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With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.Werdo's unique “Studio Reihe” series continues with Christian Wolff: The works by Wolff recorded on this CD by the legendary pianists David Tudor and Frederic Rzewski and their …
*2022 stock* Official reissue of the iconic Capitol album remixed from the original multi-tracks masters. Produced, Mixed and Mastered by Chris Malone. Also includes a separate 4-page insert with authoritative in-depth liner notes by Jon BurlingameQuartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present the official LP reissue of the iconic soundtrack album for the landmark film Midnight Cowboy, directed by John …
Frederic Rzewski’s work “The People United Will Never Be Defeated” is based on the Chilean protest song, “¡El pueblo unido jamás será vencido!,” written by Sergio Ortega a few months before Pinochet’s military coup in September of 1973.Frederic Rzewski came to Europe as a young man, lived in Cologne and Rome, and created a sensation as an avant-garde pianist with his premiere of Karlheinz Stockhausen’s “Klavierstück X”. He worked with the leading composers of the time and was himself a composer.…
*2022 stock* 'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develo…
*2022 stock* 'I believe Jacob's Room is one of the most extraordinary examples of extended vocal techniques that I have ever heard. Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration of the sound and texture possibilities of electronic music is a variation on the two previous compositions. Jacob's Room is a vehicle for Subotnick's wife, Joan LaBarbara to demonstrate why she is universally considered the master of exte…
*In process of stocking* The final installment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the …
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
“a brisk but free-flowing dialogue with phrases and ideas being batted back and forth between them ... in effect, they are soloing simultaneously with each being aware of the other's playing and responsive to it. Even when Parker gets locked into one of his protracted, circular-breathing solos, Smyth is still there with him, responding with an impressively gargantuan solo of his own. The two obviously understand and complement each other well.” — John Eyles, All About Jazz
“Parker and Smyth use …
"'Proprioception' initially focuses on his acoustic improvisations, studio recordings with a startlingly vivid and intimate sound, so near that one feels like an occupant of the clarinet itself. When he adds amplification to the clarinet he presses it into the sonic territory of an electric guitar." — The New York City Jazz Record
"Not only London's, but probably the UK's finest exponent of free, extended technique improv on clarinet is also a gripping solo performer, as he proves here." — Jazzw…
4-disc boxset with 20-page booklet documenting Mopomoso's triumphant UK tour in 2013.
disc 1 – Evan Parker / John Russell / John Edwards – Chasing The Peripanjandra
disc 2 – Pat Thomas – Naqsh
disc 3 – Alison Blunt / Benedict Taylor / David Leahy – Knottings
disc 4 – Kay Grant / Alex Ward – Seven Cities
"On this evidence, 'Making Rooms' already seems certain to feature prominently in many an end-of-year list of best releases. Yes, a future classic." — All About Jazz
"'Making Rooms' has a connect…
Love CD by Fusiller allows an intimate exploration of his very own musical language presented through his crafted electronic instruments, skills coming form his engineering background. This coupled material and theoretic control, leads to unique meaning structures where haunting evocations join spectral contrasts in a very pure form, evenly poor and massive, inherited from industrial and electroacoustic music.
*2022 stock* 'A true Leninist would argue that art in a smoothly running socialist state would become redundant and disappear, though while waiting for such a perfect society to come about, we have an idea of what socialist literature, painting, sculpture and cinema are like. But what does socialist music sound like? Luigi Nono? Eisler? Robert Wyatt? The Ex? Well, all four. and you may add Christian Wolff to the list. Like fellow experimental composers Cornelius Cardew and Frederic Rzewski, Wolf…
"The road to this collaboration starts at the 1985 Holland Festival, when Hoketus—the flinty post-rock new-music ensemble founded by Louis Andriessen—premiered Rokus de Veldmuis (Rokus the Fieldmouse) by Misha Mengelberg (1935–2017). As Hoketus pianist Gerard Bouwhuis recalls, it generated some minor grumbling within the band; the chipper first movement appeared to mock Hoketus’s hard-edged seriousness. But the second half—“Een hutje van gras” (A Little Grass Hut)—was a wow: a hurtling triple ca…
**500 copies, never released before on any format!** And what if the infamous Underground and Overground albums had a third psychedelic chapter, still secret and unreleased until today? This Superground LP is sonically akin to the legendary pair for which composer Sandro Brugnolini will always shine worldwide, and ideally brings the trilogy to a close. Composed and recorded in two sessions between July 1969 and November 1970, the album echoes the shocking 1969's Charles Manson massacre, with tra…
** 14x7" Singles Boxset, limited to 128 numbered copies, celebrating Unrock's 25th anniversary as an entity ** The Well Known Strangers 7“ Singles Box Set documents the history of the Unrock singles (as we know it). International dervishes galore….Fourteen singles, thirteen were originally released in the Unrock Series, or have been part of our Saraswati Series and came first with the Early-Bird-Editions of the regular albums. Instead of the only missing single (Bill Orcutt/Sir Richard Bishop …
Music originally composed by Elisa Faires for a sound installation. Later released on vinyl by Eroto Tox Decodings.
Elisa Faires: composer, recording engineer, mix engineer, producer, design, vocalsThomas Dimuzio: masteringChandra Shukla: designNicole McConville: photography
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avant-garde, songwriting and free jazz. Their releases were published by their own self-produced label Dys between 1981 and 1986. By 1985 the group had split off into separate groups for visual and audio work. From that time, Mnemonists operated only …
Room 40 presents Canto+ by Beatriz Ferreyra. "I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pl…
"Noir" is the first studio album of the bleakly imaginative trio Marteau Rouge (French for "Red Hammer"), consisting of Makoto Sato on drums, Jean-Marc Foussat on VSC 11 and vocals and the talented guitar player Jean-Francois Pauvros (former collaborator of proper miliar stones of noise scene such as Sonic Youth and Keiji Haino), after their brilliant live recording with legendary free-improvisational saxophone player Evan Parker, whose absence on this record gives this amazing ensemble the poss…