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Uncut Flowers
Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minut…
Murrille
A long overdue CD edition of Timo van Luijk’s first full-length album, originally released in 2002 as a small private edition LP on La Scie Dorée (Belgium). "Murrille" features a collection of extraordinary "songs" integrating a palette of acoustic instruments such as glass harmonium, flute, hand percussion, as well as voice with real time synthesis. With a host of bizarre inflections and aural investigations, Van Luijk’s music recalls some of the of the great experimentation of early krautrock,…
Turfan Fragments
Originally released in 2001 by the Dog W/A Bone label, this release features these 2 long pieces: For Samuel Beckett and The Turfan Fragments. Performed by: The Orchestra of the S.E.M. Ensemble, with Petr Kotik, conductor. For Samuel Beckett and The Turfan Fragments are Morton Feldman's only chamber orchestra compositions. Both were commissions: The Turfan Fragments by the Swiss-Italian Radio Orchestra in 1980, For Samuel Beckett by the Schönberg Ensemble, Amsterdam, in 1987. Both titles are des…
The Complete Gramavision Session (1989)
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’s and Kevin Sparke on a Casio CZ-101. I had the opportunity to see them perform once or twice back then, and it was indeed a magical and mind-bending thing to experience. Now, finally, with this release, everyone can have a listen as well.Here’s what…
Percussion Ensemble
* 2021 Stock ** Percussionist Milford Graves recorded his first and only ESP-Disk' recording on August 5th, 1966 along with fellow percussionist, the late Sonny Morgan. According to Milford Graves, the titles were given numbers according to how many beats were in each measure. Milford Graves has been one of the main drummers in the free mode scene (known for skillful inclusion of Asian and African rhythmic ingredients into his solos). He worked with the New York Art Quartet, Giuseppi Logan, Albe…
The Space Between with Joëlle Léandre
Recorded live at the Center for New Music and Audio Technologies, Berkeley, CA, November 2 & 3, 2002. The Space Between brings together the freedom of spontaneous improvisation with a number of diverse traditions and ideas, not the least of which is the legendary Pauline Oliveros' Deep Listening concept. In the Cadence review of their 2001 debut, The Space Between with Barre Phillips, Frank Rubolino wrote, "As a unit, they speak in a broken tongue of rarified beauty that is demanding but fully r…
Clarinet songs
Daniel Goode's Clarinet Songs has long been a favorite on the new music concert circuit. It is a 75-minute suite for solo clarinet which Goode began writing for himself in 1979, and reached its current form in 1991. It uses all of Goode's virtuosic techniques distilled into sixteen "Songs without Words," a poetics of the new clarinet. It is made up of a series of individual pieces, each a sound world of its own, based on some unique material, perhaps a specific technical, poetic, or sonic idea, …
Fingering an idea
Disc 1: Dexter Music for highland bagpipes. Highland bagpipes: David Watson, Matthew Welch, Michael Mahoney, Brendan O'Rourke, Rob Brazius & Richard Baughman. Disc 2: Sinister - Music for acoustic and electric guitars performed by David Watson. " "Fingering an Idea" (a phrase pulled from a Chris Mann piece) resulted from a Phill Niblock invitation to make a double CD for bagpipe and guitar. A bagpipe CD is a particular challenge. A high beam spatial explorer, it is the kind of unstable ph…
Partitas for long strings
Restocked. "Two aspects were of central interest to him: different tunings and density of sound. He made an installation in the large space of Het Apollohuis, stretching four strings lengthwise and attaching them to the wooden wall on the far end, which served as a resonator. He did not use automatons or electric amplification. He played the strings by brushing them, walking back and forth at an even pace. His aim was to make his playing as continuous and even as possible. For each partita he re…
Drop By Drop, Suddenly
XI Records releases Drop By Drop, Suddenly, a two-CD set of eleven compositions for bassoon composed and performed by Leslie Ross. Ross is not only an internationally renowned instrument builder but is also an uncompromising creative musician. The first disc starts with a series of short seed pieces that play primarily with the timbral and microtonal differences highlighted between tone-holes, forming a layered effect while playing with only one fingering, single note or multiphonic. They range …
Almost New York
"Twonings" with Charles Curtis, cello and Joseph Kubera, piano. "Almost New York" with Robert Dick, flutes. "Broken Line" with Robert Dick, flute, Danny Tunick, vibraphone, and Joseph Kubera, piano. "Coda Variations" with Robin Hayward, tuba. Pogus is extremely delighted to release this 2 CD set of recordings of works by Alvin Lucier. He is one of the key experimental artists of the 20th and 21st centuries, and is one of my favorite composers. A unique and individual artist: No one sounds quite …
Vertebra
Former WFMU dj, denizen of New York’s A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: “My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program…
Voice Coil
Pauline Oliveros (accordion with Expanded Instrument System); Peer Bode (live text with Bode vocoder); Andrew Deutsch (live mixing, archival recordings, samples, loops and electronics). Voice Coil was performed by the Carrier Band in the fall of 2003 at the Deep Listening Space in Kingston, New York. Pauline Oliveros performed on accordion and computer-based Expanded Instrument System, Peer Bode performed live text with his Bode Vocoder, and Andrew Deutsch performed live mixing, archival recordi…
E (and sometimes why)
If, Bwana is always Al Margolis. Trio Scordatura is Elisabeth Smalt, viola d'amore; Alfrun Schmid, voice; Bob Gilmore, keyboard/laptop. The new 2 cd magnum opus by If, Bwana (Al Margolis) has been almost 3 years in the making. It is the first time he has composed works (usually with prerecorded sounds) specifically for another ensemble. Gilmore's Girls, Ringing (Ano)the(r) Bell, and Diapason, maybe were specifically written for Trio Scordatura. Cicada 4AA was the first piece of If, Bwana's…
A Sound Map of the Danube
Annea Lockwood has been recording rivers since 1970, "not to document them, but rather for the special state of mind and body which the sounds of moving water create when one listens intently to the complex mesh of rhythms and pitches."' Lovely Music, Ltd. released Annea's seminal work A Sound Map of the Hudson River in 1989. Nineteen years later, we are proud to present A Sound Map of the Danube, her largest river recording project to date. Recorded over three years and five trips to Europe, A …
Chris Mann And The Use
2001 release. Chris Mann, an Australian poet, writer, performer and composer relocated to New York City, brings a recording of his signature works to Lovely Music. With the participation of Christine Bard, Anthony Coleman, Christian Marclay, Jim Pugliese, Mark Stewart, and David Watson. Chris Mann's works for voice are based on complex texts, freely composed to allow a play of wit and humor. He explores the textures and gestures of Australian speech, with its rhythms and qualities of color, pitc…
Music as a second language
2019 Repress. Speech melodies extracted from sources as various as language instruction recordings, hypnotists and televangelists are re-synthesized and applied to digital musical instruments, becoming eerily beautiful, "the singing of voices more ancient than language." Performed by Paul DeMarinis Hidden beneath speech's words and music's melodies I hear the singing of a voice more ancient than language. Brain's secret convulsions making muscles articulate, shaking the world with a song now lo…
eL/Aficionado
Robert Ashley's eL/Aficionado is a group of scenes from the life of an "agent". The scenes are a kind of "debriefing" to a jury of Interrogators, in which the Interrogators (chorus) challenge the Agent (soloist) in various forms of musical dialogue. The mood of the opera owes much to our fascination with espionage and with the character of those people who lead double lives. The opera was performed many times between 1987 and 1993, and Lovely Music released a recording of the opera in 1994 (LCD …
Crash
Crash was Robert Ashley's last opera. It premiered at the Whitney Biennial weeks after his death in 2014, and presented again in 2015 at Roulette, where this recording was made. Featuring the original cast: Gelsey Bell, Amirtha Kidambi, Brian McCorkle, Paul Pinto, Dave Ruder, and Aliza Simons. Music Director: Tom Hamilton. "What I have appreciated most about previous reconceptions of Ashley's operas was the extent to which newcomers found fresh possibilities. Already in Crash, broadened horizons…
Breaking the Surface
Two of Annea Lockwood's dramatic works dealing with issues of spiritual wholeness. Duende (1997), about shamanic transformation, is written with and performed by Thomas Buckner. Lockwood selected sounds which reminded her of certain vocal transformations heard in recordings of shamanic ceremonies. In such singing, changes in the voice mirror and also help to bring about changes in the singer's mind and awareness. Within an improvisational framework, Buckner explores the possibility of change of …