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Mythos
Mythos was formed in 1969 on the initiative of Stephan Kaske (flute, keyboards, vocals, guitar), who found two comrades-in-arms in Harald Weisse (bass) and Thomas Hildebrand (drums). Various performances impressed label boss and talent scout Rolf-Ulrich Kaiser so much that the band was able to release their debut album on the Ohr label in 1972. This album was also re-recorded and remastered from the original analog tapes. Best sound!
Soleils Noirs
** Edition of 200 ** Soleils Noir by Bruno Duplant and Alfredo Costa Monteiro is the first in a series of collaborations between various musicians who release on Moving Furniture Records before. After a collaboration for the Moving Music compilation this is the first time they get together to release a full-length album. From a radical utopia to divine transformations, it is at the same time a mass, a flow, a ball of fire, a sparkling device. A continuous sublimation that renews and regenerates …
Hyperituals Vol. 2 - Black Saint
Drawing to light rhythms, grooves and Afrocentric traditions, Hyperjazz Records takes an unprecedented dive into the incredible back catalog of the seminal Italian imprint, Soul Note, with “Hyperituals Vol. 2”. Gathering an astounding group of recordings by Sun Ra Arkestra, Archie Shepp, Karl Berger, Muhal Richard Abrams, Lester Bowie, Cecil McBee, John Carter, Joseph Jarman, Don Moye, Johnny Dyani, Don Pullen, World Saxophone Quartet, and others - many of which have never before appeared on vin…
Elektronische Musik 1952-1960
In short, some of the most breathtaking, intrepidly advanced electronic music ever recorded. A truly precious survey of a lone, pioneering voice in electronic music. Cardboard slipcase housing a CD jewel case and a 184-page booklet in German and English. Karlheinz Stockhausen – Electronic Music 1952 – 1960: “Etude” (1952) / “Studie I” (1953) / “Studie II (1954) / “Gesang der Jünglinge” (1955-56) / “Kontakte” (1959-60). "Nowadays anybody with a computer and some relatively cheap software can mani…
Kontra-Punkte / Zeitmaße / Stop / Adieu
*2022 Stock.* The best, most efficient way to hear Stockhausen's works is through his official record label and publishing house. The Stockhausen Edition CDs are meticulously assembled with often voluminous booklets in English and German, filled with sketches and other documentary artifacts. Almost all of the recordings originally released on Deutsche Grammophon, Wergo, Nonesuch and other labels were reacquired by Stockhausen, and then remastered and repackaged under the Stockhausen Edition cata…
Nifbin Circle
*300 copies limited edition* Nifbin Circle is the fourth release by Detlef Funder, aka Konrad Kraft, on the Cologne label Aufabwegen. Sounds generated with two apps on the iPad,provided the basic structures and the sound space. The strangely enraptured textures created in this way, with a subtle percussive touch, were partly combined with supporting beats in the course of further processing. Thus, after more than 30 years, tracks with rudimentary melodies and rhythms were created again.
Collected Solos
A truly stunning accomplishment on the part of Otoroku, "Collected Solos" is easily one of the most exciting reissues of the year. Gathering all four of Evan Parker’s seminal solo releases for Incus, plus a cassette featuring extra cuts from the sessions at FMP studios from the "Saxophone Solos" session, and an accompanying booklet written by the late writer, Paul Haines, issued in a deluxe, screen printed box, in an edition of 250 copies, it is a towering artifact of European free improvised mu…
The Hex of Light
**300 copies** Tongues Of Mount Meru is the duo of Jon Wesseltoft & Lasse Marhaug. Jon Wesseltoft is a versatile electronics composer and musician, having worked with noise, electro-acoustics, improvisation and experimental sound-work for over 20 years. Lasse Marhaug is an experimental musician, improviser and composer with a long history within noise, improvisational, and experimental music with numerous releases since the 1990’s. He is also a producer, graphic designer, label head and publishe…
Moon Child
*2022 stock* Pharoah Sanders’ Moon Child from 1990, which bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive sound, but reinvented himself on this album as a more traditional improviser capable of thoughtful deliberations. Moon Child is a grand old time throughout, and Sanders has never been more eminently sing-along-able as he is on its title track.
The record was co-written with Horace Silver, George Gershwin and Abdulla…
Offset
Limited to 300 copies edition, Pali Meursault's offset is a piece of sound art/field/soundcape recording with a curious source
Ray Draper Quintet featuring John Coltrane
Recorded in 1957 by Rudy Van Gelder and released in the same year on the New Jazz label, this was a major statement from Ray Draper, who besides working with the likes of Max Roach, Jackie Mclean and Donald Byrd, he has been one of the few tuba players who have made a name as band leader. In particular this quintet date was a courageous step with Draper sharing the frontline with John Coltrane. In fact the two gave voice to a very unusual combination of tuba and tenor sax. An unprecedented instr…
It Is Revealed
Flutist Prince Lasha and alto saxophonist Sonny Simmons were one of the great teams in the "New Thing" era. Recorded in New York in May 1963 these early studio sessions feature great contributions from trumpeter Don Cherry and tenor sax giant Clifford Jordan, plus the rhythm section of Orville Harrison and Bill Wood on bass, Charles Moffett on drums, and producer Fred Lyman on flugelhorn. This is a great snapshot of the NYC music scene in the 60's, when a bunch of young, creative, uncompromising…
Valvole (LP)
Ugo Busoni's “Valvole” is a classic example of the so-called library music records released in Italy (as in the rest of the world) in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized b…
Se Ci Fosse La Luce Sarebbe Bellissimo
If you could paint the world black, rediscover it with a flashlight illuminating every single detail and turn each finding into an obsession while gliding across the murk then you might stumble into Blak Saagan’s new magniloquent quest ‘Se Ci Fosse La Luce Sarebbe Bellissimo’ (If there were light it would be beautiful), a monstrous work of dedication and sound architecture that investigates and soundtracks one of the saddest and most obscure pages of Italian history: the 1978 kidnapping of forme…
New Directions in Modern Music
Avant-garde jazz drummer Rashied Ali played with John Coltrane up until his death in 1967, appearing on final recordings like The Olatunji Concert and Interstellar Space. After Coltrane's death, Ali soon formed his own quartet, with Fred Simmons on piano, Stafford James on bass violin and Carlos Ward on alto sax and flute. The quartet's first release, New Directions In Modern Music, released on Ali's own Survival Records in 1973, exploded onto the free jazz scene, influencing the likes of Don Ch…
I Want the Beatles to Play at my Art Center
Video From the Henie Onstad Kunstsenter Archives 1968-2011. Artists: John Cage, Kjartan Slettemark, KILLL, Arne Nordheim, Stephen O`Malley, Mauricio Kagel, MoHa!, Christopher Nielsen/Masselys, Stian Skagen & Monica Winther. This DVD presents seminal works of music, performance, dance, theater and installation art from the nearly 50-year history of Henie Onstad Kunstsenter (HOK). When HOK founder Sonja Henie exclaimed that she wanted the Beatles to play at her art center, in essence she expresse…
Angular mass
Koto virtuoso Michiyo Yagi joins the longstanding Norwegian duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations. Galvanized by Nilssen-Love’s arsenal of sounds and textures, Yagi drives the most traditional of Japanese instruments to non-idiomatic and percussive extremes while Marhaug's abstractions reach heights of surprising lyricism. A veritable atlas of strange and wonderful sonic terrain, “Angular Mass” invites the listener to an un…
Hymnen - Elektronische Musik Mit Orchester
*2022 Stock.* Hymnen - Elektronische Musik Mit Orchester is the premier recording of a specially-adapted version of the 3rd Region of the massive electronic/tape work Hymnen. Commissioned for a 1971 concert with the New York Philharmonic, Stockhausen scored a new orchestral accompaniment to this particular quadrant (the other 3 Regions were accompanied in this concert by the electro-acoustic Stockhausen Group, employing intuitive strategies). This orchestra and tape version also includes a solo …
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
Mikrophonie I / Mikrophonie II / Telemusik
Packaged in a thick 2CD jewel case with 128-page booklet in English. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra groups, four sine-wave generators, four ring modulators, they form a tryptych of live-electronic works, where electronic …