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“I appeal to the young. Only they should listen, and only they can understand what I have to say. Some people are born old, slobbering spectres of the past, cryptograms swollen with poison. To them no words or ideas, but a single injunction: the end..”
"Where does music fit into George Maciunas´s definition? Where does music fit into Fluxus praxis? Music fit where all the other individual arts fit into Fluxus - into a process of de-definition that robs music and the other arts of media that is itself not easily distinguished from the rest of life."
Zine A5 / Staple / ByW / 6 pp / 1st ed - 2015 / 50 copies
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Theremin´s virtuoso interviewed by synthesizser´s maverick Robert Moog in 1977. "I am a violinist and a musician. I wanted to see if it were possible to use the theremin to make real music. Bach couldn't write for the theremin when he was alive, but there is no reason why I can't play Bach on the theremin today. "Clara Rockmore
Zine A5 / Staple / ByW / 8 pp / 1st ed - 2014 / 50 copies
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Saccharine Scores is an album/art book documenting Sean McCann's
recent chamber compositions. Ranging from the 10-person ensemble
performance of "Portraits of Friars" at Fylkingen, Stockholm in February
2018, to his first quartet piece "Victorian Wind", performed in Toronto
in 2014. McCann's scores leak pastoral and bizarre passages, dancing in
the banal beauty of sound poetry. The performances feature guest
musicians Sarah Davachi, Zachary Paul, Geneva Skeen, Celia Eydeland, Maxwell Augus…
*Last copies, almost sold out at the label. Limited edition of 200 hand-numbered copies.* After years of preparation, Recital is proud to present The 12th Annual International Sound Poetry Festival box set. Held in New York in 1980, this was the last festival of the pioneering sound poetry series started in Stockholm in the 1960s. This ambitious document holds nearly five hours of audio from 30 artists. A 240-page book with biographies, texts, and artwork from each artist supplements the edition…
* Rare original artist' book - Music scores and instructions for performance * Variations on a Natural Theme (1982), as in Dick Higgins words, is a large orchestral work, in some ways a companion to the Ten Ways, since this time it uses gamuts (in this case selected by the individual musicians) and photo derivations made from a female model; she was insistent that she not be recognizable, since she was a teacher and was afraid that it would be damaging to her professionally if it were known that…
*Rare original arist' book - Music scores and instruction for performance* Sonata for Prepared Piano (1982) is a short work which, again, uses photoderivations as parts of the notation—this time nature with incomplete figure photographs, mostly obscured by the natural objects around them. (Dick Higgins, "The Strategy of Each of My Books" from Horizons, 1984)
"Four movements make up this thirteen minute work. Each uses a very different method of interpreting its materials, a set of four phot…
Rare original artist' book - Music scores and instructions for performance Ten Ways of Looking at a Bird (1981)...is a playful variation on the name of a poem by Wallace Stevens whose work I have always admired, though, goodness knows, there is no modern poet more different from myself. This is a piece for violin and harpsichord; the harpsichord part is developed in “live time” (that is, during the performance) from what the violinist is doing, according to a set of rules. The violinist uses mu…
Rare original artist' book - Music scores and instructions for performance ** Twenty-Six Mountains for Viewing the Sunset From (1981) is for a small ensemble, including three dancers. It is a different kind of notation, not using photographs but using an indication of what kinds of tex- tures and patterns are desired. The title comes from a trip I took late one night with a teenager from Vermont, who brought me to some of his favorite places to view the sunset from; it was magical evening…
* Rare original artist' book - Music scores and instructions for performance * This score by Dick Higgins consists of letters and arrows arrayed across one sheet of musical notation paper. A cover sheet provides the instructions for the four-minute, fifty-two second performance, stating that any number of people may interpret the score simultaneously if they do so independently of one another. Guidelines for interpretation are fairly specific, but the piece is different every time it is perform…
**100 Copies in gold vinyl, few available - totally sold out at the label** Futuro Antico, the mesmerizing collaboration of Riccardo Sinigaglia with Walter Maioli and Gabin Dabirè evoked in its name the uncanniness of simultaneously witnessing past and future. Watertube Ringspiel (Ambient Music), Riccardo Sinigaglia’s first solo work – originally out on cassette from ADN Tapes in 1985— ultimately delivers on that idea, embodying different irreconcilable time frames not just in name. From our van…
2CD housed in 7 x 7" 60 page hardbound book. Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers lik…
The ultra-blackness manifesto: a Deleuzian reading of the philosophical and socio-political stakes of the current electronic music scene (publication marking the reactivation of the influential label Mille Plateaux, with texts by an ensemble of international musicians, artists and theorists: Frédéric Neyrat, Achim Szepanski, Holger Schulze, Gerriet K. Sharma, Bernd Herzogenrath, Corry Shores, Marcus Schmickler, Thomas Brinkmann, Thomas Köner...). Ultrablack of Music speculates on the manifold wa…
“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote Sorites to compliment Iannis Xenakis’ Persephassa and Alcides Lanza wrote mnais mnemes to compliment his own earlier composition sensor VI. In both cases, the composers were asked to use the identical setup and notational…
Jilk are a UK based collective of musicians, fusing a bewildering collage of home-found sounds with the ambient soundscapes of washy synths, exquisite strings, insect-like clicks and cuts, and huge gorgeous waves of all encompassing experimental noise. Collaboration and open minded exploration are at the centre of all that they do.A year on from their debut release for Castles In Space, Jilk present their new album; “Haunted Bedrooms”. Eight diverse tracks exploring themes of rebellion, protest,…
** 2021 Stock ** Though the title indicates an “incomplete” piece, this pamphlet presents the complete poem originally performed by Al Hansen in New York in 1958, at the intersection of the “backwash from the San Francisco Poetry Revolution” and the dawn of Happenings. Hansen read the poem aloud while a hand-spliced assemblage of W.C. Fields’ films was projected onto his chest. The pamphlet’s introduction, written by Hansen in 1966, consists of recollections of the New York art and poetry scenes…
** 2021 Stock ** This collection of event scores and descriptions adapted from a range of ethnographic sources also implicitly functions as an examination of the Happenings movement in an expanded historical and anthropological context. Rothenberg’s translations, along with the restriction of information on his sources in the table of contents, leave ample room for cultural and historical ambiguity, giving each event a strong foothold in the here and now. Ritual stands as a direct predecessor to…
** 2021 Stock ** This pamphlet is comprised of a pair of structurally identical plays, each composed by means of chance operations around the time of the editing and publication of An Anthology of Chance Operations by Mac Low with La Monte Young. Each play is made up of five partially improvised conversations in which the dialogue is derived from a highly restricted lexicon: the first uses words made from the letters that spell out the word “Port-au-Prince” to construct nonsensical “pseudo-sente…
** 2021 Stock ** This pamphlet records Vostell’s two titular large-scale performance pieces “Berlin” and “Phenomena,” both carried out in mid-60s Berlin alongside a host of accomplices. “Berlin” consisted of 100 timed events—performed in both public and private—over a seven hour period, with equal weight given to utterly mundane actions like “looking for a parking place,” and more spectacular actions like “following the second hand of a watch with a welding torch.” “Phenomena” was a Happening se…