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Variants
“Variants” is a new chapter of Capricorni Pneumatici an esoteric post industrial project that started in Italy during the nineties. First of all you will be caught by the nice cover recalling Flemish painter Hyeronimus Bosh. You may see it as an introduction to the dark disquieting spaces crossed by CP during the 7 tracks of this work. The sound generated by live electronics, percussions and treated guitars subtly flows from one track to the other trying to overcome the opacity of the world of s…
I Went This Way
2024 stock. With her new album, I Went This Way, (due October 23, 2020), Rachel Musson debuts her own ambitious compositions, incorporating spoken word text and daring instrumental experimentation, alongside eight other accomplished musicians. The ensemble was built around the close working relationship between saxophonist Rachel Musson and drummer Mark Sanders. The music, a blend of compositions and improvisation designed to highlight all of the different musical voices in the ensemble, is susp…
The Dream
2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…
And On The Seventh Day Petals Fell In Petaluma
The history of American avant-garde music is a snarled knot, twisting through the decades, spanning genre, practice, and approach. Most narratives plant its origins within the post-war period, orbiting around John Cage, Morton Feldman, and those artists springing from the movements of Fluxus and free-jazz. American creative innovation issued unquestionable influence over the later half of 20th century, but the root of its radicalism was earlier, with its origins often misplaced. Rather growing f…
It's So Hard To Tell Who's Going To Love You The Best
Karen Dalton's 1969 debut is finally back in print. 2024 reissue features all-analogue mastering by Kevin Gray at Cohearent Audio, direct from the original analogue tapes. Housed in an expanded gatefold jacket with liner notes by Brian Barr
Resignation I-II-III
*300 copies limited edition* Nordvargr’s Resignation project was initially born in 2008 exploring rhythmic and repetitive aspects of his musical output, merging elements of electronic music with dark ambient soundscapes. We present here the first 3 volumes of this venture in a deluxe 3LP boxset with poster as well as a 3CD 8 panels Digisleeve version, both with unique and exclusive material. From it’s inception delving into the more gaseous realms of dubby techno and evolving through the years t…
La Macchia
This new chapter of Baccano intertwines the sonic roots of Southern Italy with contemporary musical languages, thanks to the collaboration between two artists who, despite coming from different backgrounds, share an intense exploration of traditional rhythms.
Infinite Cosmos Calling You You You (Vol. 1)
Federico Ughi Together with Leo Genovese and Brandon Lopez Explores the Spaceways in the New Multidimensional LP ‘Infinite Cosmos Calling You You You, Vol. 1’
Yellow Magic Orchestra
*2025 repress* Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra. The album was an early example of synth-pop,a genre that the band helped pioneer. It contributed to the development of electro, hip hop and even techno. The album's innovations in electronic music included its use of the microprocessor-based Roland MC-8 Microcomposer music sequencer which allowed the creation of new electronic sounds,and its sampling of video game so…
Raised Pleasure Dot
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling, constantly changing musical menu. Baron heads a trio with saxophone and trombone; the absence of bass, keyboards, or guitar results in intriguing voicings and the pieces are solely dependent on the interaction of his drumming with Ellery Eskelin’s s…
In Wildness Is The Preservation Of The World
The music on this recording is drawn from a range of solo, chamber, and orchestral works composed by Brian Fennelly (b 1937) over a period of two decades. In his thirty-year career, Fennelly has contributed more than sixty works to the repertoire of twentieth-century music. His most significant teachers were Mel Powell, Donald Martino, Gunther Schuller, George Perle, and Allen Forte.
The works presented here make use of a variety of harmonic systems: the complex and sophisticated serialism of In…
Piano Concerto for Left Hand and Orchestra
Gary Graffman and I have been staunch friends since we met as students at the Curtis Institute in 1943. The notion of pooling our talents, however, arose only when we returned to that Institute nearly five decades later, Gary as director, I on the faculty. Now Gary, who has not made professional use of his right hand since 1980, felt an urge to expand the admirable but restricted literature of left-hand works (most of them composed long ago for the elder brother of philosopher Ludwig Wittgenstei…
Dream Sequence (Chamber Music)
Andrew Imbrie (b 1921) is a composer whose independence and singularity of purpose have endowed a prodigious output that awaits wider discovery. His method of composing is not in and of itself remarkable. He is, rather, of a tradition wherein achievement is measured in terms of individuality, depth of expression, and craft.
His music reveals a preoccupation with line, which in turn generates form, harmony and color. Line also motivates the forward motion and energy that characterizes so much of…
Over The Edge
Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer fashioned each, for cello, for soprano, and for flute, with particular accomplished performers in mind, taking his inspiration, he says, "from their personal styles and energy."
Chasalow composed Hanging in the Balance (1983) for the redoubtable cell…
Wes York
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York's (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music that is unusual in its reconciliation of what had previously seemed two incompatible forms of Minimalism: the propulsive, harmony-and-rhythm driven sort pioneered by Philip Glass and Steve Reich, and the more mysterious and intangible ways of Morton F…
Past Tells
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how meaningless the old stylistic boundaries are for a contemporary artist. Taylor is known for his work with such artists as Duke Ellington, Barbra Streisand, Frank Sinatra, Aretha Franklin, The Rolling Stones, and Quincy Jones. He also premiered compos…
Gravity
Joona Toivanen Trio returns to We Jazz Records with their new album "Gravity", out 31 January 2025. A landmark work for the long standing group, the album showcases the forward-looking sound of the band, moving way beyond the basic scope of the "piano trio". There’s a startling sense of telepathy and intimacy at work in the music of the Joona Toivanen Trio, something you can glean from the opening moments of their latest album, Gravity. It’s that rare synergy that can only come with years of tim…
McPhee Marker
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
La Poupée Vivante
Four mouvements of electro-acoustic and vocal poetry projecting luminous shadows of a decadent fin de siècle. Performed by Timo van Luijk, Frédérique Bruyas and Arlette Aubin. Edition of 300 copies with printed inner sleeve.
Sodorome Vol. III: Les Romans de Massou
From 1973 until his death, Jean-Marie Massou lived isolated in the heart of the forest in the Lot, a territory he traversed and redrew in his own way, digging countless underground galleries, unearthing gigantic stones that he shifted, erected, aligned, piled up, engraved. When he was not moving heaven and earth, he drew and recorded on hundreds of cassettes his laments, his stories, his dreams, his speeches about the end of the world, ecological disaster, or the arrival of extraterrestrials. Je…