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Edition of 50 copies with 12-page booklet including a full transcription of the audio contents and texts by Rasmus Östling and early Fluxus member Ken Friedman. Translated by Hugo Strandberg, designed by Tom Backström and mastered by Sean McCann. Pentiments is happy to offer a uniquely modest document of contemporary Fluxus homage by Finnish artist Rasmus Östling. For this work, Östling paid visits to early Swedish Fluxus member Bengt af Klintberg (best known for his booklet The Cursive Scandina…
Composer David Julyan has until now existed just beyond the image — soundtracking celluloid stories on film and television. Best known for his work with cinema auteur Christopher Nolan, his atmospheric and achingly beautiful scores have time again perfectly melded subtle orchestra with electronics — conjuring music in the post-classical genre. More recently, away from the deadlines and drama of others, it was time to reflect and reconnect with his own musical voice. The result of this introspect…
Vumbi and the guitar go back a long time. Born with polio in the Kivu province of North Eastern Congo, Vumbi grew up in a Swedish missionary home and picked up the guitar at an early age. Listening intently to the radio, he learned the style and rhythms of Rumba and Soukous from the giants of the Congolese guitar sound, Dr Nico and Franco. "Listening and playing Soukous music makes you feel happy to be alive and you just have to dance to it no matter what". In the early 80’s Vumbi emigrated to T…
On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the ‘Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70’s sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped …
In Hallucinating Loss, composer William Fowler Collins presents one hell of a cinematic record. Through a sweeping grandeur and telescoped gestures, he offers a poignant and powerful meditation on grief, loss, and sorrow. Completed before the 2020 pandemic besieged the US, this is an album that presages the conditions of anguish that many have felt throughout this very difficult season.
For this album, Collins furthers the connectivity between film and sound by recruiting his friends and colleag…
Edition of 300 in full-color sleeve with printed inner sleeve and insert, containing images of optophonic tools and drawings, and extensive linernotes. Barbara Proksch (born 1943 in Berlin, living in Salching, Lower Bavaria) is a German visual artist. After having studied Lettering and Illustration, she first worked in graphic design and theatrical painting before in 1982 deciding to become a freelance artist, concerning herself mainly with drawing. Her works are characterized by her long lastin…
** Edition of 300 on blue vinyl ** Edition Telemark presents the ninth album by die ANGEL (pronounced [diː ˈaŋl̩], previously called Angel), an improvisational noise and electro-acoustic project founded in 1999 by Dirk Dresselhaus and Ilpo Väisänen (Pan Sonic). Dresselhaus, a.k.a. Schneider TM, is based in Berlin and has been active in electric and electronic music since the late 1980s in various bands and projects ranging from rock music to electro-acoustic improvisation. Väisänen has been play…
Edition of 250, includes signed insert by Sullivan. "Matthew Sullivan's Matthew is nailed together with driftwood from around the world. The waters of Italy, the pubs of London, birds of Japan, a phone call in Los Angeles. Sullivan moved from California to London in 2016. Living in London was a pivotal time for Matt, as I see it. This record digests that time. Each sound on Matthew means something specific to the artist. Locales and memories focus to mind as passages rise and sink. Us listeners…
Limited edition of 350 copies. Sold out at source To celebrate the 10th anniversary of Recital, we present Autumn Fair. A group LP comprised of 44 guest players (full list below), curated and edited together by Sean McCann. Autumn Fair aptly embodies the feeling of Recital as a record label; the infusion of abstract sound art and sentimental beauty – performed by both younger and older generations of artists. Oren Ambarchi - guitar, Ed Atkins - paper shredder, Jason Bannon - family, Derek Baron …
** Edition of 220. It comes with 20-page insert with scores and texts, introduction sheet by Charlie Morrow. ** All Of The Time is the first comprehensive album of Jean Dupuy's sound works, collecting recordings from 1969 to 2017. Dupuy started his artistic career as a painter but shifted his practice when he moved from France to New York in 1967. Dupuy experimented with new technologies, and soon became a prominent figure in the Art and Technology movement. In 1968 he participated with an inven…
Recital presents a new double album of rarely heard Robert Ashley compositions performed by baritone singer Thomas Buckner. “(Robert Ashley) turned speech into music” - Alvin Lucier.
200 copies. Black vinyl in full colour die-cut sleeve. Pale Moon is RM"s third Lp. Prepared, costructed and then deconstructed starting from jams recorded on multitrack using two samplers and various effects units, Pale Moon evokes an imaginary tale of havoc (side A) and desolation (side B). The end isn't written but some hope is still hidden under the ashes of a world which is, at least, finally quiet.
Tip! * 140g vinyl, cover art silkscreened on recycled cardboard. Edition of 300 * Rauhan ja nautinnon puutarhassa (In the garden of peace and pleasure) is a meditative sound piece created by Pasi Salmi and Simo Laihonen, which paints a serene sonic space where the listener can rest and wonder. In terms of style, the album floats somewhere between impressionism, avant-garde jazz and ambient music, without falling into any of these categories in particular. Simo Laihonen (b.1982) is a percussioni…
Softcover, 196 pages, 21x21 cm Korm Plastics founder Frans de Waard teamed up with designer Alfred Boland for this, their latest publication, The Annual. For a long time both had wanted to publish a magazine, which eventually became what they hope will be a regular yearbook with ‘everything you never knew you were interested in’. They invited their authors (present and future) to contribute an article, which led to a wildly diverse selection. From the history of turntablism, a 1985 interview wit…
"From eel to eel," Oskar thinks, standing by the coffin, "for eel thou art, to eel returnest." --The Tin Drum, Günter Grass Eel is the second set of sound works from Berlin based Korean American composer, Hyunhye Seo. Known widely for her contributions to the now legendary unit Xiu Xiu, Seo's solo pre-occupations dwell in an altogether more timbral and gestural domain. Each of the two pieces that compromise Eel are visceral deep dives into a turbulence of sound flows. Uniting her interests in ec…
From Mike Cooper ‘This is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from my late friend Fred Hardy’s book The Religious Culture of India - Power, Love and Wisdom, considered to be one of the most important books on the subject. In this book Fred wrote...“In 1835 the historian Macaulay investigated whether there was anything in the traditional Indian systems of learning and education that could be used in the training of native personne…
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the threads of our different histories, different lives, and different perspectives together, and become family. Daniel weaves the ‘Manikay’ (public songs) in his first language, Wagiläk - into the syntax of our shared practices. He talks about the ‘rak…
Swiss artist Zimoun is known for creating effortlessly deep and fluid sound works and sculptures. On Guitar Studies I-III he limits his acoustic focus to just one instrument, arguably the most iconic of the modern age. In doing so, he begins a vertical study of the guitar, seeking deeper and deeper into its tonal and timbral qualities, pushing to reveal the dynamic possibilities of the instrument. Using a wide variety of techniques and settings, he unlocks an entirely personal and profound readi…