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Six cuts taken from this incredible 1975 soundtrack, the soundtrack to an adventure film set in Israel, is one of the finest in Roy Budd's catalog. Diamonds is a memorable soundtrack because it presents Roy Budd's unique combination of jazz, soul, and orchestral styles at its most catchy and innovative. Fans of funky soundtracks will love this album because it overflows with intense rhythms. "The Thief" layers suspenseful strings and heavy brass over a thick bassline that is pushed along by tigh…
Back in the 80s I became a big funky jazzy and soulful vinyl collector. Which opened the world of the late great Mr. Weldon Johnathan Irvine music, I managed to collect all of his LPs and singles back in the day. All have a place in my heart, back in the 90s I was also lucky enough to meet him. Licensing & Compiling for a small label called Hubbub records. Mr. Irvine was such a calm and gently person who just oozed music. He sadly passed away in 2002, which was a shock. But now years later It is…
Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.
Tip! **Repress. 300 copies limited edition** "Historically informed violin player, prize-winning street musician, new age experimentalist, chamber ensemble performer and conservatoire deviant. The career of Valentina Goncharova (b. Kyiv 1953) shares parallels with those associated with the broader new music movement of the 20th century and the dissemination of home recording technologies. Valentina’s was a youth spent immersed in the world of classical music study under soviet rule, first in Kyi…
WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves.
Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record. Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop…
** Special edition of 300 copies on Transparent/black marbled vinyl housed in reverseboard printed sleave with printed inner sleave. Comes with lyric booklet, poster and postcard inserts ** Formed in 1968, The Plastic People Of The Universe – named after a Mothers of Invention song and heavily influenced by Frank Zappa and The Velvet Underground – were iconic figureheads of the Prague Underground, a loose collective of Czech poets, philosophers and artists considered a threat by the Communist g…
Wreckage is a collaborative work between Australian composers Oren Ambarchi and James Rushford. Cycling through a set of asymmetrical harmonic and rhythmic patterns, the composition is a study in displacement. The material, though repetitive, shifts itself in unpredictable ways to create an amorphous, and extremely delicate, sonic world. Wreckage draws upon both avant-garde and avant pop sensibilities, influenced by a variety of artists including Morton Feldman, Luciano Cilio and Luigi Non…
** 12-page booklet reproducing the original liner notes ** Reissue of the groundbreaking LP from 1971 of Phonetical Poetry / Sound Poetry pieces by the most relevant artists of the last century. Curated by Franz Mon.
Including pieces written by the fathers of Russian Futurism Velimir Chlebnikov, Alexej Krutschonych, and Kazimir Malevitc, followed by poems by Raoul Hausmann and Kurt Schwitters, the French school of Francois Dufrene, Henri Chopin, Maurice Lemaitre, to Bob Cobbing, Peter Greenham, …
Joke Lanz was born in Basel, Switzerland in 1965. In 1989 he created the noise music - performance, art - installation project Sudden Infant in connection with the Schimpfluch-Gruppe art collective. For more than 20 years Lanz has been one of the most prolific and profound artists working in the border zones between performance/body art and improvisation/noise. Noise In My Head documents Lanz's myriad activities and features: photos from installations, performances and actions; visual wor…
A giant of Scandinavian experimental music, Lasse Marhaug has been active in sound creation since his teenage years. His interests have spanned a wide range of styles: from improv jams to film sound, from humorous collages to crushing harsh noise works. This non-stop activity has resulted in a massive body of recorded work and numerous live performances all over Tellus. Besides his solo work he has collaborated with a multitude of fellow sound artists on stage and in the studio. In the everflowi…
Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases. The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditi…
Sometimes there is this sensation: "I knew this was going to happen." It clicked right away when Dan mentioned they had initiated a collaboration with Lasse. I have a deep respect and decent knowledge of their past works, but I could not imagine what to expect (besidesit being a first class job). Lasse is a chameleon-like collaboratorand Dan has been firmly straying from the scorched domains of harshnoise. After a long and anxious wait, playing "Distort Orgasm" reveals a work where both artists’…
Back in 2006, Lasse Marhaug released an album with Joachim Nordwall from the Skull Defekts and Johannes Helden called When The Ice Is Leaving, Scandinavia Is Burning. With a title like that, the album should have been all fire and brimstone of Nordic noise: abusive, throttling, and demonic. It was not. Instead, that was the album you would expect from an album called The Quiet North; and The Quiet North is certainly not quiet. Pure brutalist noise is what Marhaug has in store for us. This wall o…
Rubbed/tickled strings, drone-based undercurrents, leviathanic apparitions, squeals of insects, molluscs & intriguing shells, underwater singing moans, the work of the Belgian musician and performer Anaïs Tuerlinckx plunges entangles us into a captivating constellation
Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone…
Recorded by Jørgen Træen at Duper in Bergen, Norway, September 15th 2003. Performed by Lasse Marhaug Produced by The Golden Serenades. Cover photo by Gunnar Marhaug. Originally released on CD by PacRec in 2007.
A master of reeds and horns, Joe McPhee is a bonafide free jazz icon who refuses to play the elder statesman in spite of his half-century-plus career. McPhee continues to hone his improvisatory skills by venturing far from his upstate New York home to perform with cutting-edge instrumentalists the world over. The phenomenal Norwegian drummer Paal Nilssen-Love is one of McPhee's most frequent and sympathetic collaborators. The duo's timely convergence in Tokyo with Lasse Marhaug, another Norwegia…
Pressed in an edition of 300 copies. A new collaboration between these two heavy-weights, and the first in what will hopefully be an ongoing project. Composed remotely across oceans and hemispheres over the last five years, the album draws on the languages of musique concréte, dub, power electronics, free noise and at times even early Italian avant-garde composition (believe it or not). This entire work highlights the startling power of their individual approaches and the true potential o…
Sofa is proud to release “On The Silver Globe” – the debut album of the duo of Kim Myhr and Lasse Marhaug. The album originated as a commission from the MetaMorf art biennale in Trondheim for the two musicians to collaborate on a 8-channel piece for the 2016 edition. The morphing of Myhr and Marhaug proved to be a good match, the two had known each other for years but never worked together, and in the process of making “On The Silver Globe” found this collaboration should be more than a one-off.…