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Solo + Trio Roma
*2022 stock* "The rhythm section is thunderous in general with Nilssen-Love providing polyrhythmic barrage fire to Brötzmann’s assaults. It is a vortex of sounds – some shrieking, others almost torn, spat, even puked – owing credits both to hardcore and to Dadaistic sound poems, sharing their free rhythms, their devoted declamation and their rejection of conventional form and content. Trio Roma is a supremely passionate and committed group." -Martin Schray, Free Jazz Blog
Music For The Double Life Of Amphibians (Landmark Recordings)
*2022 stock* 'The literal meaning of “amphibian” is “double life” and applies to animals living part of their lives in water and part of their lives on land. In the program note to his electroacoustic classic Music for the Double Life of Amphibians, Morton Subotnick states that “amphibian” is to be taken as a metaphor for the work’s structure and programmatic content, which follow a metamorphosis of being through the stages of amphibian to beast to angel. But it also applies to the musical mater…
The Wild Beasts - Landmark Recordings
*2022 stock* Morton Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably employing gestural sketches on tape to alter sounds produced by voices and instrumentalists. The two works on this 2015 Wergo release are representative of Subotnick's methods, using a trumpet with a chamber ensemble in After the Butterfly, to reali…
Just like a flower when winter begins
Recorded by RLW (Ralf Wehowsky of P16.D4) and srmeixner (Stephen Meixner of Contrastate) between 2010 and 2013. The first emanation of the project came up with two versions of one mutual piece (Sunglasses by rlw, Wishing by srm). The core structural elements of the release can be seen in srm's meditation on sentiment (old hearts) and rlw's textased pieces (Prach-tjunge, Alle, Definition). More instrumentally based are Gummidorf (srm) and Spaßbremse rlw). Beyond this a signment both artists have …
Vertical
Tip! Written, performed, and produced by Mats Gustafsson (STIM/N©B) & Tony Lugo.
Mats Gustafsson: Alto, Tenor, Baritone and Bass Saxophones, FluteTony Lugo: Drums, ElectronicsMats Gustafsson & Tony Lugo: Concatenative Synthesis & Machine Listening Algorithms
Recorded May-July 2021 by Olof Madsen at Discaholic Studios, Nickelsdorf, Austria & Craig Bowen at Tempo House, Baltimore, MDMixed by Craig BowenMastered by Lasse MarhaugDesign by Tony LugoPhotography by Mats GustafssonArtwork by Peter Brötz…
Earle Brown Contemporary Sound Series Vol. 4
"Wergo's reissues of the legendary Earle Brown Contemporary Sound Series have been a big hit with fans of contemporary music around the world. Each set is a treasure-trove of works by a wide range of composers, performed by some of the finest musicians of the time. The three CDs of volume four feature string quartets by Boulez, Scelsi and Earle Brown, works for chamber orchestra by Xenakis, Aldo Clementi, Bo Nilsson, Wlodzimierz Kotonski and Yuji Takahashi and works by Milko Kelemen, Niccolo Cas…
Earle Brown Contemporary Sound Series Vol. 1
Featuring The Manhattan Percussion Ensemble, John Cage (conductor), Paul Price (conductor), Christoph Caskel (percussion), David Tudor (piano), Aloys Kontarsky (piano), Bernhard Kontarsky (celesta), MEV (Ala Bryant, Alvin Curran, Frederic Rzewski, Richard Teitelbaum & Ivan Vandor), AMM (Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prevost & Keith Rowe). "Wergo's Earle Brown Contemporary Sound Series focuses on the extraordinary world of contemporary and avant-garde music that flou…
Earle Brown Contemporary Sound Series Vol. 5
"With Earle Brown -- A Life in Music -- Volume 5, Wergo has once again dug up treasures of contemporary music from the 1960s and 1970s. The 3-CD set not only contains one of the first recordings of Charles Ives's 'Concord Sonata by Aloys Kontarsky but is also a testimony to the virtuosity of Severino Gazzelloni who is, without doubt, one of the greatest flutists of the 20th century. In addition, it contains music from the group Sonic Arts Union with the four pioneers of electronic music: David B…
Concerto Pour Violoncelle / Photoptosis / Tratto II
2022 Stock * With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
The "Studio Reihe” starts with a CD with works by Bernd Alois Zimmermann. His complex “pluralistic” style fuses past, present and future into a musical unit of the h…
The Victoriaville Tape
'Both bassists had made regular appearances in Victo over the past two decades, but no one in the audience could have guessed that it would be Kowald's last. The German improviser died in New York City four months later. The French-Canadian radio was not recording this concert, but the mixing desk engineer kept a tape rolling, just in case, and negotiations toward the release of this performance were already in progress when fate struck. There is magic on this record, especially in the last minu…
Withdrawe, This Sable Disclosure Ere Devot'd
'If you are a Fushitsusha or Keiji Haino fan, you already know to just forget what the title of this CD means -- you are never going to know unless you have a lot of familiarity with the early decades of the English language. If you aren't a fan, then who cares anyway? This Fushitsusha date was recorded live at the Victoriaville Festival in Quebec in 1997. Guitarist Haino and longtime bassist Yasushi Ozawa broke in then-new drummer Ikuro Takahashi. The set is just over an hour long and is broken…
Cecil Taylor / Bill Dixon / Tony Oxley
'As evidenced by this release of the set, the music played that night was intimate, even delicate. It still seems that Dixon didn't quite sit down at the table with his mates, and his electronic effects don't do him any favors, but credit seems due to him for keeping the set at an unusual slow burn. There aren't the displays of pyrotechnics evidenced in Taylor and Oxley's duo performances. Instead, piano and drums dance lightly around the trumpet's background wash, creating a music both sparse a…
Sextet (Victoriaville) 2005
'Simply put, this is a stunning piece of work, performed in front of a stunned audience that was won over from the first few notes. After a spell of a few years, Anthony Braxton was back in Victoriaville in 2005 to present a new line-up. This sextet of young musicians (except for tuba player Jay Rozen, who is more experienced) is impressive to say the least. Taylor Ho Bynum makes a flashy trumpeter, quickly rising to the status of Toshinori Kondo. Violinist Jessica Pavone waltzes her way through…
Black Vomit
'It was the unexpected event of the 2005 FIMAV festival: avant jazz legend Anthony Braxton joining noisy bad boys Wolf Eyes on-stage. But it did not come completely out of left field. A few months earlier at another festival, the 60-year-old saxophonist had attended a performance by the Michigan noise trio and was transformed, buying a copy of everything the band had to sell that night. The man had been hit in the face by noise music. At the 22nd FIMAV, Braxton was scheduled to play a duo concer…
Organic Music Tapes Vol. 1
As its almost tradition now we start the year with a meditative album from Portuguese pianist and composer Tiago Sousa. Using the piano as its primary tool of expression, Tiago has been slowly cementing his place as one of the most distinct voices to emerge out of the modern wellspring of piano driven minimalism. After last years Angst (CREP81, Discrepant) and 2015’s Um Piano nas Barricadas (CREP23, Discrepant), Tiago returns with a deeply meditative album of synesthetic organic musical patterns…
Five Men Singing
'It was a match made in heaven, or rather on earth, at last year's 20th Festival International de Musique Actuelle de Victoriaville. Five vocal artists on one stage—Dutch Jaap Blonk, Japanese Koichi Makigami, Canadian sound poet Paul Dutton, Englishman Phil Minton, and German new music singer David Moss—was indeed one of the highlights of the '03 Victoriaville Festival. Only mad vocalist Mike Patton was missing.
These five men had never performed together on one stage, though they have worked wi…
The Bishop's Move
'A happening. Not that these two heavyweight reedsmen had never shared a stage, but this was going to be a face-off, a clash between two of the hardest-working free improv trios on the circuit. On the left side of the stage: Evan Parker, with drummer Paul Lytton and pianist Alex von Schlippenbach, the latter filling in for bassist Barry Guy. On the right side: Peter Brötzmann and his trusty rhythm section, bassist William Parker and drummer Hamid Drake. These are two highly experienced and gifte…
After You Gone
Reverberations from bassist Peter Kowald's passing continue to be felt two years later. Last year, a long-time bass quartet with one sub gathered to bathe Kowald's spirit in a bass balm. Comprised of close associates or admirers of Kowald, this quartet represents a summit from across borders and generations, sharing only remarkable technique and a love of the unknown.Barre Phillips helped legitimize improvised solo bass, as well as expanding its vocabulary with extended techniques. Joëlle Léandr…
Duo (Victoriaville) 2005
Anthony Braxton and Fred Frith each have about as close a relationship to the Festival International de Musique Actuelle de Victoriaville as just about any non-Canadians. The first release on Victo, the label run by the producers of the annual Canadian festival, was a guitar duo with Frith and Rene Lussier; the second was a duet between Braxton and Derek Bailey. Until this year, each had released three discs on the label. But 2005 was the Year of Braxton and the label has released three new Brax…
Rainbow Electronics 2
1996 release on Jim O'Rourke's old label, surprisingly repressed for 2008. First non-reissue on this label - an unreleased companion to the 1990 Alchemy label masterpiece. The designation 'Rainbow' contrasts with the odd colorlessness of the many noise records. Like Voice Crack, this is power electronics at its most detailed, most subtly varied, and most exhaustively kinetic. It doesn't stop. It's a thrill every two seconds, for seventy-five minutes... It splits into halves, quarters, and more u…