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With the LP Dregs in 2018, the Capers sound palette was expanded considerably. On Lungs, recorded not long after Dregs, the sound palette was instead kept at a minimum, and the composition simple, restrained and monotonous. Sparse, ever-sinking, rough, repetitive and patterned noise. For heads into early Zone Nord and Vårtgård. Previously released as a C30 in 2019 by Canadian label Freedom Club, with one of the tracks omitted to better fit the cassette format. Lungs is now available in its origi…
Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…
"This recording from 1985 of the trio consisting of AMM percussionist Eddie Prevost, bassist Tony Moore, and soprano sax player Peter McPhail is an outstanding recording of avant-garde jazz which documents a trio of improvisers maximizing their focus on interplay and invention.This album will appeal to fans of avant-garde jazz and European improvisation, as well as listeners of bebop. The energy and interplay are most striking aspects of this recording, and, while it is very distinctively footed…
Matchless Recordings presents a live concert by Eddie Prévost and Alan Wilkinson recorded at Barefoot Studios, London, England on 10th January 2006. The album includes five tracks performed by Eddie Prévost - Percussion, Alan Wilkinson - alto & baritone saxophones.
His work in AMM has labeled him a percussionist, and rightly so, but listen to “Supa, Supa;” with its shuffling high-hat and dancing brushes – this is idiomatically aware jazz drumming of a very high order. Some of the best music occu…
*In process of stocking. 2023 stock* A characteristic resonance investigation, which is generated between the vibrating objects (buzzer: 400Hz) and different materials. Recorded and mastered by Kris Limbach at emitter19 studio, Berlin June 2011.
*200 copies limited edition. In process of stocking. 2023 stock* “This untitled album is an excavation of fluff and audio detritus, feathery caverns being mined for tangled fibres. Insular and close, the sound-environment captured by this trio is somewhat akin to water-logged ears; a pressured confusion of indistinct voices, tape-whispers, and buzzing electronics. It unfolds in languid contemplative fashion, curling endlessly in upon itself, a burrowing within rather than an expansion out, each …
A Fistful of Spaghetti, Encyclopedia of Italian progressive rock, experimental, electronic music, etc. by Steven Freeman & Alan Freeman. From the writers of The Crack In The Cosmic Egg, probably everything you needed to know about Italian Progressive music & the wider prog, electronic, experimental music scenes from Italy. Although centered on the progressive rock scene of the 1970s, the authors have attempted to cover all related genres here, amounting to more than just another prog rock guide…
*In process of stocking.* AI-28 arrives as a double-12” reissue of an album titled “Lucid Dreams”. Formerly released in 1996 as a CD on the now defunct UK imprint em:t, the album now becomes available for the first time on vinyl. Produced collaboratively by Chris Allen, David Thompson (both co-founders of em:t), plus label affiliates Tom Smyth and Will Joss, the record features outlier academic and philosopher Celia Green narrating passages of her classic book “Lucid Dreams” (published in 1968),…
Tip! Emerging from a thick spiralling haze, is the debut album from Mystic AM - a new project from Rod Modell and label founder Ario Farahani. Conceived as an immersive fictional soundtrack piece, the release tells the story of a traveller, some centuries ago, and the rather intense metaphysical experience he unexpectedly stumbles into whilst taking shelter on a hot desert night at Zein-o-Din Caravanserai, near Yazd in Persia. Dusk envelopes the vast barren landscape as the protagonist enters th…
*In process of stocking.* Son of Chi returns to Astral Industries, alongside Spanish artist Clara Brea, for the collaborative release of AI-29. A product of fate, chance experiments, but most of all, sensitive artistry - ’The Wetland Remixes’ exists as a confluence of two kindred musical spirits, a wayfaring epic that draws together a rich archive of ecological field recordings, live instrumentation and higher inspirations. Ahead of Hanyo’s concert at ‘Avalovara listening club’ (Madrid) at the e…
Stoned To Death delivers what might just be one of the most unexpected and beautiful records of the year, Šimanský Niesner's "Všechno Dobré". Created by the Czech Republic based acoustic guitar duo of Jakub Šimanský and Tomáše Niesner, within cascades of tonality emerges a profound meditation on place and time, binding elements traditional folk and drone, with American primitive guitar playing and thrilling attitudes toward experimentalism. It's a stunning thing to behold.
This release presents one of John Coltrane's last preserved live performances ever. Taped in Philadelphia with excellent sound quality, this set presents Coltrane playing probably the freest version of Naima, along with readings of two more of his compositions: Crescent and a powerful version of Leo. Coltrane died shortly after this performance at the age of 40 on July 11, 1967.
A very nice book brings together a diverse collection of Cornelius Cardew's major essays and writings from different stages of his career, together with commentaries by other writers associated with his work. It reflects developments, changes and contradictions in his thinking about music from the late 1950s to the end of his life. As a companion volume to John Tilbury's biography 'Cornelius Cardew a life unfinished', Copula, 2006 (ISBN 0 9525492 3 9) it provides essential material for the study…
A band? An art project? A shadowy cabal of political provocateurs? We are lifting the lid on Laibach for this month's cover feature – and we have a fantastic transparent red vinyl seven-inch featuring two tracks by the idiosyncratic Slovenian collective to accompany the issue as well. Click here to order your magazine and vinyl bundle now Formed at the start of the 1980s in a mining town in what was then Yugoslavia, Laibach's interest in the culture and national identity of Slovenia frequently u…
Released in 1989. A few copies founded in the basement of the label. Michel Doneda (soprano saxophone), Daunik Lazro (alto saxophone), Lê Quan Ninh (percussion). “Here’s an exuberant early Session by three Artists who have become stalwarts of the European Free scene. Michel Doneda is by now almost a household name as a free improvisor considered by some one of the greatest living saxophonists. Lazro and Ninh le Quan , seem almost unjustly neglected by comparison. Le Quan in particular is one of …
* 50th Anniversary edition of 1000 individually numbered copies on orange marbled vinyl * A deluxe edition of the soundtrack composed and directed by Ennio Morricone for the 1971 movie L’Istruttoria E’ Chiusa: Dimentichi (The Case Is Closed, Forget It) directed by Damiano Damiani and starring Franco Nero, Georges Wilson, John Steiner. This is one of the best “experimental” scores composed by the Maestro, with an avantgarde style that reminds his works with Gruppo di Improvvisazione Nuova Consona…
Limited edition of 300. David Toop's environmental beauty Life on the Inside is the audio companion (created and recorded in 2015) to French sculptor Pierre Besson's 2014 exhibition D'objets noires et de Choses carrées (Black Objects and Square Things). This 34-minute ambient track was diffused inside of the sculpture and has never been published before. An excellent addition to the David Toop discography and a must for any wide-ranging ambient fan.
Both a jazz drummer and ethnomusicologist, Jean Schwarz offers a unique vision that expands upon Luc Ferrari’s imagined Presque Rien environments and the tweaked rhythmic workouts of Bernard Parmegiani’s Pop’eclectic series of jazz collages. Throughout, Schwarz incorporates extensive usage of field recording, cyclic minimalist rhythm beds and the slow-moving resonances of electronic tone textures, playing with the sounds of French cafe musette, soulful jazz, and expansive audio vistas of desolat…
Composed in the Celia records studio, December 1993, and January 1994. Commissioned by INA grm. As per Jean Schwarz's own words “At the very beginning, there was rhythm”... Rhythm never stopped to be among the heart of all kinds of musical forms, such as traditional, non-european, jazz, occidental, experimental and electroacoustic styles. Each machine produces its own rhythm. The purpose of the piece is to orchestrate and play with rhythms of different machines as varied as possible in order to …
The general idea of this piece was to imagine a fresco comparable to a Lied, where the soloist's voice is accompanied by electronic sounds combined with concrete and instrumental sounds processed on a computer — sounds from nature and transformed orchestral sounds. Only German corresponded to the conditions I had set for myself — expressionism, distance from the text (which does not really need to be understood), musical language.Goethe's “Four Seasons” was written in the fall of 1797, after the…