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The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
*Issued in 8-panel digipak with 20-page booklet.* As a member of seminal "kosmische" groups Ash Ra Tempel and Tangerine Dream, and throughout his long and distinguished solo career, Klaus Schulze has emerged as one of the pioneers of modern electronica. Pulsing analog sequencer rhythms and proto-ambient synth drones, presaged developments in techno and trance by nearly two decades. The three-disc set, La Vie Electronique 2, is the second in a comprehensive reissue program focused on rare tracks …
In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
We've been talking to Steven Wilson about his new album for this issue of Electronic Sound and we have a special limited edition cover based on the artwork concept of the record for our subscribers and our webshop. To accompany the magazine, we also have a red vinyl seven-inch boasting exclusive edits of two tracks from the album.
This month's Electronic Sound cover story details the highly entertaining exploits of Telex, the maverick Belgian trio whose early synthpop records were a major influence on the American and European club scenes that followed a decade or so later. And to accompany the magazine, we have an exclusive yellow vinyl seven-inch boasting two of the band's best-known tracks.
We're marking 40 years of the one and only Chris & Cosey in the new issue of Electronic Sound. Our cover story is an in-depth interview with Chris Carter and Cosey Fanni Tutti, who look back over the highs and lows of their incredible musical partnership, which they formed straight after Throbbing Gristle imploded. The fact that Chris and Cosey are a couple has always been central to everything the pair have done, including the 20-odd albums they have released under a range of different guises, …
Viva freaktronica! For this edition of Electronic Sound cover stars are the legendary Faust, the wildest and weirdest of the 1970s krautrock outfits. We have a transparent vinyl seven-inch featuring two tracks from 'The Faust Tapes', the group's best-selling 1973 album, to accompany the magazine too.
Devoted to the art of moving butts, our latest cover stars are the fabulous Tom Tom Club, the band that started out as a Talking Heads offshoot but rapidly turned Tina Weymouth and Chris Frantz into global musical heavyweights in their own right. We have an exclusive blue vinyl seven-inch featuring two awesome remixes of the group's 'Genius Of Love' to accompany the magazine too.
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
Simona Zambolis first album on Mille Plateaux "Ethernity" is a piece of haunting music - vibrating, pulsing and cutting through the concrete and the chaos at the same time, when you listen close enough. The album is a journey through trans-reality, not only as a melancholic drama, but also as a travel to alien worlds, hence as a necessity of an electronic intervention. "Ethernithy" is radical fictioning in a non-expressive, non-melancholic and ultrablack sense. Profound music demands blackness, …
The new record by Eric Chenaux is his most immaculate and pristine. Say Laura perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has been revealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, frazzled, thoroughly destabilized guitar could come from no other musician. The five wandering, wondering ballads on Say Laura bring Chenaux’s semi-improvised but keenl…
On “First Flight Redux” Dave Harrington takes a scalpel to the multi-tracks of "First Flight" (LP/DL, Algorithm Free) remixing the raw material into something else entirely.
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
** 2021 Stock ** The first ever reissue of the 1975 free jazz album originally released on India Navigation. What we know of Downtown New York comes from the countercultural and creative flowering that emerged in lower Manhattan in the 1960s, attributable to cheap live-work spaces called lofts. These were often abandoned and disused small manufacturing spaces and they became a nexus for artistic practice and life. From a jazz perspective, lofts were alternatives to the club scene, and they gaine…
** 2021 Stock ** 45 years after his debut album Valley of Search (1975/India Navigation), jazz saxophonist Alan Braufman returns. The Fire Still Burns has that gritty, forthright sensibility we hope to hear in sonic collaborations borne out of beauty and struggle, but there’s a populist ease that comes with age and reflection. Put simply it’s natural music – complementary, individual, and full of the sweet, hot taste of celebration.
*Triple LP.* In June 2016, the great-outdoors music festival Echos asked Ernest Bergez aka Sourdure to produce a series of "Mantras" set to be diffused in between each concert of the twenty-four hours event taking place in the french Alpes. These pieces were played on the festival's gigantic speakers/ horns system in the afternoon, evening, night, morning, noon... and reverberated fully in the rocky valley. This triple vinyl edition gathers the field-recording-like captures of the tracks deliver…
Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan too…