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A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.
At his third release for our Zeit Composer Series, the talented Italian flute player Manuel Zurria has given birth to some of the most heartbreaking music ever published by Die Schachtel. A moving and incredibly clever transcription for flutes, glass and electronics of John Dowland's 1604 masterwork Lachrimae functions as the thread between a stunning and totally rewarding series of pieces by György Kurtag, Peter Eötvos, Gavin Bryars, Mary Jane Leach, Howard Skempton, closing on a composit…
Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…
Tom Johnson (b. 1939) is a key figure in the contemporary music scene whose voice as a composer is instantly recognizable. A major champion of minimalism in the 1970s as a writer, he remains one of its most important adherents as a composer, although the word 'minimalist' does not cover everything that his music does. The characteristic elements of repetition and sparse material are there, but his extensive use of mathematics and, especially, counting, makes him unique. Johnson relies on more th…
The title of this recording has multiple meanings for its composer, Larry Polansky (b 1954). These are the generations... is a translation of the Hebrew title for the second work on the program, Eleh Tol'd'ot, the first words of the thirty-fifth verse of the first book (B'rey'sheet) of the Torah. Beyond referencing Polansky's Jewish heritage, the phrase reflects this particular collection of works on several levels.
The compositions included stem from different generations of Polansky's musical …
Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…
The much anticipated second album from Astrid Øster Mortensen. New in Gothenburg, the Denmark-born Astrid started to frequent the Discreet Music shop in the summer of 2020. Coincidentally, around the same time Gustaf Dicksson was looking for a Danish vocalist for his upcoming Blod album Missväxt and one thing quickly led to another. Not only did Astrid contribute with vocals for said record but one day she handed us a master of her own music that completely floored us. The recordings eventually …
"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
**Deluxe 2LP set with gatefold cover** "Harawi is a cycle of twelve songs scored for soprano and piano composed in 1945. Harawi (known to Spanish speakers as yaraví) designates a song about a fated love that ends in the death of both lovers. Olivier Messiaen remarked that “it is the story of Tristan and Isolde.”The surrealistic text of Harawi is Messiaen’s own. Using the musical structures Messiaen had created for Harawi, he built massive phrases in these songs, expanding space and time, creatin…
“Dream” is a musical journey through the sound of the electric guitar in American concert music, based on sonic research and on the simplicity and beauty of the electric guitar timbre and colors.Sorrentino’s transcription of Dream by John Cage opens the program. This version demonstrates the pure beauty of the electric guitar’s clean sound with only the addition of light reverb. This is the first CD release for the lost electric guitar composition by Morton Feldman, The Possibility of a New Work…
*2022 stock.* "This release couples two of Reich’s “sextets” for the first time: the Sextet of 1984 and the Pulitzer Prize winning Double Sextet of 2007. A striking difference between the two pieces is that the rhythmic world of Sextet mostly consists of a single-meter grooving, while Double Sextet works in the angular, off-kilter shifting meters reminiscent of Reich’s Tehillim (also of Stravinsky). Ekkozone impart a uniquely chamber music feel and color to these works while maintaining their pr…
Sarah Maria Sun (soprano) & Jan Philip Schulze (piano) perform works by Heinz Holliger: Sechs Lieder nach Gedichten von Christian Morgenstern (1956/57); Salvatore Sciarrino: Due Melodie; Helmut Lachenmann: Got Lost; György Kurtag: Requiem po drugu op. 26; Wolfgang Rihm: Ophelia Sings; Bernhard Lang: Wenn die Landschaft aufhört.
A Flower; The Wonderful Widow of Eighteen Springs; 51’15.657” for a speaking percussionist (realization Whiting); Music for Two (By One) (realization Whiting) — Bonnie Whiting, voice & percussion + Allen OTTE/John CAGE: Connecting Egypt to Madison through Columbus Ohio, Cage, and the History of the American Labor Movement (realization Otte) — Allen Otte, voice, prepared piano, percussion. It includes full video and 48khz/24-bit PCM audio + 73 minute video interview with Whiting and Otte, discuss…
**CD Edition** A Flower; The Wonderful Widow of Eighteen Springs; 51’15.657” for a speaking percussionist (realization Whiting); Music for Two (By One) (realization Whiting) — Bonnie Whiting, voice & percussion + Allen OTTE/John CAGE: Connecting Egypt to Madison through Columbus Ohio, Cage, and the History of the American Labor Movement (realization Otte) — Allen Otte, voice, prepared piano, percussion.
An indefinite, open-ended composition of short sections that allows the performer to decide what and when to repeat or to go on to the next phrase is not new. Terry Riley's In C is the milestone score of decades ago. Slow, prolonged, quasi repetitive and contemplative works in the Western classical style are also familiar though the scores of Morton Feldman, John Adams, Brian Eno, John Luther Adams, and Gavin Bryars. Thus, Marc Chan's piano piece, My Wounded Head 3, inspired by Bach's Passion Ch…
22 works are included, 9 by Grainger, 7 by Cowell and 5 by Cowell as arranged by Grainger. Many are first recordings. They are scored for varied instrumentation: sax ensembles, sax & piano and sax & orchestra. Ulrich Krieger, saxophones & director, various artists
Malcolm Goldstein, violin & direction. The Ratchet Orchestra. Composer/performer Malcolm Goldstein (b.1936) has been active in the presentation of new music and dance since the early 1960s. He received an M.A. in music composition from Columbia University in 1960, having studied with Otto Luening. In the 1960s in New York City, he was a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble. His 'Soundings' improvisations have received international acclaim for having reinvent…