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2012 release. A reissue of Joe McPhee's Glasses, originally released on Hat Hut Records in 1979. Glasses was recorded in October, 1977, during a highly significant period in McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Documented in Tavannes, Switzerland, the set contains sensational tenor work, including the title piece, which finds McPhee ringing out a rhythm on a half-full wine glass, from which he …
Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers. It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on the scene in the early 1970s, including appearances on classic FMP outings such as Rüdiger Carl Inc.'s King Alcohol (CVSD 032CD) and the eponymous Peter Kowald Quintet LP (CF 015LP…
2016 release. A reissue of Jimmy Lyons's Push Pull, originally released on Hat Hut Records in 1979. Long known as Cecil Taylor's most reliable and loyal colleague, alto saxophonist Jimmy Lyons has a select discography as a leader, and among its best entries is Push Pull, originally issued by Hat Hut Records as a massive three LP set. Recorded during a single marathon performance at the Collective for Living Cinema in New York in 1978, Push Pull features five extended pieces, all by Lyons, with h…
Recorded by nuns Sister O’Connor and Sister Marimil Lobregat on electric organ, piano, guitar and heavy doses of reverb in 1973 at the Catholic Radio and Television Centre in Sydney, Australia. Fire of God’s Love is a haunting musical communion teetering somewhere between Hildegard von Bingen and The Space Lady...on the hills of Meggido! Out of print since the 1976 repress, this extremely limited edition lovingly replicates the original album design and has been masterfully restored.
You would never believe this record to be a relic from a past of electronic music that happened before anybody even spoke about rock music. In 1957 this compilation of electronic and orchestral compositions by the three masterminds Otto Luening, Vladimir Ussachevsky and William Bergsma saw the light of the stars for the first time and has become a cult piece among lovers of electronic space music since then, despite the fact that only the first side features the so called tape compositions of Lu…
Kluster - Cluster - and now Qluster - an extraordinary shedding of skin of one of the most important german electronic groups. Hans-joachim roedelius was there from the beginning (kluster from 1969 on with conrad schnitzler and dieter moebius; cluster from 1971 on with dieter moebius; qluster with onnen bock since 2010). Little need be said about roedelius, whose collaborations with conrad schnitzler, cluster and harmonia earned him a worldwide reputation as a pioneer of electronic music. Onnen …
LP version. Includes CD. The third incarnation of the legendary krautrock project Kluster/Cluster expands its audience with the contemplative, mature, and intelligent electronic music of Echtzeit. Hans-Joachim Roedelius, Onnen Bock, and Armin Metz are Qluster, founded under the name of Kluster in 1969 by Roedelius, Dieter Moebius, and Conrad Schnitzler.
Kluster were responsible for two milestones of electronic music.
Schnitzler quit the band two years later, leaving Roedelius and Moebius
to c…
Bureau B present a reissue of Martin Rev's Cheyenne,
originally released in 1991. The sphere of Martin Rev's influence and
the relevance of his music may well be related to the fact that he was
one of the first artists who succeeded in grasping the abstraction of
electronic music, infusing it with a sense of immediacy built on raw
energy. Whilst the likes of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and Kraftwerk
were busy digging in the electronic music garden, Martin Rev fo…
Ever since he released his music in the early '80s, Michel Banabila has been hard to pinpoint to a specific genre or style. His musical output includes jazz, experimental cut-up electronics, world music (especially influenced by the Fourth World music as developed by Jon Hassell), New Age, eclectic pop tunes, music for dance or other stage projects, and soundtracks for TV productions. Wah-Wah Whispers focuses on Banabila's more recent output. It is a collection of works showcasing many facets of…
LP version. Post-war apartments dominated the views of Düsseldorf in the early 1980s - cement slabs, the "art bunker" known as the Kunsthalle, and the elevated railway called "The Millipede". Yet reconstruction was in full swing - bank buildings on the "Kö" received postmodern interiors, the old town became stylishly retro-rustic, and advertising agencies displaced industrial companies. Music took all of this on. Punk was finished, but its pathos drifted through pubs and shared flats. At the sam…
LP version. Bureau B reissue Rolf Trostel's Der Prophet (1982). Electronic pop was the musical goal of the Berlin School musician Rolf Trostel on Der Prophet, which was released in the same year as its predecessor Two Faces. Der Prophet is the culmination of this phase of Trostel's oeuvre, which was tightly coupled to the PPG Wave Computer. As on his previous releases, the sonic peculiarities and clanking sounds of wavetable synthesis are emphasized. Yet here they are obviously more interlinked …
LP version. Bureau B present a reissue of Hans Joachim Roedelius and Alexander Czjzek's Weites Land, originally released 1987. Vienna, the early 1980s. Krautrock, electronic, and ambient pioneer Hans Joachim Roedelius, co-founder Cluster and Harmonia and saxophone free spirit Alexander Czjzek meet for the first time. Their longstanding collaboration found its climax in the fantastic album Weites Land, which was released in 1987 for the first time, but has been out of print for many decades and b…
LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been invo…
LP version. Bureau B reissues the first collaborative release by Dieter Moebius and Gerd Beerbohm, originally released by Sky Records in 1982. In the latter half of the 1970s, alongside their Cluster collaboration, Dieter Moebius and Hans-Joachim Roedelius embarked almost simultaneously on individual musical journeys. Roedelius focused primarily on solo projects, while Moebius preferred to engage with other musicians on equal terms. Strange Music -- as unimaginative as the title may first appear…
LP version. Bureau B present a reissue of Richard Pinhas's L'Ethique, originally released in 1982. Following the vaguely poppy shapes of 1980's album East West (BB 292CD/LP), his fifth album L'Ethique saw the ex-Heldon guitarist and synth wizard return to bigger and bolder band-like methods. After the release he disappeared from the limelight for nearly a decade and returned in the 1990s. Interviewed by the Electronics & Music Maker magazine in 1982, Pinhas spoke in buoyant terms about the futur…
Geri Reig is Der Plan's debut album (originally released in 1980), but not their first release. An EP, recorded with the aid of an Electric Memo dictation preceded Geri Reig. But the band is not very keen on reissuing this early work. Why did they call themselves "Der Plan," actually? "A concept which has something to do with the capacity of people to think and shape their future" as Plan member Moritz Reichelt, alias Moritz R®, once explained. Der Plan at that time comprised Moritz Reichel…
LP version. Inspired by punk and post punk, vibrant scenes dedicated to independent self-actualization by means of self-distributed cassettes - the cheapest and fastest medium - were developing on each side of the Cold War's confrontational line. Albeit, under quite different circumstances. While there was a DIY euphoria in the West, which would also have had ideological motives, subcultures in the East simply had no other means. Even the first act of replication meant moving into illegal territ…
LP version. On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but made an exemplary landing, avoiding getting caught between a rock and a hard place. Material saw them generate a form of genre-busting electronic music, more radical than anything one might have expected to come out of Germany, not even f…
In 1994 the seminal electronic duo cluster (dieter moebius & hans-joachim roedelius) continued what they had begun in 1990 with "apropos cluster", their comeback album. the more mature "one hour" condenses essential passages from two lengthy sessions into 60 minutes. we hear sprawling soundscapes, clear acoustic sketches, musical extravaganzas, in short: highly impressionistic electronica.
LP version with color inner sleeve and liner notes by Asmus Tietchens. Originally released on Sky Records in 1981, Bureau B reissues Cluster's Curiosum -- the sixth duo collaboration between Dieter Moebius and Hans-Joachim Roedelius. Curiosum was to mark a departure to pastures new. Little did they know that this would be their last release for the next nine years. Curiosum was launched into an atmosphere of musical turbulence. Electronic sounds had become commonplace in pop music and the voice …