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Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
**Picture Disc** Jazz Rock ensemble from Munich led by German drummer Klaus Weiss and Austrian pianist Fritz Pauer and found in 1971. When Pauer presented Weiss some new songs, the two of them gathered Belgian guitarist Philip Catherine, Dutch flutist Ferdinand Povel and American drummer Jimmy Woode (R.I.P.) and formed Sunbirds. The recordings of their debut took place at the Union Studios in Munich on 24th August 1971. Weiss had good connections with various labels and the album was eventually…
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
Langsyne from Barmen (Bergisches Land region) played a subtle kind of psych-folk with a wide range of partly unusual, exotic and medieval instruments: sitar, psaltery, koto, glockenspiel, flute, etc. Especially remarkable is the instinctive assurance with which the three musicians, who understood each other without words, played their music together. Their only LP was released as a very sm…
*20 pages booklet edition. In proces of stocking* 'The band began in 1974 in Hagen but unfortunately this excelent album was emerged only in 1978, when progressive rock was not more in "fashion". Then this first work is sadly also the last. A similar problem that happened with Locanda delle Fate and his masterpiece "Forse Le Lucciole Non Si Amano Più". Since then Albatros is almost completely forgotten until Garden of Delights reintroduce this gem to prog fans in general and kraurock fans in par…
"This disc offers the only known recording of the first version of Gila, a group that gigged constantly to build a considerable reputation as a formidable live act. Taken from a live Cologne radio broadcast from February 26, 1972 (a few months before the group's demise), Night Works is all that one could hope for, long space rock acid jamming and much better fidelity than one would get from a recording by an audience member. Swirling organ tones and acid guitar burnouts surge out of the throbbin…
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesq…
On the occasion of RT 30 (the celebrations of Right Tempo's thirty years of activity) the Italian record company has decided, among other things, to publish a new volume of this successful series. The Easy Tempo series, born in 1996, aimed to disseminate a sound linked to black culture (in its broadest meaning and most varied forms) with contaminations ranging from psychedelia to vintage electronics through soul, funk and jazz. Having drawn from the world of soundtracks did not arise from a spec…
New legit reissue of this "psychedelic jewel from Duisburg". Originally issued as a private press LP in Germany in 1972, there were a couple of bootleg LP versions of this floating around in the 80s and then a legit, but difficult to obtain CD issue on the long gone Lost Pipe Dreams label. "Their music combined various folk and Eastern influences, slightly hinting at the Third Ear Band and Popol Vuh, but closest to Clark-Hutchinson on their album A=MH2. Kalacakra's blend of mantras, blues, folk …
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Huge Tip! Where Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by it…
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America’s heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…
** Black Vinyl edition. Comes in a craft board jacket, including a 12-page liner notes book with archival photos ** Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues. Led by the enigmatic Takashi Mizuta…
** 3LP, black vinyl edition** Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throug…
"Gorgeous quintet improv space explored at Chicago's ProMusica studios. Long-time partners Przemyslaw Drazek (trumpet, strings, percussion) and Brent Fuscaldo (voice, guitar, percussion, harmonica) join up again with Hamid's percussion, Tatsu's bass & shamisen, and Thymme's piano & various, just as they did on last year's amazing Ourania (FTR513). The sounds now are spacious, comfortable explorations of unknown sonic turf. There may be a bit less of the aggressive edge that marked their earlier …
"In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly different the se…
The second and the last album by Annexus Quam originally released in 1972 on the Ohr label. Sound engineer: Dieter Dierks. Reissue with elaborate miniature paper sleeve of the original LP (full color print, coated sleeve). 2008 digital remaster version, limited to 1,000 copies!After the release of their debut album Osmose and much playing in jazz festivals, Annexus Quam fronted some personnel changes and settled down to a quintet. The band was now Hans Kämper (trombone, Spanish guitar, flute), H…
Saltern presents Al Di Là, the first full-length collection of recordings by renowned dancer/choreographer, artist, and writer Simone Forti. Forti (born 1935, Florence, Italy) has influenced generations of artists through her innovative approaches to dance and movement. Forti is noted for her extensive work with musicians, including Charlemagne Palestine, La Monte Young, Jon Gibson, Peter Van Riper, and Z'EV, among others. With Al Di Là, we hear Forti musically in her own right through a diverse…