Peter Szendy, Youmna Saba, Lee Gamble, Ghédalia Tazartès, David Grubbs, Stine Janvin, Pierre Schaeffer, Akira Sakata, Haela Ravenna Hunt-Hendrix, Yannick Guédon, François J. Bonnet, John Giorno.The voice is everywhere, infiltrating …
Vanity
This box-set collects all the available recordings by seminal Japanese group Tolerance. It includes both their albums released between 1979 and 1981 on the Japanese cult DIY label Vanity Records, along with never before released tracks recently discovered in Agi Yuzuru's archives.LP-1 Anonym(Vanity 0004, originally released in 1979)Tolerance is a solo alias of Junko Tange from Tokyo. Its sound is made of Tange’s electric piano, synthesizer, and simple electronics playing alongside the whispering…
Music For Empty Flats (LP)
* Edition of 300. 180 gr. vinyl * Cello player and electronic artist Martina Bertoni's new album Music For Empty Flats delivers masterfully crafted experimental ambient/drone. Martina Bertoni is a Berlin-based cellist and composer. she started playing the cello at a very young age. classically trained, Bertoni's career soon developed around experimental and film music where her cello has been featured in numerous records, soundtracks for awarded movies and TV series and collaborations, among oth…
Confessions (Lp)
* In process of stocking * Fascinating, historically important and previously publicly unheard recordings of the great Irish author and playwright Brendan Behan.These tapes became the source for his book Confessions of an Irish Rebel, posthumously published in 1965 following his tragic death the year before. They were recorded by his friend and confidante Rae Jeffs in the Chelsea Hotel, NYC in 1960. Tranferred for the first time from the original 1/4” tapes, with a sleeve made from another unsee…
The Founder Effect II
With a generosity of spirit that is touching, the three tracks on this disc are titled after deceased (and much missed) improv heroes—drummer Tony Marsh, saxophonists Lol Coxhill and John Tchicai. (Coxhill never recorded for Treader but Marsh and Tchicai both did.) That gesture serves as a reminder of the close-knit nature of the improv community—a factor which is vital to its music. Although this CD features the same four musicians as the first one, Coxon here plays synthesiser instead of guita…
Abbey Road Duos
Two behemoths of improvisation go head-to-head in the impressive surrounds of Abbey Road Studios for this eight-piece set. Celebrated Brit avant-garde saxophonist Evan Parker takes the lead here, and he doesn't half throw his entire bag of tricks at this one, firing off a vast repetoire of breath articulations while American free jazz figurehead Matthew Shipp does a tremendous job of matching his every move. The opening suite finds the two maestros sizing one another up, only to launch into full…
Rak
This second AG recording for Treader sees Charles Hayward passing the drumsticks to Rupert Clervaux. Together with John Coxon’s simple and insistent guitar themes, the elegant drum-work underpins four extended group compositions, containing a surprising collision of sounds and influences, bringing together Pat Thomas from the Improv scene, Floating Points-collaborator Susumu Mukai, and Alexis Taylor’s mooger-foogered rhodes. Somehow it all crystallises perfectly. The clearest precedent for this …
Evan Parker With Birds
One of Treader’s most requested recordings sees the great UK free saxophonist Evan Parker on soprano and tenor saxophones, duetting with European birdsong. A fitting tribute to his friend, the celebrated soprano saxophone player Steve Lacy, who died in the year of its initial release. A titan of British free jazz, Evan Parker needs no introduction. His output, both as a bandleader and collaborator, are the stuff of legend. Within the history of the European improvised music, he’s everywhere - ha…
Play The Red Krayola Live 1967
* In process of stocking * Trems, feedback, metronomes and a music box………This recording was made during preparation for a joint performance by J Spaceman and John Coxon as part of : Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019. The idea was to attempt to do a cover version of The Red Krayola’s radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recor…
Watarase At Watarase
Post bop groovy album by Japanese pianist Fumio Itabashi recorded in 2011.
All the Way
** 2023 Stock ** All the Way is a collection of radical re-workings of traditional and jazz standards such as “All the Way”, “You Don't Know What Love Is”, and “The Thrill Is Gone” (made famous by Chet Baker). It also includes a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of the American traditional “O Death” and the country song, “Pardon Me I've Got Someone to Kill”. The album includes both electric live performances (recorded in Par…
Broken Gargoyles
Tip! Employing a vast array of advanced vocal and instrumental techniques, Broken Gargoyles is arguably Diamanda Galás' most intellectually, sonically and viscerally formidable work to date. The album finds the visionary artist deftly probing the weaving, warping transformation on the nervous systems of her post-traumatic soldiers and dying diseased. The album's first part, "Mutilatus," contains the Georg Heym poems "Das Fieberspital" and "Die Dämonen der Stadt," and concerns the suffering of th…
At Saint Thomas the Apostle Harlem
Live at St. Thomas the Apostle documents Diamanda Galás’ volcanic May 2016 performance at St. Thomas the Apostle church in Harlem NY, described by the New York Times as "guttural and operatic, baleful and inconsolable, spiritual and earthy, polyglot and wordless, nuanced and unhinged." The concert, produced by Intravenal Sound Operations and Red Bull Music Academy, was composed exclusively of what Galás calls “death songs”.
Amplified Trio
Dutch drumming legend Han Bennink teams up with Treader mainstays John Coxon and Ashley Wales for an amplified onslaught of ferocious freeform jazz. For this session Coxon kits himself out with an electric guitar while Wales mans electronics and samples. Between the two of them there's a barrage of flurried sonic ideas ranging from discordant string ensembles and abstract soundscapes to jagged wah-wah abuse. Throughout all this, Bennink's drumming comes across as boundlessly inventive, constantl…
Swallow Chase
First solo recording by Mark Sanders, one of the world's great improvisors. Recorded from the drummer's perspective, a beautiful virtuoso performance in 9 parts.
Jems
The extraordinary improvising duo of John Edwards and Mark Sanders have recorded together in countless groups, but only once as a duo [Nisus Duets Emanem 2002]. For this recording, Mark uses an unorthodox kit setup with horizontal orchestral bass drum. John's huge bass sound is captured in full by the old RCA ribbon microphone used in this recording. Constantly imaginative, thrilling playing.