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Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.
LED and Love Sounds (2015) is Forsberg’s first sound-and-light piece. The piece is made of frozen and processed violin sounds. The drones are slowly changing, providing minimal repetitions that never stay the same. ”A slow transition from playing on my instrument, to play only my electronics. Letting the violin hang there with me on stage, listening to itself. Following how the drones slowly change, minimal repetitions that never stay the same. And you can hear the gallery clearly, it moves some…
FRIM Records presents Can't Hide. Released December 10, 2021
Gustaf Hielm, bassElin Forkelid, saxophonesErik Carlsson, drums
All music by Forkelid, Carlsson, Hielm (STIM/NCB)Produced by FRIM.Recorded March 12, 2020, at Fylkingen, Stockholm, by John Chantler.Mixed by John Chantler.Mastered by Göran Stegborn.
Jardín was made up of Orlando Ramírez and Raúl Gómez, and has been a true cult band of Lima's experimental underground since they made themselves known at the end of the 1990s, when they started playing at electronic music venues as well as in the context of art performances and contemporary dance events. Maqui de Hierro, their fourth published work, defined the sonic universe of the duo, in which electronic cosmic experimentation converges with hypnotic rhythmic patterns inspired by ritual perc…
*In process of stocking* All compositions by Martin Küchen (STIM/ncb), except "Sheer Life Asleep" and "Hippopotami mit Mensch" by Martin Küchen with recordings made by Chris Watson – "19. Elephants" and "05. Hippopotami" – taken from the album "Outside the Circle of Fire” (TOUCH TO 37). Chris Watson is published by Touch Music/Fairwood Music UK Ltd. "The 5th of December 1931 02.00 AM" is based on the first part of the sarabande from Bach's Cello Suite II, BWV 1008.
*300 copies limited edition* "Norwegian party boys Human Inferno is like a collision between the rougher parts of drug infected British ragga, 80s industrial harshness, out there synth and their very own sound sickness. Human Inferno does not sound like much in this world. And maybe we are not worthy. Whatever. Just get your fix here, ok. DG was in Anal Babes and Astroburger and plays with No balls. The other dudes are true underground men but TFW can be experienced while dj'ing jungle and other…
Tip! "Bloody spooky though. I hope the place don't fill up with goggle eyed weirdos now, wandering around and muttering."In 2015 I edited various pieces of music I had written on an EMS Synthi and a tape echo, into one hour long piece. I didn't know what to do with it. I knew Will (Goddard) from his Supreme Vagabond Craftsman records. I liked his writing style, always a bit twisted. I also knew that he wouldn't be put off by my atonal discordant Synthi burblings. So I asked him to write a sci-fi…
*In process of stocking. Limited edition of 500 copies.* Laila Sakini's new album 'Paloma' arrives via Modern Love and is her most striking and ambiguous to date - a pointed and timely meditation on hope and hierarchies that riffs on Zbigniew Preisner's magical "The Double Life of Veronique" score and enduring outsider music tome "The Langley Schools Music Project". Subtly transcendent, fathoms-deep music that's had us in cold sweats for months - highly recommended if you’re into Dominique Lawal…
Laila Sakini and Lucy Van’s sought after 2017 EP Figures resurfaces on a newly expanded and remastered edition, deploying taut poetry and creeping electro-pulses for an alchemical suite of slowly encroaching trip hop x dub-pop - highly recommended if you’re into CS + Kreme, Laurie Anderson, Leslie Winer, YL Hooi, Bullion, Jonnine, Kallista Kult - all the best stuff basically. Long before releasing her slow-burn classic ‘Vivienne’ and last year’s compelling Princess Diana of Wales album, Laila …
300 copies. All compositions by Howard Riley (PRS / MCPS), except “Lush Life” by Billy Strayhorn. Recorded live at VDU Jazz Festival Kaunas on the 10th November, 2012 by Areas Zujus. "Brilliant work from pianist Howard Riley – the British modernist who's been making amazing music for decades, but often through very obscure records like this! Riley's got this sense of balance, tone, and timing that sits justly in a legacy that starts with Herbie Nichols and runs up through Alexander Von Schlippen…
Even for the standards of NoBusiness, a label that sometimes features artists who haven’t been very well known so far, YAPP is a really young band, all of the band members seem to be around 30. It’s Bryan Rogers on tenor saxophone, Alban Bailly on guitar, Matt Engle on bass and David Flaherty on drums, and they cultivate the field between post rock, modern jazz, minimal and improvised music. I must admit that I was rather skeptical when I realized that Bryan Rogers has played in Melody Gardo…
Killer! Limited edition of 400 records. Recorded on 15th October, 1974 at WKCR, from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sough…
Vladimir Tarasov - drums, percussion, cimbalom and hunting horn, Eugenijus Kanevicius – bass and electronics, and Liudas Mockunas - soprano and tenor saxophones, clarinet and bass clarinet. Recorded at Vladimir Tarasov home studio in Vilnius, June 2014. Limited edition of 400 copies.
400 copies. Cornetist Bobby Bradford and saxophonist Frode Gjerstad have been performing together since they were first introduced in 1986 by drummer John Stevens . Bradford and Gjerstad’s associations date back almost 30 years to their pivotal posts in Detail, Stevens’ short-lived quartet with bassist Johnny Dyani. A bond forged, they reconvened in a variety of contexts over the intervening years. Their most recent collaboration took the form of a quartet with bassist Ingebrigt Haker Flaten and…
Edition of 300 copies. Brand new album for the trio comprised of Larry Ochs (tenor and sopranino saxophones), Mark Dresser (bass) and Vladimir Tarasov (drums and percussion)
Edition of 300. A really great setting for drummer Gerry Hemmingway – an album that has him improvising live with trombonist Samuel Blaser – a fantastic musician who's one of the freshest trombone talents we've heard in years! In previous comments, we've liked Blaser to a modern day heir to the genius of 60s trombonists like Roswell Rudd and Grachan Moncur – and those words definitely hold true here, as Blaser delivers a wondrous balance between new sounds and tuneful moments, fresh ideas …
Edition of 300. Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination…
Nobuyasu Furuya, tenor saxophone, flute, clarinet. Rodrigo Pinheiro, piano. Eduardo Lála, trombone. Hernâni Faustino, contrabass. Gabriel Ferrandini, drums, percussions. Recorded and mixed on 14 and 22 November, 2010 at Namusche Lisbon by Joaquim Monte. All tracks were composed and conducted by Nobuyasu Furuya.
Not enough is heard from Brooklyn-born bassist Adam Lane. He boasts an impressive track record, illuminated by a series of outstanding recordings, mainly on the CIMP label, but culminating in the acclaimed Ashcan Rantings (Clean Feed, 2010). Nothing has surfaced under his own name since, so any new disc grabs attention. That's not to say he has been idle, notching up notable appearances on drummer William Hooker's excellent Bliss Suite (Not Two, 2010) which also featured rising star saxophonist …
**500 copies, strictly no repress** Smalltown Supersound are going hard on the free jazz this year - so much so that they've set up new sub-label Actions For Free Jazz to accommodate the load. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry and Krystzof Penderecki’s The New Eternal Rhythm Orchestra track Actions For Free Jazz Orchestra from the 1971 album Actions. The inspiration for the label is BYG Actuel, Incus, Freedom and ESP-Disk. AFJ's latest fora…