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Determined to continue collaborating with revolutionary blitzkrieg musicians in perpetuity, Talibam! Matt Mottel and Kevin Shea were set up on a blind date with Alan Wilkinson by Bo' Weavil Recordings for a London basement show in May '08. Like a late '60's Sadean love-in ripe with Joycean epiphanies, Talibam! heard in Wilkinson's tone the strength and grit of a fine british pint served cool and fresh…a perfect energy to swing-bounce their rolly polly hieroglyphic dance mayhem. A second gig happ…
Firstly, this is not for the faint-hearted, but fear not, this is not another noise record. This LP is something else altogether. This is a massive, glorious psychedelic din, a thick fog of dramatic sound events. Starving Weirdo's latest offering promises to enfold the listener who will experience the ecstatic grandeur of Anton Bruckner as much as the rich industrial drone of David Jackman. This is Lhasa in California -- a world drenched in ecstatic thrills and intense ethereal exploration. Ther…
Having played together in Æthenor for the last couple of years, Steve Noble & Stephen O'Malley came together to play as a duo at Cafe Oto in 2011. These recordings are the results of these two hot and sticky nights in East London. Noble is a regular at Bo' Weavil Recordings, having appeared on over nine recordings for the label, and a linch pin in London's improvising community. Steve Noble studied with Nigeria master drummer Elkan Ogunde and in the early 1980s and over the last 20 years has pla…
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
*Please note that this book is available in Italian language only.* "The authors are one of the founders of Franti, the other since the early 1980s a fanzinista and then a reporter for A/Rivista Anarchica from the trenches of punk and self-production. Our names are Stefano Giaccone and Marco Pandin. Each of us, in his or her own way, dreamed of a revolution in the 1970s and 1980s: sure, we were young and these were things that were nice to do and needed to be done. Almost thirty years ago we col…
"As you may know if you move in certain circles, Crass was a collective of English punks active between the late 1970s and 1984. Some of them had long been involved in certain creative fringes of the hippie movement in the previous decade. Anarchists and pacifists, they didn't have an easy life: from the very beginning, they had to fight hard to avoid being silenced. In 1985, they were labeled "an association operating on the fringes of the law" and convicted in court for producing "material con…
"Pretty sure this amazing Chicago trio was first introduced to us when Jim McCardle insisted we buy one of their albums at a record fair in the Windy City. Not sure which one it was, but it blew us away. Surprisingly, over the damn-near-a-decade since they started recording, Mako Sica has managed to keep itself well out of the limelight. Even though their first LP, Mayday At Strobe (2009), was released by one of Chicago's pre-eminent vanguard labels -- Permanent -- it was not easy to locate peop…
Recently we touched base with the New Zealand ex-pat guitarist Dean Roberts. He's living in Berlin these days, teaching, playing and staying out late. When asked if there were any interesting, unheralded players we should know about he immediately mentioned Julia Reidy. Julia is also a guitarist currently based in Berlin, but the city from which she's apart is Sydney, NSW. While there she was embroiled in the Australian improv scene, and played with the likes of Jon Rose et al. She was focused e…
2025 stock Reissue of an exceptional album of improvisations, recorded when percussionist Charles K. Noyes was lured to the Bay Area in the summer of 1979 by Henry Kaiser. Noyes and Maercks had played regularly as a duo when Owen was still based in Worcester, MA. But he'd shifted his ass westward in the wake of the Teenage Sex Therapist session (FTR 153-2LP), which had been organized by Kaiser following their collaborations in the band, Monster Island. Half of the album was recorded live at Woo…
A long time in the making but good things always come to astral travelers as transatlantic soul mates Dead Sea Apes and The Band Whose Name Is A Symbol are joined together on black vinyl for the first time. Two artists that for over the last ten years (and longer) have spent their lives creating music that defies easy categorizations -- psych rock/kraut rock/minimal/maximal/avant/free are phrases that only give you fleeting glimpses of what each artist represents. What we do know is that via a s…
Ned Collette's last album, the 2LP set Old Chestnut (FTR 362-2LP), was hailed as a masterpiece by 'most everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog/folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-instrume…
Tip! *200 copies limited edition* In the depths of Geneva’s Fonderie Kugler red-lit-boudoir, stand four grand pianos surrounded by divinities. The two elder Erard brothers are tuned down a quarter tone lower than their neighbours, a twin pair of gleaming and valiant Yamaha’s. Charlemagne and Seppe both sit facing each other, managing the 428Hz tuning from the tip of their left hand, while the right hand controls the conventional 440Hz machine. This four-piano fantasy was born a few years ago, w…
Near the end of his days, John Fahey told me he was sick and tired of solo guitar records. This statement was partly designed to take me aback (as was often his tact), but it was also true. He seemed genuinely bored by most guitar players, especially those who were traveling in the shoes he'd first worn on his own early records. That said, I'm pretty sure he would have loved Eric Arn's Orphic Resonance. The first time I ever saw Eric play was as part of the classic second line-up of Crystalized …
2023 reprint. Together for the first time, ESP-Disk' is proud to present all three volumes of The Heliocentric Worlds of Sun Ra in a gorgeous fold out digipack. Originally released as two volumes in 1966, and with a third volume uncovered in 2005, the landmark sessions recorded by Richard Alderson on April 20th and November 16, 1965, have been hailed as a ?...masterpiece of free jazz.? To further delve into the Heliocentric Worlds of Sun Ra and his Orkestra, each enhanced disc in the set contain…
Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time. Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an ext…
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
** 2021 Stock ** Mysterious and minimal instrumental album by Richard Youngs, dreamt at home and recorded quickly in Glasgow's Green Door Studio. Centered on a single piano chord and bare snare strikes, Richard builds a haunting atmosphere in 4 episodes, featuring his guitar, organ, harmonica, and voice. Another essential work from the prolific and truly unique musician.
Precipice is Byron Westbrook's first long-playing record under his given name. Operating under the handle Corridors for many years, Westbrook has established a reputation for creating immersive, multi-channel, site-specific live experiences using sound, image, and light. Precipice expands upon these ideas as a collection of approaches to texture, landscape, perception of time, and the potential for sound to generate visual space. Like climbing a column that inexplicably leads to a plateau o…
Timeless Pulse Trio is Pauline Oliveros, accordion, with percussionists George Marsh and Jennifer Wilsey. Released in honor of the 20th annual Deep Listening Retreats held this year in Camallera, Spain and Petaluma, California, this is the third Timeless Pulse album. Formed in 1991 during a residency at the Deep Listening Institute, the full ensemble, including Thomas Buckner and David Wessel, has released two live recordings on CD: Live at CNMAT and Quintet. This is the first time this entity h…
Temporary super offer! Masayuki 'Jojo' Takayanagi (1932 - 1991) was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.