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*2022 Stock.* Nebadon (17th Hour from Klang, 2007) is for Horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 10-12. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the horn of Christine Chapman. As a bonus, the electronic music is also presented without the soloist part for rehearsal. …
*2022 Stock.* Uversa (16th Hour from Klang, 2007) is for Basset-horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 7-9. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the basset-horn of Michele Marelli. As a bonus, the electronic music is also presented without the soloist part for r…
*2022 Stock.* Orvonton (15th Hour from Klang, 2007) is for Baritone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 4-6. This CD features the baritone vocal of Jonathan de la Paz Zaens. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
*2022 Stock.* Havona (14th Hour from Klang, 2007) is for Bass and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 1-3. This CD features the bass vocal of Nicholas Isherwood and as a bonus, the electronic music is also presented without the soloist part for rehearsal. - Stockhausenspace.blogspot.com
*2022 Stock.* Treue (Fidelity, 11th Hour from Klang, for wind trio, 2007) and Erwachen (Awakening, 12th Hour from Klang, for trio, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related arpeggio figures (or broken chords). These ostinato figures are modulated dynamically so that they subtly approach and recede. In Schönheit (Beauty, 6th Hour from Klang, 2006) the material from the three arrangements of Harmonien are layered and synch…
*2022 Stock.* Himmels-Tür (Heaven’s Door, 4th Hour from Klang) for a "percussionist and a little girl" (2005) is essentially performed on a hand-made door, with panels constructed from different types of wood in order to obtain a broad range of timbral colors. The piece consists primarily of 15 moods, followed by a final theatrical event involving cymbals and sirens (the little girl element is not aural). This piece could be considered a kind of microtonal, neo-marimba piece performed on found …
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are fascinating explorations of melodic and rhythmic contrast. These final, late-era piano pieces are truly beautiful postcards of shape and color.- Stockhausenspace.blogspot.com
*2022 Stock.* Himmelfahrt (Ascension, 1st Hour from Klang, for synthesizer, soprano and tenor (and some percussion) (2004/05): This work primarily features the polyphonic/polytimbral synthesizer of Antonio Pérez Abellán, with added sung text by Hubert Mayer (tenor) and Barbara Zanichelli (soprano). Abellán did the synthesizer programming and also provides the intermittently-occurring percussion parts (bamboo chimes, metal bowl, gong percussion). As a bonus, the 48 timbres employed (blended synth…
Tip! *300 copies limited edition. In process of stocking* First ever release of concrete and electronic collage works by Belgian underground sound explorer Jan Bruyndonckx. This album contains autonomous compositions, music for film and documentary; all independently recorded in his private studio between 1958 and 1965. A small collection of adventurous and mysterious sound evocations with text/poetry recited by Julien Schoenaerts.
2013 Edition. Reissue of ultra-rare 1975 German underground record. Ejwuusl Wesshaqqan were a Munich-based band acquainted to Amon Düül and with a similar style. The music certainly resonates with some of the best German stoned-out vibe, but there's a very organic sense of evolution to the music. A special characteristic of their style is the absence of vocals and guitar which were replaced by the self-made seven string filouphone. The original LP had been pressed in a limited edition of …
LP version. Comes in a Stoughton "Tip-On" jacket; Includes printed inner sleeves. Palto Flats & WRWTFWW Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan. Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada’s first solo endeavor, a captivating four-song suite capturing her deep q…
LP version. Pauline Oliveros surrounded by Belgian ensemble Musiques Nouvelles, performing two long pieces for orchestra. "Sound Geometries for Chamber Orchestra, Expanded Instrument System and 5.1 Surround Sound System" by Pauline Oliveros was premiered in Brussels. The 3 sections metaphors of the piece are intended to guide the players in their feelings and approaches to conducted, guided and improvisational music making to create differing atmospheres for each of the three sections. Pla…
Friends edition limited to 99 copies on clear vinyl. This very special Box-Release containing almost four hours of Hafler Trio archive recordings, recorded between 1987 and 1999 gives a great opportunity to dig into the universe of music-mastermind, multi-talent and concept-art genious Andrew Mc Kenzie. His electronic/drone/ambient/music concrete-like music-output as Hafler Trio / H3O has not officially released on vinyl or CD up to this point. In 2012 Frank of VOD went through a whole pallet of…
Rapoon is the ethno-ambient solo project of Zoviet France co-founder Robin Storey. The music of Rapoon reflects the fasctination for the minimalistic but rhythmic music of West-Africa and India. Rapoon uses the musical construction techniques of loops and rhythmic repetition as a kind of platform for inducing a sort of trance like reception. The tracks chosen on this Box-Set are tak…
Ruscigan is Guido Baggiani, neapolitan composer and trumpet player, ex Karlheinz Stockhausen’s student. Ruscigan is Piero Umiliani, one of the most important Masters in Italian music, author of dozens of soundtracks and library recordings. “Disagio Sociale” was always considered as Umiliani’s solo work, even though it’s not part of his detailed and official discography as, i.e., “Viaggio nel domani”. Despite all the mystery and the discomfort of not knowing, the re-release of “Disagio sociale” i…
*2022 Stock.* This is a 2 CD presentation of a new recording of Momente from 1998. Momente has a "mobile-form", which means that the individual segments can be rearranged from performance to performance (typically pre-arranged at the conductor's discretion). Therefore this version is again unique from the 1965 and 1972 versions of Momente found on The Stockhausen Edition no. 7. Like the 1965 version, it does start with the "clapping" sequence, but in this performance the transition from "audienc…