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"Probably best known as the writer of the Les McCann/Eddie Harris 1969 hit 'Compared To What', Daniels continues that song's groove-based political message on the Outlaw album. Produced by Joel Dorn and directed by William S. Fischer (1960's sideman for Eddie Harris, Joe Zawinul, Fathead Newman, Herbie Mann), Outlaw hits hard with late 60's black power messages and anti-government statements..." Exact repro, manufactured by Rhino. Originally released in 1970.
**LP + 12". Incl. printed inner sleeves, edition of 500 copies** Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
17 years l…
That Alexandre Manuel Thiago de Mello (aka Manduka), born in Petrópolis, a city in the south-east Brazil, isn’t a bigger name in the annals of Brazilian music is surely largely down to the unforgiving vagaries of politics rather than talent. This debut album, originally released in 1972, is up there with anything recorded contemporaneously by the big name post-tropicalistas. In figuring out its relative obscurity you have to factor in the unusual and febrile context in which it was composed, ami…
There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar -- both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived fr…
Stephan Mathieu's FrequencyLib was originally released in 2001 on Mille Plateaux's Ritornell sublabel. A quintessential document of the late 1990s/early 2000s Pismo PowerBook era of digitally manipulated audio, FrequencyLib is an adept meditation on the entropic possibilities inherent in popular music. Included with this reissue is the complementary Sad Mac Studies EP - first issued in a run of 100 on Robert Meijer's boutique En/Of label. Exploring similar themes/processes as FrequencyLib, Sad M…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
In the early 1980s, Ahmed Malek was already in his 50s, when he discovered synthesizers and electronic music for himself and started to experiment with sounds. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of materia…
**2018 HQ remastering. Presented in the original gatefold sleeve on 180gram vinyl, this is the first time that the album has been available on vinyl for over 20 years** John and Beverley Martyn’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. This album is John and Beverly's follow up to Stormbringer. In much of the same manner as that album, here Martyn recruited Pentangle member Danny Thompson on bass (who …
John Martyn's follow-up to 1973's Inside Out is a much more song-oriented, less experimental effort which concentrates on the joys of home and family. Sunday's Child skillfully blends the sensual ("You Can Discover") with the sweet ("My Baby Girl"), the modern ("Root Love") with the traditional ("Spencer the Rover"), and the tormented ("Sunday's Child") with the satisfied ("Satisfied Mind," "Call Me Crazy") while retaining its cohesiveness. The record, his sixth on his own, shows the many facets…
**2018 HQ remastering** Originally released in February 1970 by Island Records this is the first and classic album by John and Beverley Martyn. After being rehearsed in Woodstock, NY Stormbringer! was recorded and mixed in only 8 days with engineer John Wood and producer Joe Boyd. John Martyn, inspired by the Band's Music from Big Pink, worked hard to find a distinctive guitar sound and in two tracks (Would You Believe Me? and The Ocean) introduced his pioneering guitar technique. Levon Helm gue…
Released in February 1973 and regarded by many as the John Martyn album. The title track was written for friend and peer Nick Drake and concerned Drake's mental strife at the time. (Drake took his own life the following year, a great loss to John personally, and to music generally). Adventurous, dynamic, with a rare depth and power, the album demonstrated John's slurred vocal style, reaching the state where it became fully integrated into the overall sound as an improvisational instrument used …
»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Cas…
* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…
Onderstroom present a vinyl edition of Martial Canterel's Sister Age, originally released on cassette in 2004. Essential recordings by the minimal synth master of the present. With the staccato surge and somber vocalizing of Deutsch Amerikanische Freundschaft, the distorted synthetic soundscapes of Dirk Ivens's eeriest work, and the industrial strength of The Young Gods, Martial Canterel's earliest outings are a bleak intellectual exercise in the dark and danceable. His music creates a cold atmo…
Onderstroom present a vinyl edition of Martial Canterel's Drilling Backwards, originally released on cassette in 2006. Essential recordings by the minimal synth master of the present. With the staccato surge and somber vocalizing of Deutsch Amerikanische Freundschaft, the distorted synthetic soundscapes of Dirk Ivens's eeriest work, and the industrial strength of The Young Gods, Martial Canterel's earliest outings are a bleak intellectual exercise in the dark and danceable. His music create…
** NEW limited 200 copies orange vinyl. Double LP in UV-glossy laminated gatefold sleeve with OBI + includes A1 Poster 60x60cm and lyric sheet**A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene - new powerful master, much appreciated by the artist, dbl.12″ in UV-glossy laminated gatefold sleeve with OBI+ includes A1 Poster 60x60cm and lyric sheet** Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with…
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.
Recorded at the infamous Spahn Ranch in 1970, while their leader Charles Manson was facing trial for the murder of Leno and Rosemary LaBianca, The Manson Family Sings is a highly disconcerting listen. Beneath the harmonic brilliance and folksy innocence of these campfire-styled recordings are the hallmarks of Manson’s twisted worldview, rendering a dystopian edge to what is otherwise compelling singalongs. Squeaky Frome, Brenda Gold, Gypsy Share and Sandra Blue all feature, with Clem Grogan fron…
Mental Groove presents Islets in Pink Polypropylene by Anthony Manning. Half speed remaster at Emil Berliner Studios. The whole album was composed and realised on the Roland R8 drum machine. It followed the same process as the Elastic Variations pieces, with the major addition of many, many hours of editing. Each piece was composed as a series of patterns, of varying lengths ( 5,6,7 bars long ). The stock R8 sounds were embellished with one of several ROM sound library cards ( mostly the Dance c…
Sam Mallet could have pursued a career as a French literature professor in Paris, but decided his true calling was to remain in Australia, dedicate himself to his music and find the plateau; a word he used to describe the sensory worlds residing in music. Under the influence of Brian Eno, Jon Hassell, Arvo Pärt, John Coltrane and Robert Fripp, Sam explored a wide variety of musical styles and put them to service soundtracking the time based works of his peers. He crafted spatial ambience, somber…