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**Essential reading!** Walter Zimmermann interviews Morton Feldman, Christian Wolff, John Cage, Philip Corner, Jim Burton, Phil Glass, Steve Reich, Robert Ashley, Alvin Lucier, Joan La Barbara, Pauline Oliveros, David Rosenboom, Richard Teitelbaum, Larry Austin, James Tenney, J. B. Floyd (about Conlon Nancarrow), La Monte Young, Charlemagne Palestine, Charles Morrow, Garrett List, John Mc Guire and Ben Johnston (about Harry Partch).
* CD Edition * Over the years, the venerable New York based imprint, Mode Records, has operated to give Walter Zimmermann a solid platform, issuing both new work and reissuing lost classics. In 2019 the label reissued the entirety of the composer’s 1982 triple-album masterpiece “Lokale Musik”, including some newly recorded material, followed two years later with “Voces”, a lavishly packaged 3CD box focusing on Zimmermann’s vocal music from 1979-2016. Mode also reprinted the composer’s invaluable…
In intensive collaboration with the Swedish ensemble Lipparella, which specializes in creating contemporary repertoire for baroque instruments and countertenor, these 10 timeless contemporary songs were created.
Peter Söderberg, the founder of Lipparella tells: "After having met by chance at the Ultraschall Festival in Berlin in 2019, Walter Zimmermann and I started discussing whether it would be possible to perform some of his music by Lipparella. After suggesting some already existing works, w…
Voces documents many of Walter Zimmermann’s compositions for voices from 1979–2016. The words set range from Meister Eckhart and Hadewijch to Lermontov, Mandelstam, Jabès, Tranströmer, Ingold and Robert Creeley (with his voice accompanying the musicians). Performers include: Claudia Barainsky, the musicians of the Merce Cunningham Dance Company (including David Tudor & Takehisha Kosugi), Tehila Nini Goldstein, KNM Ensemble, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Peter Schöne / Jan Phili…
** 2021 Stock ** This is the first complete recording of Walter Zimmermann’s string quartets. The 10 Fränkische Tänze, from the project Lokale Musik (Local Music) explore the folk music of Franconia in Germany. They are built on research of old peasant books of dances, some dating back to the early 19th century and the beginning of the notation of folk music. The many dance melodies including waltzes, Schottische [German polka], mazurka, galop etc. are captured, rejected and presented in just in…
** 2021 Stock ** Like Morton Feldman, whose music he acknowledges as an influence Walter Zimmermann (b.1949) is fascinated by the relationship between painting and music, and how material of an apparently simple nature played by apparently “normal” instruments is capable of almost infinite subtlety. Frankfurt’s HCD Ensemble are also members of Germany’s infamous Ensemble Modern. They are joined here by the superb violinist Peter Rundel and cellist Michael Bach. Wüstenwanderung [Wandering in the …
** 2021 Stock ** The influence of two American composers – John Cage and Morton Feldman – has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties – works like the String Quartet, the Suite for Toy Piano and the Six Melodies – that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann’s lyrical impetus, and Cage to his constructivist urges. Yet the t…
Despite having an undeniable canon, the minimalist music movement which developed during the 1960s and continues to flourish and evolve today, is defined by a remarkable breadth in ideas and compositional approach. Particularly in Europe, it rapidly took on a diverse number of influences and became very much its own thing. Of the composers who proposed an alternate reality for this territory of sound, there have been few more accomplished than the German composer, Walter Zimmermann.All too often…
Small repress available! Biggest Tip possible! ** English/German edition. 288 pp + 5CD plenty of incredible music, most of which have never been heard before ** From the Wolke Verlag imprint, who've already brought us incredible books like Karl Berger's "The Music Mind Experience", "FMP Free Music Production - The Living Music", Peter Brötzmann's Along the Way, and George Lewis' "Composing While Black. Afrodiasporic New Music Today", to name only a few and a great many more - comes one of the m…
Luigi Gaggero, a native of Genoa, has graced the stages of Europe’s most prestigious venues. He is currently Chief Conductor and Artistic Director of the Kyiv Symphony Orchestra as well as musical director and co-founder of the Ukho Ensemble Kyiv, with which he has recorded acclaimed CDs of con- temporary music repertoire. Before launching his conducting career, Gaggero performed for 25 years as a cimbalom player and percussionist, collaborating with the finest European orchestras and ensembles …
‘…music can conduct autopsies on received historical narratives and current ideologies of power and exploitation; it can tell things as they were, as they are, and perhaps, as they could be.’ (Benjamin Dwyer)
In this book, the direction of readers’ attention is naturally drawn into music; but more often it is drawn outwards. This is the metaphoric idea of ‘autopsy’: music can not only conduct investigations into extra-musical thoughts of discipline, but also into political and socio-cultural are…
Sinusoidal Run Rhythm is generated by adding up in-phase cosine functions in whole number ratios. They are temporally and dynamically shifted in their maxima compared to corresponding notated rhythms and feature a physicality that is not present in discretely controlled rhythms. sinusoidal run rhythm thus conceives of rhythm as a wave and clearly stands out from the conventional rhythm theory of a European musical tradition. It opens up an inexhaustible variety of beguiling physical music.
The v…
David Fanning’s book is the first full account of Weinberg’s life and works in any language. Drawing on unpublished materials in the family archives and on the personal reminiscences of those close to Weinberg, he tells the story of a composer who devoted his life to music against heavy odds, memorializing those who did not live to share in his problematic freedom.
Mieczysław Weinberg (1919–96) made two narrow escapes from the Nazis: in 1939 from his native Warsaw to Minsk, then in 1941 to Tashk…
**English/German edition. Hardcover** With Watching with my Ears, the Wuppertal artist Jorgo Schäfer presents the works he has made over 20 years during the Vision Festival in New York. The Vision Festival is an annual world festival of free jazz (free improvised music, avant-garde jazz, etc.), where other arts such as dance, poetry, spoken word and visual arts also play an important role. „When the Wuppertal bassist Peter Kowald invited me to the Vision Festival in New York in the summer of 2…
Making audible what is usually inaudible, rendering sound visible in an unusual way, and facilitating a spatial experience of sound—this is what constitutes the pioneering work that makes Alvin Lucier one of the most important representatives of American music in the second half of the twentieth century. The stated aim of the study at hand is the detailed historical and theoretical exploration of Alvin Lucier’s work, with particular focus on his decidedly reflexive experimental aesthetics. The …
English music hall songs, often comic in essence, were omnipresent in the United Kingdom from around 1850 until after 1918. Reflecting societal, political, racial, and gender attitudes, these concentrated communications reflected their historical moment. Sighing for the Silvery Moon: English Music Hall Songs Reexamined by Benjamin Ivry, a biographer and cultural reporter, focuses on the songs themselves in performance as preserved on early recordings and films. As reflections of bygone sensibili…
*Only in German language* Der in der South Side Chicagos aufgewachsene Anthony Braxton (*1945) gehört seit über einen halben Jahrhundert zu den innovativsten, produktivsten und prägendsten Protagonisten der creative music. Unangepasst und kompromisslos seinen Visionen und Überzeugungen folgend, hat er sich in die Annalen der neueren Musikgeschichte mit unverwechselbarer Handschrift eingeschrieben: als bahnbrechender Komponist, mitreißender Performer, aufsehenerregender Improvisationsmusiker, übe…
KiSS – Kinetics in Sound & Space: This acronym stands for the research project established in 2019 by the partner universities HfMT Hamburg and HAW Hamburg.
Museum directors, scholars, journalists and editors explore the variety of relations between sound as an object of investigation. Issues of sound as a medium of art and culture and possibilities and conditions of exhibiting sound art will be discussed. Sound art has become an integral part of art and music festivals for several decades, and is shown in museums, experimental venues and public spaces. Sound art requires a special approach in the way it is curated, conceived, produced and reenacted…
Sounding Fragilities enacts a polyphony of writing on contemporary composition, music and performing arts in relation to music theatre. Co-edited by a theatre and performance scholar and by a composer and artistic researcher, this anthology considers its field of investigation through the lens of positionalities. Irene Lehmann and Pia Palme invite readers into intimate encounters with an artist’s practice, feminist and queer perspectives, and personal explorations into aspects of musicology, the…