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First recording of version for just-intonation guitar & just-intonation gamelan Even though Lou Harrison rhapsodized about the “dulcet tones” of the guitar, for much of his career he refused to write for it. The problem was that the guitar’s straight, fixed frets resulted in the tuning system known as equal temperament, while Harrison preferred the crystalline purity of harmony found in the types of tuning known as just intonation. In the 1970s, Harrison learned of a guitar with removable finge…
Much of Frances White's music is inspired by her love of nature, and her electronic works frequently include natural sound recorded near her home in central New Jersey. This is the first complete disc of White's electroacoustic works, both with or without instruments. This disc is titled Centre Bridge because it has inspired two of the works contained on it. But beyond this, it is because the role that the bridge has played in White's work is so characteristic of her music. Her music is about li…
For this heavy duty reissue of Koivistoinen’s 1977 album we went back to the original multitrack tapes and discovered a heap of alternate takes that were left unmixed at the time. Koivistoinen selected the best and most interesting alternate versions of each track and a new, fresh mix was prepared specifically for this release. The first LP in this package is the original studio album (Love Records 1977), remastered for vinyl at Finnvox. The second LP contains the alternate takes, and there’s ev…
** 2021 Stock ** “The double-bass – the paradox of its large size and basically quiet sound, and its low registral grounding – has long attracted me. I’ve also been fortunate in knowing outstanding double-bass players.” – Christian Wolff This disc collects all of Wolff’s large body of works for the bass, including a piece for solo electric bass guitar. Two of the works were written specifically for Robert Black, who prepared these pieces with Wolff. The composer attended all of the recordings se…
Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring …
CD in a Digipak. Inexplicable Hours is the sequel of the successful Kevin Drumm 6CD box 'Elapsed Time' also released by Sonoris last year. The first record documents a new direction in his music, with some of his last electroacoustic experimentations with audio generators, field recordings and various electronic devices. The second one explores the same ambient/drone territories as the boxset, but less static and more complex than it appears after a superficial listening. And as always with rece…
Alvin Lucier’s (b.1931) work has been more often described in terms of science than of art and his scores often contain experimental procedures. Lucier perfectly represents the fusion of a scientist with an artist. His pieces arise from an inspection of a pure physical phenomenon. The performers on Mode’s fourth disc of Lucier’s music are the Italian experimental music ensemble Alter Ego — two of the works were written for or dedicated to them — and Alvin Lucier himself. This new recordi…
In the 1970s Morton Feldman took up the study and collecting of antique Turkish rugs, a highly evolved and exquisite folk art. The rugs are intricately patterned, symmetrical in basic design but with constant variation and displacement in the detailed execution of that design; strikingly and subtly colored, including fine variegations of principal colors resulting from the dyeing process. Analogies are clear to Feldman's music as it takes up large-scale patterning, partly working with his famili…
2CD set. The dark, atmospheric and energetic mix of choirs, strings, various FX-sounds, heavy drums, and tribal sections makes this the seed for the raison d’etre sound trademark that began with the album 'Prospectus I' from 1993. Released in 1992 'Apres Nous Le Deluge' became the first official output from raison d'etre when it went available on the Cold Meat Industry subsidiary label Sound Source. There are three versions of 'Apres Nous Le Deluge' and now they have finally all been joined int…
*In process of stocking* A note from Saint Abdullah: 'In the 22 minute piece 'glamour factory', we start things off by sampling the voice of one of Iran's pre-eminent film voiceover artists, whose career lasted decades in Iranian cinema. Here he was, receiving a lifetime achievement award for his services to the film industry. And in his speech, he started off by saying that society does not accept us for having multiple identities. They want us to keep as one. Understandable. Measurable. And w…
Richard Chartier’s Pinkcourtesyphone operates at nexus of recollecting 20th century anxiety and opulence. Over the course of this project he has created a lush and overtly queer sound world of drifting rouge atmospheres, smudged lipstick electronics and cavernous architectures that dwarf the sense of human interaction in favour of omnipotent acoustic voyeurism. All Intensive Purposes aches with a deep sense of longing, held aloft with tangible suspension. Voices and sounds float, haunting a murk…
'In the summer of 2010 I had the opportunity to visit Antarctica through an invitation extended by the Argentine Antarctic Division. It was nothing short of life-altering, as I am sure anyone would suspect. Upon departing from Buenos Aires for the iced continent the Hercules transport aircraft, under direction of the Argentine military, made a routine stop at an airbase outside Rio Gallegos. What was meant to be a few hours layover turned into several days as, on landing, a strong wind storm ble…
*CD Digipack* The final performance of Throbbing Gristle before their initial breakup, at the Kezar Pavillion, San Francisco on 29 May 1981. ‘Mission of Dead Souls’ documents the notorious final performance of Throbbing Gristle in their original incarnation (1975-1981). Recorded at Kezar Pavillion, Golden Gate Park, San Francisco on 29th May, 1981 and unavailable on vinyl since the early ‘90s, it’s now back on wax with a new inner sleeve including photos and a passage of text by Jon SavageRecor…
This release documents Roger Reynolds’ most recent string quartets in composer supervised first recordings by the acclaimed JACK Quartet. “Flight”, commissioned by Jack Quartet, arose from a collaborative process lasting almost five years. Its four movements reflect upon the stages of humanity’s aspirations for flight. Of “not forgotten” Reynolds writes: “As the years pass, one notices that certain elements in one’s days have unusual persistence in the mind. Such elements may involve individua…
CD digipack. From Mille Plateaux to Leaf, Staubgold, and Raster-Noton, ~scape, among others, or on his own label Ripatti, the Finnish artist Sasu Ripatti, aka Vladislav Delay, has been exploring various iterations of the "dub culture vs. electronica", since 1997. His sonic crafts and unique signature sound have been sought after by an eclectic range of bands and artists, ranging from Massive Attack, Hauschka, Black Dice, Autopoieses, Animal Collective, or AGF. Vladislav Delay met Sly Dunbar and …
Austin's Andrew Anderson has released a number of solo cassettes (as well as an album with Thor Harris - see their duo, THAA's excellent 2020 album, Against Permanence). Vagrancies, Anderson's debut for Elevator Bath, however, is arguably his most ambitious and accomplished work to date. Each of Anderson's primary concerns is represented fully in this new collection. Mangled tapes, unidentifiable instruments, electronic wizardry, and wide-ranging found sounds / field recordings join forces here …
"There must be a story to this one, but I can't figure out what it is. Released as a CD on Flexidisc ( not the format, but a label run by Jack Dangers of Meat Beat Manifesto), this album claims to contain electronic music recorded by high school kids in 1968, 1972 and 1973 with one track at the end from 1984. It seems to be a reissue of an LP released by Recorded Publications Company from Camden, New Jersey, which was, in fact, an imprint that would manufacture vinyl records for school bands. My…
Get ready for the ultimate psychotronic party!! Underground soul, psychedelic funk, Hammond and library grooves, dirty fuzz guitars, wah-wah, horns, drum breaks, crazy bongos...14 tracks taken from rare and unknown until now Spanish records from the late 60s and early 70s, many of them released on small and private labels, including the Türkish style hard-psych-groove of Pedro Gonz lez with "El Samurai" and the ultra-rare private pressing EP by Alcy Agüero y Su Orquesta Pop featuring the killer …
*300 copies limited edition* 'After the Bend is the second album from Louisville based Flanger Magazine, and the follow up to FM’s 2018 debut, Breslin. Whereas Breslin was the solo creation of Christopher Bush, an album noted for “an astute synthesis of ‘library music’ and solo acoustic guitar,” and “a seamless blend into the uncluttered and airier side of classic 1970’s giallo,” After the Bend is an ensemble affair. An ecosystem, a perfect mutualism bodies forth—of strings, outdoor recordings, …
Written and conceived by Stephan Crasneanscki, ‘Lovotic’ is a concept album by Soundwalk Collective, composed in collaboration with lauded actress and singer/songwriter Charlotte Gainsbourg, Featuring veteran techno stalwart Atom™, rising singer/composer/performance artist Lyra Pramuk, celebrated actor Willem Dafoe, and writer/philosopher Paul B. Preciado, the album will be available from April 1st via the new Berlin-based Analogue Foundation. Inspired by a relatively new field of research that …