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All compositions by Scott Fields. Artists: Scott Fields, guitar; Stephan Rath, theorbo. "On this recording Scott Fields plays a 1999 Robert Ruck guitar and Stephan Rath plays a 1988 Hendrik Hasenfuss 14-string theorbo, after an instrument of Tieffenbrucker/Edlinger. Our duo was formed for the 2007 Cologne Music Triennial (MusikTriennale Köln) series 'Solos for duos, improvisation from yesterday and today' (Solo für Zwei, Improvisation gestern und heute). Festival yentas matched six early music s…
"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…
Featured works: "Ripples From The Bang" (2007) composed by Elliott Sharp. "Paranoia" (2007) composed by Bernhard Lang. Performed by: LaTasha N. Nevada Diggs, text & vocals; mixmastertodd, electronics & vocals; Philip Jeck, turntables; Hans Koch, reeds; Bernhard Lang, keyboard/electronics; Elliott Sharp, 8-string guitarbass/electronics; Fredy Studer, drums/percussion. Bernhard Lang on "Paranoia": "'Paranoia' is a sequence of eight semi-improvised blocks that were extracted from the sketches to Ac…
In 1996 I went on a tour of Japan with Orchestra Carbon; a highlight was the Music Merge Festival in Tokyo. A colorful selection of wonderful musicians from the international scene met there for three days at the Shinjuku Pit Inn: Michiyo Yagi, Otomo Yoshihide, Sachiko M, Jim O'Rourke, Yumiko Tanaka, David Grubbs and others. In addition to performing with Orchestra Carbon and my solo Tectonics, I was allowed to develop a new algorithmic template for a small orchestra of festival soloists under m…
"'Flow of shadows' is how I would translate the composite neolog title of this 1997 work for Orchestra Carbon and how I might describe the musical gestures therein. In seven sections, 'Rheo~Umbra' layers through composed materials, algorithmic strategies for the ensemble, and improvisations by various soloists. The algorithmic approaches include the 'transient additive pulse' where a percussive hit and its reverberations morph into a pulsing groove. There are also hockets and phased looping/tran…
"Larynx is an analogy; the orchestra as a throat. It follows as corollary to the throat as orchestra: throat singing as practiced by the Inuit of the Canadian Arctic and the hoomii singing of Mongolia, as well as by related jawharp techniques found throughout the world. The natural overtone series is the melodic core of much of these musics and of much of Larynx. Ratios derived from the Fibonacci Series are used to generate tunings and melodic/harmonic material for the strings, brass, slabs, pan…
"Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…
*2023 reissue* Now available on classic black vinyl. The inventor of exotica/cocktail music goes electronic/Moog. Originally released in 1969, "Exotic Moog" is a much sought after title in our Martin Denny reissue series. Great music for hunters of synth, exotica, experimental, 60's rock, and psych. "Exotic Moog is the glittering grail for both Martin Denny collectors and Moog fans. There really is nothing else like it, and the LP is very much in short supply. The Moog in this case is one of the…
Performed by: Orchestra Carbon: Judith Insell (viola); Rea Mochiach (percussion); Zeena Parkins (electric harp); Jim Pugliese (percussion); Ted Reichman (accordion); Marc Sloan (electric bass); Tim Smith (bass clarinet); David Soldier (violin); Evan Spritzer (bass clarinet); Joseph Trump (drums & percussion); David Weinstein (synthesizer and sampler); Elliott Sharp (electroacoustic guitar). Recorded December 1998. "Composed in 1998 for my ensemble Orchestra Carbon, SyndaKit utilizes a collection…
Tectonics is a solo program performed on saxophones, guitars, an Apple Powerbook running MAX/MSP as well as various DSP applications, plus a variety of external hardware DSP devices. Sharp's work with electronics dates back to the late 60's and has included extended techniques on a variety of instruments, both "traditional" and invented, as well as use of analog synthesizers and processors, and, later, experiments with Music 4 running on a PDP. When the Atari ST first appeared, it was utilized t…
* Limited LP. Two-sided insert with liner notes by Matthias Andersson. Mastered by Lasse Marhaug * Utmarken was a combined venue, record shop and recording space in Gothenburg that existed between 2008 and 2011. A short-lived under the radar hub for outsider art and fringe music, the place quickly became an oasis for an wide variety of local misfits and a hotbed for interesting sounds. The creative, multifaceted atmosphere spawned acts like Ättestupa, Lust For Youth, Street Drinkers and Arv & Mi…
On May 28, 1969, four American musicians — reed/wind players Roscoe Mitchell and Joseph Jarman, bassist Malachi Favors, and (accompanied by his wife, singer Fontella Bass) trumpeter Lester Bowie — boarded the ocean liner S.S. United States, bound for Le Havre, France. After landing five days later, they moved on to Paris, where they got to work. On August 22, 1970, in the waning days of their stay overseas, the group, with Bass on vocals, would record their second release for EMI’s Pathé Marconi…
* Edition of 150 * The fourth album in 20 years from the Schnee duo of guitarist Burkhard Stangl (efzeg, Polwechsel) and Christof Kurzmann performing on lloop, voice and "ruber bands", creating music for films that have not yet been created through intensely moody electroacoustic environments, Kurzmann's voice sometimes guiding the narrative of their visionary sound. " "I love plainness in colour, monotony, snow is rather a monotonous tune. Why should colour not give an impression of singing? W…
**2020 stock** "What about this Cosmofonia Rudimentale? Well, here we have a group of friends who liked to improvise together around 2010 in studio and on stage. The “excuse” was to create a music that could accompany futurist poetry. Roberto Zanisi is a polymorphous musician playing a lot of ethnic string instruments who collaborated between others with Amy Denio, Giovanni Venosta, David Moss, Sainkho Namtchylak and Fabien Guyot. Valerio Scrignoli is an important guitarist of Italian jazz scen…
* long out of print, few copies back in stock * Akio Suzuki has been making earthy yet ethereal sounds for over four decades now, all quietly emanating from the Japanese countryside. Born in 1941, he's made outdoor sound the focus of his career, constructing installations that transcend space and time, turning the outside world into a lucid daydream. In 1997, Suzuki analyzed the French town Enghien-Les-Bains, precisely mapping out (with footsteps) areas where echoes were most resonant. He built …
*In process of stocking* Second Sleep presents a deep dive into noise excursions collecting this 8xtape box by Casa Di Caccia.Two friends, a table, the right amount of distortion pedals, appropriate addictives. This perfect blend pulled out not just a release, but a proper batch of eghit tapes, full of roaring impetuousnesss and slouching frenzy harsh noise for long afternoons.
Official Frederiksberg Records is proud to announce the first reissue of Suzanne Menzel’s 1981 album “Goodbyes and Beginnings”. This sought-after rarity presents a blend of ambient, new-age, 60’s inspired folk music. The melancholic lyrics of singer-songwriter Suzanne Menzel are transformed by Danish New-Age pioneer, Klaus Schønning’s, futuristic soundscape. Schønning, not only produced “Goodbyes and Beginnings,” Menzel also credits him as giving her the artistic courage to self-release her firs…
The first vinyl reissue of Bertil Strandberg Kvintett’s Cirrus album is now available on Frederiksberg Records, following on earlier Scandinavian Jazz reissues by Christian Schwindt Quintet and Carsten Meinert Kvartet. In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again and comes with an i…
**Edition of 300 on clear vinyl. Timeless proto-electro/minimal synth/experimental (from Japan, 1980 on legendary Vanity Records) of the highest order ** Minimal Wave is honored to present a reissue of Sympathy Nervous’ pioneering debut album originally released in 1980 on Vanity Records out of Japan. Sympathy Nervous was Yosihumi Niinuma’s lifelong project which he started in his Tokyo living room in 1979. Through Sympathy Nervous, Niinuma was able to channel his energy into what he loved – bui…
The new LP from Jim Haynes is a haunted and provocative endeavor, rust-covered and mysterious. It is the result of an immersive listening/recording process through which Haynes' singular techniques intersected with an unfamiliar, disquieting landscape.... "The album was mostly composed, recorded, and sketched during an Estonian residency at MoKS for a program that was hosted by Simon Whetham and John Grzinich called Active Crossover. The goal of that program was to bring together various artists…