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Tria Atoma
300 Basses exists since 2010, and has performed until now at Cave 12 Geneva, Les Ateliers Claus Bruxelles, Galleria O’ Milano, Labor Sonor Berlin and other venues in France, Italy and Switzerland. Initially they were playing free improvised music, then they began to organize their sound materials into fixed compositions. In 2012 they released their first CD ‘Sei Ritornelli’, on Potlatch label. ‘Tria Atoma’ goes further than the previous album in the exploration of sound configurations achieved b…
Four Squared Wheel
Modelbau is one of the many names Frans de Waard (Kapotte Muziek, Goem, Wieman, Freiband, etc) uses for his music. Moving Furniture Records is proud to release the first proper CD by this project after many tape releases and a couple of CD-R’s. Frans de Waard in his own words about Four Squared Wheel: "Somewhere in 2012 I had the idea that it was time for that all needed change, having played around with laptops for a decade or so. Actually it was something that was in the air for some time, as …
Time Waves
Orphax is the Amsterdam based musician Sietse van who has been active with music since 1998. Time Waves is his second proper CD release after 34 CD-R, Tape, DVD-R and download releases and various compilation contributions and remixes. "On December 8th I performed at the famous Bimhuis in Amsterdam in a special evening organised by STEIM where I shared the stage with Yannick Franck and Thomas Köner. My performance got recorded and this was the starting point for Time Waves. In addition I did a l…
Koura
Track 1: Multitrack recording of sustained tones using a ‘Jubel Töne’ zither and additional live electronic effect processing. Track 2: Multitrack recording of sustained tones using a ‘Hohner Organetta’ chord organ and additional live electronic effect processing. Both tracks are part of a composition series based on sustained, multilayered recordings of solo acoustic instruments. The instruments have been performed with extended techniques and additional live electronic “extensions” (looping fe…
Interventions In A Landscape
The four tracks on “Interventions in a landscape” give a voice to the coastal landscape where human intervention is evident. The intervention creates a certain strengthening of contrasts, for instance at the Leihoek between the ever moving sea and the silent firm dyke. Though, at the coastline the weather, the sounds, the light and even the smell are always playing an important role on how someone experiences the coastal landscape. Therefore the tracks do not only reflect on the places mentioned…
1
Radboud Mens and Matthijs Kouw have collaborated since 2001, when they started working on an album firmly rooted in the ‘clicks ’n cuts’ movement of way back when. After collecting source material using only feedback produced with a mixer and minidisc recorder that was broadcasted live on Amsterdam’s Radio 100 to unsuspecting listeners, they started working on their album ‘Mens/Kouw’ (2002), which features both rhythmic pieces and more abstract elements. With the passing of time, they found them…
Trübhand
Trübhand was summoned in February of 2016. My wife and I were living in north Germany in exile at the time as a result of untenable UK visa policy. As someone who always has a strong reliance on landscape in my work, the absolute flatness of the area was further adding to my homesickness and feelings of isolation. At night, in the alien darkness, I would close my eyes and rend the landscape. I would summon great mountains, pulling up grassy slopes that gave way to jagged cliffs, dragging down th…
Interrogation Of The Crystalline Sublime
"I hear atmospheres, sound shapes, gestural narratives, spectral trajectories, stochastic rhythms and phasic space when I encounter an environment rich in sonic phenomena. But in order to be open to this meta-sensory information, I must first get my ears out of the way. I don't listen with my ears but with an inner sensory apparatus, what Goethe called "organs of perception," that I have developed over the years. Once opened to this world sound becomes something very different—it's as if one cou…
2.20
With this album Orphax further explores the various possibilities of drone music. For this work, inspired by the work Vice Versa... by Eliane Radigue, he recorded two works using almost the same settings in the virtual modular software Audiomulch, except for changing one small setting. The recorded source material was than used as building blocks in reaper to create two compositions of exactly 20 minutes. These two compositions can be played separate from each other, but the idea is also the cre…
Caveman
Caveman is a recorded representative sample of Tasos Stamou’s live sound. Both tracks are complete extracts of improvised solo performances using his portable electroacoustic music studio. Both tracks have been carefully selected for their sound and narrative qualities, also taking in consideration the blend between acoustic and electronic elements. The album’s titles reveal an additional interpretation to the music, being inspired by two prehistoric ancestors who lived in caves during the same …
Paranon
* 2020 Stock. Edition of 200 in A5 artwork. * Paranon consists of two compositions based on parameter canons of sine wave generators. The canon is a counterpoint-based compositional technique that creates one or more imitations of a musical movement after a given duration. These imitations replicate the initial movement with transformations of parameters. The custom programmed sine wave generators Zeno van den Broek uses on Paranon make it possible to generate interference, shift phases and alte…
Nobody Ever Escaped From There
* 2020 Stock. Edition of 200. * With "Nobody Ever Escaped From There" Ilia Belorukov returns with the follow up album to “There Was Hardly Anybody There” (Spina!Rec, 2016). Again he returns to electro-acoustic studio works, stepping outside his customary world of improvised saxophone. In the new works for this album an important role is taken by the vintage electronic instrument “Evgeniy Sholpo’s variophone” (constructed by Boris Shershenkov). The variophone is a photo-electrical instrument for …
You Are The Universe
It was late 2004 when Spanish label CONV released Textures and Mobiles, by Jos Smolders, in a limited run of only 100 CDr’s. This amazing album was based on a limited set of sounds: dtmf and ccitt tones that were generated by telephones and pure sine waves that interfere with each other. It came in like a wrecking ball! For us at least. A couple of years later, at Jos’ birthday party, we used samples of this album in a celebratory live performance. A couple of more years and years later we decid…
Saxophone Studies
Two long drone pieces based on improvised saxophone by James Fella and Jozef van Erve. One intense mind-melting business. Saxophone Studies is an album that took multiple years to form. Already in 2006 I asked friends and other musicians if they could send me audio files to make music out of this. This music never really happened, but one of the files I received was some saxophone recordings by James Fella (Soft Shoulder / Gilgongo Records). In 2017 while browsing my computer for audio files I c…
Obscurum per oscurius
**200 copies** Operating under his own name as well as MVK and Swerve, Matthijs Kouw (his second name is Vincent, hence the V) has released music since 2011. Solo work as well as collaborations, works for dance, film theater and installations. Most recently, he focuses on long-form drone pieces, often in collaboration with Radboud Mens. Obscurum per obscurius is a latin phrase that can be translated as "(explaining) the obscure by means of the more obscure". A well-chosen title for this collecti…
Horizontal Alliances, Vertical Conflicts
**200 copies** Nine threads. Time in slices. Viewed from the side, events and relationships hang down in long, vibrating strings. The motion of tiny lives, suspended from an unknowable sky and travelling through wire to reach the ground where they dissipate; taken together, a trembling chorus of lives. Two lives, here. Nine years ago, things were simpler and more idealistic. The first Rose and Sandy release took the sound of a sort-of-zither and strung it out into gaseous and lambent chords. Alm…
Terreng
Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties. The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each othe…
Haarlemmerhout
One look at the sleeve of Haarlemmerhout, the new album by Dutch electronic musician Coen Oscar Polack, and you immediately know he is a romantic soul: blossoming trees in spring and blue skies with fluffy clouds. It’s urban escapism. It's the park in which you want to get away from other people, it’s the place you want to forget time. And that is also what he wants his music to sound like.
Coen Oscar Polack made a name for himself on the Dutch Narrominded label. With The Skipping Monk (2009) he…
Vauville
** Edition of 200 ** The compositions on this album started out after travelling to Normandy (France) where a week long I took inspiration on the quiet beaches listening to the sounds of the waves, the wind and the natural sounds. Starting out with field-recordings from church bells and improvised sessions on organ the idea arose to recreate the ever ongoing soundscapes of self-preservation as heard on those beaches. After moving from Antwerp to Brussels new inspiration came. New impressions fr…
Recalcitrance
Philosopher of science Isabelle Stengers has studied the operations of states and their mobilization of technical practices to serve a presupposed general interest, which involves the production of rules and norms. Such rules and norms are blind to forms of knowledge that are denigrated as ‘local’ and ‘traditional’, and feature the correlative elimination of what does not conform and cannot be standardized – in other words, what is recalcitrant to objective evaluation. Anything that resists subs…