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The Manchester trumpeter, composer and all-round northern new-music enabler Matthew Halsall might be a man with the open ears and eclectic energy to run a broad-based contemporary record label - but he's also a disciple of the meditative 1960s music of John and Alice Coltrane, which significantly steers his own ventures. Halsall's personal projects often come close to the Coltranes' most reflective later works, but his Gondwana Orchestra (including regular partners Rachel Gladwin on harp and sou…
Gondwana Records sign LA bassist and composer Seth Ford-Young's Phi-Psonics project and announce a remastered deluxe-edition of The Cradle featuring bonus material.
* Restocked. Reduce Price * Goodfellas present a reissue of Ennio Morricone's soundtrack for La Proprieta Non E Piu Un Furto, originally released in 1973. Another fine example of the maestro's skills, breathtaking orchestration for Elio Petri's final part of the neurosis trilogy which began with Indagine Su Un Cittadino Al Di Sopra Di Ogni Sospetto (1970) and was followed by La Classe Operaia Va In Paradiso (1971). Total, a young bank cashier, has been wondering for some time if his life, with i…
* Limited to 500 hand-numbered copies.* Technically Erkin Koray's 2nd LP after a collection of singles, this benchmark record from 1974 taught Istanbul’s musicians & pop fans how to put Turkish folk songs from the 17th century together with meaty, thundering guitar solos. With a crack bass player by his side (Ahmet Güvenç from Bunalim & Baris Manco’s Kurtalan Ekspres) & an electrified baglama in his hands, Erkin Koray lets his gloomy baritone voice float over wiry double-reed melodies, bulging r…
Vinilisssimo present a reissue of Kannibal Komix's self-titled release. Changing the original artwork of an album in certain territories was common practice back in the day, but using different band names in different countries is definitely something else. Die Anderen may or may not ring the bell, what about Kannibal Komix or Apocalypse? Well, they are exactly the same artists. They got together in the north of Germany after meeting in a talent show called Beat-Band-Ball in 1966. Jürgen Drews m…
*In process of stocking.* "This is the third and concluding part of the trilogy "In Another Land“. It is not the dialectic synthesis of its antagonistic predecessors, it is just one of three equivalent antipodes that could have been released in any order. Mostly percussive and constantly transforming structures are weaving their net through both sides of this album. Processes of convergence follow moments of decay, high event density alternates with moments of quiet, aimless meandering. A furthe…
Akuphone presents a compilation of Wladyslaw Komendarek, the Polish genius of synthesizers. This selection comes from tree albums released between 1987 and 1990, a very important political and social period in Poland, marked by the last convulsions of communism. Komendarek’s music offers a unique patchwork of synthesizer sounds, “art of noise” and cosmic flights far beyond the realm of conventions that dominated the Polish electronic music scene at the time. It brings a weird mixture of electron…
*Limited edition of 300 copies.* Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist "Brother" Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van…
**300 copies** Kizza Ping formed in Linköping 1980 from the ashes of local punk bands such as Spy, RAS, ÅOBF and Zpamhead. Much in line with the current strains of Ny Våg/postpunk happenings around the country in the early '80s, the six members of Kizza Ping went for more a pop-oriented sound though still being somewhat firmly rooted in their DIY punk past. Influences came from acts like New Order and Reeperbahn, but the band added their own touch to the sound, especially thanks to the harmonizi…
**Killer new album by this France related duo, hurdy gurdy medieval drone into one of its finest achievements**. Yvan Etienne + Yann Gourdon, hurdy gurdy. French duet playing the minimal and maximal experimentations of the hurdy gurdy, breeding continuous waves, inducing the medieval 'bourdon' (drone) into one of its finest achievements. Recorded at les 2 princesses, Besançon and Notre Dame des Anges, Ouhans, France - September 2014. Mastered by Yvan Etienne. Artwork: Le VerdoubleLe Verdou…
** Edition of 300 copies, totally sold out at source ** Another incredible archival work from Cabiria Records here, a genuine holy grail of Italian post-punk music, Andy Warhol Banana Technicolor’ legendary 'Color Color' tape is remastered and issued on vinyl for the first time, this is an indispensable slice of ‘80s Italy’s underground experimental rhizome. Like their international tape-scene allies, Andy Warhol Banana Technicolor reacted to this world thru a matrix of mono-synths, drum machine…
Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its sound with constant fluctuation and vulnerability of sonic events, what makes it organic, human and almost comforting. Köners soundscapes are no longer simply dark, the question now is that of a profound blackness. Such is the generic darkness of the…
I Saw You is the distillation of Right Belief and Right Action, heretofore unknown, privately issue cassettes from 1986 and 1987 by Peter Thomas Kardas. A student of guitar craft and accredited member of The League of Crafty Guitarists, Kardas drew inspiration from Robert Fripp's loop-based Frippertronics, but the expansive, introspective washes of synths and repeated phrases and vocalizations are utterly their own thing, conjuring the independence, awe, and isolation of the remote Northern Cali…
**500 copies transparent blue 180gr. vinyl** The new Eyvind Kang album was recorded in Italy with a 25 piece mixed orchestra of traditional strings and winds, with the addition of Moog synthesizer, accordion, percussion, field recordings and voice. It features vocals by Alan Bishop, co-founder of Sun City Girls. Eyvind Kang conductor, chironomy, violaAlan Bishop voice, field recordingsMarco Dalpane accordion, moog synthesizerMG_INC Orchestra:Ferenc Vojnic Hajduk 1st violin; Eliana de Candia 1st …
Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Alleycat was the last Nucleus album recorded for the V…
* 2021 stock *Edition of 300 copies in red-colored 180gr vinyl, housed in 300gsm reverse board jackets with red inner sleeves, including download code. Three years after the danceable field recordings of her "L'Ange Le Sage" debut LP, the Parisian sound artist, activist and musician Gaël Segalen delivers her third album, "Sofia Says", picking up where her "Memoir of My Manor" cassette stopped. Gaël connects here to a complex mythological entity, Sofia, in a spontaneous mediumnic way - and throu…
*200 copies limited edition* "Hybrid Dub Metal Musik" is K2's cataclastic worship ceremony of corroded metal, rotted electronics, and decayed tape-loops. Bursts of feedback resonate and swell under vicious maelstroms of delay, screeching and howling in awe of their own malevolent frequencies, collapsing in a relentless low-end ambush of analogue ruins.
Originally sourced from "The Rust" and "Metal Dysplasia" sessions.
This is the original Bob James; his very first album, in fact, recorded at age 22 (and produced by Quincy Jones) as a prize for winning the 1962 Collegiate Jazz Festival.