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*In process of stocking* Amgen presents Rhodri Davies's Dwa Dni. Titles borrowed from the works of Lisa Jarnot, Ed Luker, Nathaniel Mackey, Redell Olsen, Sun Ra, Nisha Ramayya, Sarah Riggs and Leslie Scalapino. Telyn clun MOGIC / MOGIC lap harp.
*Limited edition of 300 copies.* Since 2014 Gary Mundy of Ramleh and Breathless has been releasing most of his solo work through Fourth Dimension Records. Common Values is his seventh such album for the label (not including a reissue of 2009’s The Return album, originally released on vinyl by USA’s long gone by legendary Noiseville, and the LP reissues of the Broken Flag albums Mobility and Do Not due, after many delays, in late September/October 2021) and gathers another six mighty cuts that on…
*In process of stocking* Recorded in Sawbridgeworth, Hertfordshire, UK, December 1976. Private session. Previously unheard. Available in digital format and limited edition CD. The amazing lost Dean, Miller, Pyle private tapes from 1976: featuring the very first recorded meeting of these three extraordinary pioneering talents of British Jazz/Rock, performing four magical co-composed pieces, none of which have ever been issued in any form. This album was originally intended to be released by Mike …
Matthew Halsall has already blessed us with one beautifully conceived EP this year, now with Changing Earth he has shared another perfectly crafted four track mini-album or EP. Where the music on The Temple Within came from the energy around the band's monthly sessions at Yes in Manchester, Changing Earth is a more meditative, spiritual offering:
"I was thinking about climate change and the profound implication of the human race's relationship with nature and the changes we have wrought on our e…
Arrival Vibrate is Larsen's 17th album, an alchemical suite tribute to the late Z'EV based on his poem by the same title hereby transcribed by Larsen's members into a score following the "Rhythmajick" kabbalistic musical theories by their friend Z'EV. The album documents the first live performance ever of this piece recorded at the band's March 13th, 2018 benefit concert for Médecins Sans Frontières International at The National Museum Of Cinema in Torino, Italy, and features two different versi…
A forgotten classic! Created between 1981 and 1985 by JD Emmanuel, a new age composer who has received a lot of praise from people like Lieven Martens and John Olsen. These recordings signify Emmanuel's praise to the course of the day. Starting off slowly with morning synth meanderings, walking through midday, running in the evening, and closing the day with midnight meditation. "Somewhere hidden in the deepest part of the Self is that special place, where One can go within to the most ancient p…
On Rain Forest Music (1981) J D Emmanuel builds gentle, short cycles of notes into floating clouds of sound, mostly improvising around single chords. The "minimalism" in his music lies not in repetitive patterns that barely change but more in the spare arrangements that focus the listener while also taking them on a sonic journey.
A tape loop technique used by Brian Eno, Terry Riley, Robert Fripp (and likely many more) called Continuous Looping was used in the creation of this album and a loo…
Weltklang’s 3rd album released exclusively by Orbeatize, containing the very rare Klangwelt album (released in limited edition and sold on cassette tape by Weltklang during their concerts in the 1980’s) and the suite (more than 15 minute of pure electronic-psych trip) taken from the very scarce 1985 album “Gasteig Munich Opening”
*2023 stock* Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (t…
Luz was produced in an unconventional way, with a sampler, MPC1000. Lorenzo Fringuello chose four musicians: Alessandro Bossi on bass, Daniele Cruccolini on drums, Alessandro De Florio on piano, Cesare Vincenti on trumpets. The four were left free to play on the basis of some musical cues and intuitions. Once the tracks were obtained, Fringuello sampled, cut, processed and recomposed them. The result is an album of seven tracks with a metropolitan funk-jazz sound.
"Whereas the two earlier Cosmic Jokers albums, the eponymous first effort and Galactic Supermarket, offered long, intense, free-flowing jams, Planeten Sit-In contains much shorter snippets of music patched together with cross-fades and weird electronic effects. The effects -- burbling electro noises, high-pitched twees, and other sci-fi sounds -- are even more prevalent, erupting out to drown out the drum, guitar, and bass rhythms, as if to make full use of the quadraphonic sound of the original…
With the LP Dregs in 2018, the Capers sound palette was expanded considerably. On Lungs, recorded not long after Dregs, the sound palette was instead kept at a minimum, and the composition simple, restrained and monotonous. Sparse, ever-sinking, rough, repetitive and patterned noise. For heads into early Zone Nord and Vårtgård. Previously released as a C30 in 2019 by Canadian label Freedom Club, with one of the tracks omitted to better fit the cassette format. Lungs is now available in its origi…
Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…
"This recording from 1985 of the trio consisting of AMM percussionist Eddie Prevost, bassist Tony Moore, and soprano sax player Peter McPhail is an outstanding recording of avant-garde jazz which documents a trio of improvisers maximizing their focus on interplay and invention.This album will appeal to fans of avant-garde jazz and European improvisation, as well as listeners of bebop. The energy and interplay are most striking aspects of this recording, and, while it is very distinctively footed…
Matchless Recordings presents a live concert by Eddie Prévost and Alan Wilkinson recorded at Barefoot Studios, London, England on 10th January 2006. The album includes five tracks performed by Eddie Prévost - Percussion, Alan Wilkinson - alto & baritone saxophones.
His work in AMM has labeled him a percussionist, and rightly so, but listen to “Supa, Supa;” with its shuffling high-hat and dancing brushes – this is idiomatically aware jazz drumming of a very high order. Some of the best music occu…
Music for dance, by AMM. Recording of the concert given together with the dancer Fine Kwiatkowski at Musique Action festival produced by CCAM, Vendoeuvre-les-Nancy, France on 24th May 2001. The album's title connotation is at least dual. This is a recording of a live performance done in conjunction with dancer Fine Kwiatkowski (who, incidentally, is not audible), and it's certainly "fine" in the qualitative sense. One hopes the aura of "finality" implicit in the title doesn't apply. This is one …
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, an essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Lou Gare.
Active since the mid-1960s, England's AMM have become an icon of the free improvisational movement. In the spring of 2004, due to personal and philosophical disagreements, Keith Rowe suspended his involvement with AMM, an association that went back to his role as founding member in 1965 (albeit with an almost decade-long disenfranchisement through the '70s). The remaining members, percussionist Eddie Prévost and pianist John Tilbury, elected to continue on as AMM, and this their latest effort. T…