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What Do I Get/Nobody Knows
Color vinyl; Editions of 500. Destroy All Monsters began life as an experimental rock group in early '70s Ann Arbor, the brainchild of University Of Michigan art school weirdos Mike Kelley, Jim Shaw, and Niagara (Lynn Rovner), and filmmaker Cary Loren. Following many incarnations, lineup changes, and the breakup of Niagara and Loren's romantic relationship, the group solidified in the late '70s around Niagara on vocals, and Detroit legends Michael Davis of The MC5 on bass, and The Stooges' Ron …
Kill And Release
Coppertone is Los Angeles’ Sasha Wiseman, a one-woman pop damager specializing in cold, beat-driven anthems swathed in quietly intimidating atmospherics. “Kill and Release” offers bodily transport into a world that’s as surreal and synthetic as it is strangely familiar – something like the dream sequence of a horror film. A woman armed with a net, a knife, keyboards, and lust. Limited edition pressing of 300 copies.
Bombscare
A bit of a missing link in Low’s discography, Bombscare has been unavailable for almost two decades, originally released in late 2000 on Tugboat (Glen Johnson’s Rough Trade subsidiary), it’s now been reissued on vinyl by John Coxon and Ashley Wales’ remarkable Treader imprint and provides a bit of context for last year’s roundly acclaimed Double Negative.It’s mostly about the title track here really, Coxon and Wales’ (aka Spring Heel Jack) provide the sublime, electronic backdrop, offsetting Mim…
Untitled
Necessary, and slightly expanded, vinyl edition of the first Little Skull long player which was originally released as a micro-edition CD-R in 2009. Written, performed and recorded by Dean Brown on borrowed and home made instruments during a year spent living in a cold colonial-era house across the street from Len Lye's childhood home in Aro Valley, Wellington NZ. Fashioning a bass from a coffee can and elastic band, using the home's antique doorbell, and unavoidably including the seeping sound…
Eastern Saga: Live at Tusk
Turkish free jazzers Konstrukt continue their series of exciting collaborations with Otomo Yoshihide, highly repudiated multi-instrumentalist and composer in the experimental world. #4 in the continuing series of Konstrukt collaborations on Karlrecords is a live document of the concert by the Turkish freeform group with the Japanese experimental musician Otomo Yoshihide from the TUSK Festival 2018. Konstrukt, the Istanbul based free jazz/freeform group founded and led by Umut Çağlar and Korhan F…
Musique Barbare
** First reissue of Karel Appel's masterpiece Musique Barbare*** Widely regarded one of Europe's most important figures in the post-war avant-garde, abstract expressionist painter Karel Appel developed an idiosyncratic visual and sonic language. Founder member of the avant-garde Cobra movement in 1948, Appel booked time in the Instituut voor Sonologie in the Netherlands to compose music for a documentary that cinematographer Jan Vrijman was making on Appel's work. Musique Barbare was born.Made …
Fouth Injection
** Remastered from original tape. Limited edition of 160 copies. ** Fourth Injection was recorded by Marco Corbelli at Sweet Slaughter. The master tape was given to Moreno Daldosso / Murder Corporation to be published on his label Murder Release. The release was planned but, for now forgotten reasons, it never eventually materialized. The master tape of Fourth Injection was then closed in a drawer and was left there for 17 years. It was rediscovered only in 2013.First ever release. It comes in a…
None Corsa
Debut vinyl outing for Valentina Magaletti and Pino Montecalvo’s Avvitagalli project couretesy of London's Horn of Plenty label. Variegated percussion + WTF jams inspired by a visit to an abandoned, torched palazzo somewhere in southern Europe. Its charred, decaying splendour casts a fitting backdrop to the surreal push-pull of Valentina & Pino’s aural capers. None Corsa explores presence and absence, purpose and chance, and the tension between serenity and disquiet. Composing and decomposing, g…
split 7"
Campbell Kneale moves ever closer to the glistening, levitation altar, with backwards bliss-shimmer, spooked chant and analogue squawk and squeal, kaleidoscoping around triumphant snare punctuation. Bark Haze (Thurston Moore & Gown duo) hit back with focused power-drone guitar duelling from the heart of the bong, smoking out into tunnel-visoned, crumbled-amp chunder. Artwork by Campbell Kneale/Kim Gordon.
Monster Mittens
A new single by neil campbell’s ever-evolving solo project, astral social club. neil (a band, vibracathedral orchestra) with assistance from karl bauer (axolotl) unleashes two electronic psychedelic noise jams with distorted loops, cascading feedback, and the sound of hypnotic drones recorded in space.
Monumento Fiume
*300 copies limited edition* In 2021, the Municipality of Cotignola, Ravenna invited sound artist and composer Giovanni Lami to participate in an artist residency as part of a broader project aiming to investigate the anthropic landscape of the local area. The two-piece composition Monumento Fiume stems from the huge body of field recordings collected by Lami throughout his residency period, which is going to contribute to the soon-to-be Sound archive of Cotignola. As Massimiliano Fabbri points …
Spectres #04 – A Thousand Voices
*Bilingual English-French* The fourth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice. Contributions by Joan La Barbara, Sarah Hennies, Peter Szendy, Youmna Saba, Lee Gamble, Ghédalia Tazartès, David Grubbs, Stine Janvin, Pierre Schaeffer, Akira Sakata, Haela Ravenna Hunt-Hendrix, Yannick Guédon, François J. Bonnet, John Giorno.The voice is everywhere, infiltrating …
Vanity
This box-set collects all the available recordings by seminal Japanese group Tolerance. It includes both their albums released between 1979 and 1981 on the Japanese cult DIY label Vanity Records, along with never before released tracks recently discovered in Agi Yuzuru's archives.LP-1 Anonym(Vanity 0004, originally released in 1979)Tolerance is a solo alias of Junko Tange from Tokyo. Its sound is made of Tange’s electric piano, synthesizer, and simple electronics playing alongside the whispering…
Music For Empty Flats (LP)
* Edition of 300. 180 gr. vinyl * Cello player and electronic artist Martina Bertoni's new album Music For Empty Flats delivers masterfully crafted experimental ambient/drone. Martina Bertoni is a Berlin-based cellist and composer. she started playing the cello at a very young age. classically trained, Bertoni's career soon developed around experimental and film music where her cello has been featured in numerous records, soundtracks for awarded movies and TV series and collaborations, among oth…
Confessions (Lp)
* In process of stocking * Fascinating, historically important and previously publicly unheard recordings of the great Irish author and playwright Brendan Behan.These tapes became the source for his book Confessions of an Irish Rebel, posthumously published in 1965 following his tragic death the year before. They were recorded by his friend and confidante Rae Jeffs in the Chelsea Hotel, NYC in 1960. Tranferred for the first time from the original 1/4” tapes, with a sleeve made from another unsee…
The Founder Effect II
With a generosity of spirit that is touching, the three tracks on this disc are titled after deceased (and much missed) improv heroes—drummer Tony Marsh, saxophonists Lol Coxhill and John Tchicai. (Coxhill never recorded for Treader but Marsh and Tchicai both did.) That gesture serves as a reminder of the close-knit nature of the improv community—a factor which is vital to its music. Although this CD features the same four musicians as the first one, Coxon here plays synthesiser instead of guita…
Abbey Road Duos
Two behemoths of improvisation go head-to-head in the impressive surrounds of Abbey Road Studios for this eight-piece set. Celebrated Brit avant-garde saxophonist Evan Parker takes the lead here, and he doesn't half throw his entire bag of tricks at this one, firing off a vast repetoire of breath articulations while American free jazz figurehead Matthew Shipp does a tremendous job of matching his every move. The opening suite finds the two maestros sizing one another up, only to launch into full…
Rak
This second AG recording for Treader sees Charles Hayward passing the drumsticks to Rupert Clervaux. Together with John Coxon’s simple and insistent guitar themes, the elegant drum-work underpins four extended group compositions, containing a surprising collision of sounds and influences, bringing together Pat Thomas from the Improv scene, Floating Points-collaborator Susumu Mukai, and Alexis Taylor’s mooger-foogered rhodes. Somehow it all crystallises perfectly. The clearest precedent for this …
Evan Parker With Birds
One of Treader’s most requested recordings sees the great UK free saxophonist Evan Parker on soprano and tenor saxophones, duetting with European birdsong. A fitting tribute to his friend, the celebrated soprano saxophone player Steve Lacy, who died in the year of its initial release. A titan of British free jazz, Evan Parker needs no introduction. His output, both as a bandleader and collaborator, are the stuff of legend. Within the history of the European improvised music, he’s everywhere - ha…
Play The Red Krayola Live 1967
* In process of stocking * Trems, feedback, metronomes and a music box………This recording was made during preparation for a joint performance by J Spaceman and John Coxon as part of : Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019. The idea was to attempt to do a cover version of The Red Krayola’s radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recor…