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2018 repress; Double LP version. Cameroonian musician Francis Bebey is truly one of a kind. He entered the music scene with his African compositions for classical guitar. He gave recitals while pursuing a career in journalism and then as an international civil servant. The same creative impulse also led him to write pop songs, some of which (based on novels he had written) became big hits in Africa and in the French-speaking world. But few people know that in the '70s, Francis Bebey delved into …
Previously unreleased live concert from 10/25/70 & DVD from their final European tour w/Robert Wyatt in '71, a multi camera crew shot 20 minute set. Both feature the classic SM quartet line up of Wyatt, Dean, Ratledge & Hopper.
The aftermath of World War II gave rise to a global phenomenon that saw new generations of young people rise up determined to forge new paths from their elders – culturally, politically, and musically. Japan was no exception and the recent past made the local youth angrier, hungrier and even more determined to fully experience something different from their parents. The country caught on to the early rock & roll craze almost in tandem as it was happening in the States. Teenager Chiemi Eri singin…
Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes
Dynamite Cuts takes a different move from the funk & soul and is proud to be able to press for the first time on 7" vinyl, two Colosseums' killer rock club tracks. Our A side is the powerful up-tempo "Elegy" a funky love song, with steaming guitars and heavy groove, massive club track back in the day! On the flip is the "The Kettle" heavy rock groove sampled by Fat boy slim for "Ya Mama"
Perfect for all good music collectors
Edited exclusively for Dynamite Cuts, this 1972 African rhythm takes you to a time of human percussion, and energy, of another time. The entrancing, hypnotic saxophone and extraordinary vocals fill your ears like liquid gold. Sensational.
The Last Poets are a group of poets and musicians, rising from the late 1960s African American civil rights movement. Jalaludin M. Nuriddin, an Army paratrooper who chose to go to jail instead of fight in the Vietnam War, founded the group in prison after conve…
Dynamite Cuts 45s series is proud to release two Jazz-funk n soul gems by the wonderful Brian Auger's Oblivion Express. Two killer tracks from this classic album both for the first time on 7" vinyl; taken from the mega rare private press and incredibly hard to find LP "My Song of Something".
Six cuts taken from this incredible 1975 soundtrack, the soundtrack to an adventure film set in Israel, is one of the finest in Roy Budd's catalog. Diamonds is a memorable soundtrack because it presents Roy Budd's unique combination of jazz, soul, and orchestral styles at its most catchy and innovative. Fans of funky soundtracks will love this album because it overflows with intense rhythms. "The Thief" layers suspenseful strings and heavy brass over a thick bassline that is pushed along by tigh…
Back in the 80s I became a big funky jazzy and soulful vinyl collector. Which opened the world of the late great Mr. Weldon Johnathan Irvine music, I managed to collect all of his LPs and singles back in the day. All have a place in my heart, back in the 90s I was also lucky enough to meet him. Licensing & Compiling for a small label called Hubbub records. Mr. Irvine was such a calm and gently person who just oozed music. He sadly passed away in 2002, which was a shock. But now years later It is…
Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.
Tip! **Repress. 300 copies limited edition** "Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant. The career of Valentina Goncharova (b. Kyiv 1953) shares parallels with those associated with the broader new music movement of the 20th century and the dissemination of home recording technologies. Valentina’s was a youth spent immersed in the world of classical music study under soviet rule, first in Kyi…
WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves.
Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record. Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop…
** Special edition of 300 copies on Transparent/black marbled vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist g…
Wreckage is a collaborative work between Australian composers Oren Ambarchi and James Rushford. Cycling through a set of asymmetrical harmonic and rhythmic patterns, the composition is a study in displacement. The material, though repetitive, shifts itself in unpredictable ways to create an amorphous, and extremely delicate, sonic world. Wreckage draws upon both avant-garde and avant pop sensibilities, influenced by a variety of artists including Morton Feldman, Luciano Cilio and Luigi Non…
** 12-page booklet reproducing the original liner notes ** Reissue of the groundbreaking LP from 1971 of Phonetical Poetry / Sound Poetry pieces by the most relevant artists of the last century. Curated by Franz Mon.
Including pieces written by the fathers of Russian Futurism Velimir Chlebnikov, Alexej Krutschonych, and Kazimir Malevitc, followed by poems by Raoul Hausmann and Kurt Schwitters, the French school of Francois Dufrene, Henri Chopin, Maurice Lemaitre, to Bob Cobbing, Peter Greenham, …
Joke Lanz was born in Basel, Switzerland in 1965. In 1989 he created the noise music - performance, art - installation project Sudden Infant in connection with the Schimpfluch-Gruppe art collective. For more than 20 years Lanz has been one of the most prolific and profound artists working in the border zones between performance/body art and improvisation/noise. Noise In My Head documents Lanz's myriad activities and features: photos from installations, performances and actions; visual wor…
A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio. In the everflowi…
Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases. The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditi…
Sometimes there is this sensation: "I knew this was going to happen." It clicked right away when Dan mentioned they had initiated a collaboration with Lasse. I have a deep respect and decent knowledge of their past works, but I could not imagine what to expect (besidesit being a first class job). Lasse is a chameleon-like collaboratorand Dan has been firmly straying from the scorched domains of harshnoise. After a long and anxious wait, playing "Distort Orgasm" reveals a work where both artists’…