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*200 copies limited edition* In the "Tape Network" universe of the early 1980s where everything seemed possible, Maurizio Bianchi meets Lieutenant Murnau in two obscure but historical postal collaborations, originally released in a strictly limited edition for the British tape label Flowmotion (It Should Be Used Only Once) and for the German Litanic (Techno-Logy). Two of the best known promoters of the Italian experimental scene create two surreal experiments that anticipate the mash-up vogue, h…
Small repress available. LP version. Transversales Disques presents Kshatrya (The Eye Of The Bird), a never released before recording by French avant-garde electronic composer Igor Wakhevitch. Wakhevitch composed a bunch of major experimental albums in the '70s, such as Logos (1970), Docteur Faust (1971), Hathor (1972), Les Fous D'or (1975), Nagual (1977), and Let's Start (1979). During this 10-year period, Wakhevitch was close to Jean-Michel Jarre, Pink Floyd, Soft Machine, and legendary choreo…
Zo Rèl Do is the first volume of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε - 29°Ε. In this new adventure Mohammad further enrich their monolithic, resonant and deep-dark melodic sound with rhythmic shreds, seismic vibrations that echoes past and future rituals. Volume 2 entitled Lamnè Gastama and Volume 3 Segondè Saleco will be released later in 2014 - early 2015."Greek ‘cha…
Edgar Valcárcel (Puno, 1932-Lima, 2010) was one of the most important composers in Peru. He belonged to a crucial generation centered around the 1950s, which also included César Bolaños, Leopoldo La Rosa, Celso Garrido-Lecca, Enrique Pinilla, and Francisco Pulgar Vidal. These musicians were responsible for introducing locally the new languages of the international musical avant-garde, in a meeting with the legacies of Peruvian native music, where the folkloric material was used under very free a…
** Limited Edition 300 Copies ** Andrés Vargas Pinedo is a prominent composer of Amazonian popular music from Peru. He is blind and has excelled as a player of the quena and the violin. He was born in the city of Yurimaguas but he developed as an artist in Lima, for thirty years he has worked as a traveling musician on a street in the San Isidro district of Lima. Throughout his career, he has formed and joined various popular music groups. This compilation presents fifteen songs of his authorshi…
* Limted LP + insert and donwnload code, limited to 300 copies.* John Hubbard, who is also a book designer and based in Finland, had released the sole recordings of the legendary project “Vogelscheiß Und Seine Verrückten Kröten” in 1989 in a limited edition of just 50 copies on his Strength Through Joy label. Now these rare recordings are re-issued for the first time by Art Into Life. In 1988, upon meeting Steve Stapleton while on vacation in Europe, John then went to Aachen and visited Christop…
Before Om, there was Sleep and ‘Volume One’ was their debut album release, on Californian label Tupelo (probably best known for releasing Nirvana’s ‘Bleach’ in Europe). It hit the shelves in 1991 to great acclaim and the band were eventually signed by metal dons Earache, but ‘Volume One’ has been unavailable for some time now, and with the renewed interest in Hakius and Cisneros it makes perfect sense to have the album available once again.
Sleep were quite clearly indebted to Black Sabbath at t…
Originally recorded in 1978 in Belgium, Un homme dans l'univers was composed by Janko Nilovic. This album was intended to describe musically the world events, a look at the news in sum. It's the most cinematic album he ever made , and it was used in a lot of tv shows and movies such as "Le Daim" ,"Ovnis" or "les papillons noirs".
** Edition of 300. White vinyl in screenprinted pvc sleeve ** Zaumne's new album titled Élévation is a multifaceted yet subtle work, an abstract collage that is equally entrancing and immersive. Quoting passages from Baudelaire’s “Flowers of Evil”, the Polish musician promises to elevate the soul and consciousness “Beyond the sun / Beyond the ether”. Yet simultaneously, the artist wants us to stay where we are and focus on the immediate surroundings in search of our personal attachment to the wo…
Tip! **2021 Stock. Edition of 500 ** Before the Khmer Rouge took power in 1975, unleashing a horrifying genocide, Cambodia had one of the most vibrant and exciting music scenes in Asia. With a mixture of traditional Khmer music and a myriad of western genres (from French and latin music, to rock-and-roll , rhythm-and-blues, surf, psychedelia, soul and many more) the few pre 75 Cambodian recordings that survived -most of them were destroyed- are enough to make anyone with a taste for good music s…
The great majority of Brazilian music compiled, notoriously abroad, always has been focused on the same stereotypes, and musical genres as trad-samba and recycled bossa nova. Until now! Sound Miracle Recordings presents the first volume of the Brazil Primitivo collection, titled Brazil Primitivo Vol. 1: Rhythms, Legends & Styles (1899-1963). This 16-track vinyl serves not only to repair this huge gap but as well to celebrate certain rhythms, creators and sui generis styles that had been forgotte…
**Audiophile transparent clear vinyl; Includes CD** Subtitled 'Precocious Noise and Early Electronica Pt. 1' Sound Miracle Recordings presents precocious noise and early electronica part one. A compilation delving into the fascinating world of primal electronica, noise, sound design, industrial, avant-garde and tape-music. This set hopes to be the gateway to a completely new revolutionary sound experience. These are relics with much to say to the contemporary listener as they sound impossibly wa…
*2022 stock. Edition of 80 copies.* Granny Records presents Office Swan by Mark Templeton. Mastered by Giuseppe Ielasi. Design & Artwork by Yorgos Vourlidas. Written and Produced by Mark Templeton.
Electronic music work: “Messe aux oiseaux” (1986)in new version (1999), “Ave Maria” (1987). "Electroacoustics to me is like abstract paintings, and that is what I tell people who question my sanity when they hear what I want to play to them. Can they accept abstract art, or does it have to be figurative, naturalistic? Most people tend to accept abstract art, and comparing electroacoustics with nonfigurative painting tends to ease the tension a bit when I insist on demonstrating some electr…
Two musique-concrete episodes from a larger work entitled Les Contes de la forêt profonde (Tales from the Deep Forest) sparse entries, with an emphasis on sliding shepard tones & digitally mutating concrète texturesPour entrer et sortir d'un conte (1990 - 21'05) the "entrance" is like passing through a maze. the elements are propelled by processes of repetition and recurrence and tend towards stagnation within a structure consisting of blocks set side by side and thick. compact, opaque masses. t…
VERY LAST COPIES, long deleted masterpiece 'Doppio coro' (1993) for organ orgue, 'Artemisia' (1991), 'Triola ou Symphonie pour moi-même' (1977-78), 'Cantate pour elle' (1966) for soprano, harp and tapes, 'Week End' (1982), 'Luminétudes' (1968), 'Reflets' (1961), 'Dahovi' (1961), 'Lumina' (1968) for 12 strings and tapes.
Attacca (1985-86) for solo percussion and tape, commissioned by the International Encounters of Contemporary Music, Metz, France. Week-end (1982) commissioned by INA-GRM. Lumina (1968) for 12 strings and tape. Gam(m)es (1961) commissioned by the Strasbourg festival.Ivo Malec (born 30 March 1925, Zagreb) is a Croatian born French composer, music educator and conductor. One of the earliest Yugoslav composers to obtain high international regard, his works have been performed by symphony orchestra…
Funambulesqueries en 14 séquences adapted from Alfred Jarry's Ubu Roi, for voices, saxophones and tape. Jacques Lejeune studied music at the Schola Cantorum and the Paris Conservatory with Daniel-Lesur and Pierre Schaeffer before working with François Bayle at the Groupe de Recherches Musicales. He entered the GRM in 1968, taking charge of the “music cell for images”, where he completed various projects for stage and television. It was at his insistence that in 1978 the Ateliers de la Musique Él…
1999 release ; two mid-90s concrète pieces from lejeune - both based on brillet-savarin’s “greedy fragments” (the english version of lejeune’s exceedingly detailed / gross libretto is printed below en toto) & performed by daniel kientzy ...delightfully wonky digital-era concrète, replete with bad “lounge” drum-machine beats & endless french-language insinuation(s) whose subtlety is lost on a part-time speaker such as myself ...ina-grm press release...“gourmet passages”after brillat-savarinanimal…
With Pierre-Jean Guidon (Moravagine, Chute Libre) as their saxophone player, Subversion (from France) played lowkey jam-orientated Progressive Rock with prominent folk and jazz flavors. However, despite the brainy exterior, their soft music had more in common with the naivety of the 60’s Yé-yé movement and lounge-pop in general. Thus they seemed to belong to a bygone era, one far removed from the upcoming punk-rock and new-wave one.