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From the words of Alessandra Novaga: "This record is about R.W. Fassbinder and his Cinema. Fassbinder has been an extremely prolific auteur creating close to forty films in the course of 36 year of a dramatically intense life characterized by nearly superhuman activity and a desperate search for affirmation and acceptance. In his films, he took on different genres, from the gangster movie, to a brave examination of the Nazi period still too recent for the Germans, to a more bourgeois cine…
Much needed repress! Offering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman.
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…
Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventures in Wand…
**Co-produced by David Sylvian and Yuko Zama, artwork by David Sylvian** Melaine Dalibert (born 1979), a French composer/pianist, has been increasingly recognized for his compositional piano works as well as his interpretations of works by Gérard Pesson, Giuliano D’Angiolini, Tom Johnson, Peter Garland and many others. Trained as a classical pianist in Rennes (where he teaches now), Dalibert studied a large repertoire of contemporary composers’ works at the Paris Conservatories. Being involved w…
Two electroacoustic improvisers and composers--Lucio Capece on reeds, analog synths, effects, field recordings, drums machines, speakers in motion, and Marc Baron on field recordings and analog devices--developed these 6 extraordinary recordings that blend motion, perspective, sound and noise, and concrete references in a mystifying and mesmerizing journey in sound.
"While solo improvisational albums can be, and often are, great, the true potential of freely played and electroacoustic music is r…
English living legend percussionist, Roger Turner plays in Tokyo lin 2015 and this is one of the live performance in Fukaya city, Saitama prefecture. Roger percussion solo, Otomo electric guitar added and Japanese free jazz patriarch, Sato added, then becomes intense and has musical speed.
English living legend percussionist, Roger Turner plays in Japan last year and this is one of the live performance in Tokyo. Roger's feathery and dynamic percussion playing and Otomo Yoshihide's noisy electric guitar playing.
An improv meeting of two masters with very different but equally impressive histories. Across two long tracks they give an object lesson in the art of duo improvisation, a format in which both players are constantly exposed with no easy place to hide, although that clear…
Through 'Experimental & Parametric Music 1976-2017', more than 40 years of the Joris De Laet's work are unveiled. We discover here for the first time the great coherence of this work: from 'Signalisations' (1976) to 'Mnemosyne pour une acousmaman' (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.
Inspired by the deep control on electronic sonics, he has been defining his work since 1979 as 'Parametric Music,' music whe…
Spittle Records present a reissue of Tasaday's second album L'Animale Profondo, originally released by T.A.C.'s Azteco Records in 1986. Here, the sound is, if possible, even more primal and direct than its predecessor; without compromises. Improvisation takes over... free and uncontrollable sounds that tell of an ensemble that was years ahead in European experimental music. Echoes of Einstürzende Neubauten but also of Throbbing Gristle... and beyond, in a deep, almost free jazz universe. Post-in…
Mail from Fushitsusha, which Keiji Haino himself calls 21st-century blues, draws out exquisite dynamics and 'space' - like a nerve being passed through the eye of a needle. Carrying out their sonic explorations while adhering to the Fushitsusha method, these three tough artists create a muscular sound - a sound that turns the rock - blues concept on its head! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combin…
This is a real blues album created as an expression of devotion to 20th-century blues. But not blues as a style - the object of devotion here is the blues spirit. You might even say this album is the successor to authentic blues. Those who get it, get it! Keijo Haino sent Seijaku out into the world as his permanent band. At the time of recording, this was to be a single album, but the combination of Haino's overflowing musical ideas and the unlimited improvisational abilities of the three member…
"After the dark clouds of the '70s the world was changing and Maurizio Marsico, fresh off New York sessions with Rhys Chatham, started the '80s with a couple of experimental records under the moniker Monofonic Orchestra, published by the cult label Italian Records, Music Design (1981) and Friends' Portraits (1981). Stefano Tamburini, the creator of the legendary Ranxerox comic hero painted by Tanino Liberatore, was an onlooker in disguise in New York Marsico's exhibitions, and back in Italy he…
Otomo New Jazz Orchestra with Otomo Yoshihide, Axel Dörner, Aoki Taisei, Tsugami Kenta, Okura Masahiko, Alfred Harth, Mats Gustafsson, Ishikawa Ko, Sachiko M, Unami Taku, Takara Kumiko, Cor Fuhler, Mizutani Hiroaki, Yoshigaki Yasuhiro, Nananan Kiriko, Otsu Makoto, Kahimi Karie, Hamada Mariko. Recorded by Kondo Yoshiaki on 24th January 2005.
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Akira Sakata (alto sax), Yoshisaburo Sabu Toyozumi (drums). This CD is live performance at Pit Inn, Shinjuku on April this year. Hijokaidan named themselves Jazz Hijokaidan with Sakata Akira (sax, cl) and Toyozumi Sabu Yoshisaburo (ds). This performance starts from the clamor of Jojo Hiroshide, leader of Hijokaidan and their roaring sound unify with audience and rise up to heaven hypnotically. In their …
Jojo Hiroshide (guitar), T.Mikawa (electronics), Fumio Kosakai (electronics), Junko (voice), Futoshi Okano (drums), Akira Sakata (alto sax). This CD is studio recording after 8 years from their The Last Recording Album and a first recording CD since Okano Futoshi (ds) joined Hijokaidan. In this CD, especially, Sakata Akira blows intensely in all tunes. This 24 track analogue recording reveal their so-called meta-noise music. A tune all member play about 30 minutes, rare Junko (vo) and Sakata duo…
Drummer Edward Vesala was an early Finnish pioneer of avant garde jazz, and he managed to release this lovely LP that has to be considered the first proper Finnish free jazz album in 1970. The Vesala trio was supposed to be a quartet, but trumpetist Mike Koskinen fell ill, and the remaining exploratory trio (Vesala, saxophonist Juhani Aaltonen and bassist Arild Andersen) recorded the album in a short, fiery session. The album Nana is an absolute rarity as well as an absolute beauty. As with many…
Circus were a shining example of the creative explosion at the heart of the early days of Progressive Rock. A tight knit jazz-rock band that crafted high quality musical workouts, Circus mixed the heavier aspects of late 60s rock with the nuances of jazz modulations, folk, pop and even forays into psychedelia. Circus decided to focus less on the sound of the pop psych scene and joined the ranks of the more experimental progressive bands emerging during the 60s such as Soft Machine, Caravan, Colo…
* Hand-numbered limited run of 300 copies * C.R. Gillespie is a Canadian musician and sound artist. Born in Nanaimo, British Columbia, coastal living on Vancouver Island influenced his textural overlapping of “waves”; focused layering of soothing tones that tremulate and merge in a vast and expansive synthetic ocean. This aesthetic is at the forefront of his new release, Concentration Patterns, a sprawling 75-minute ambient suite which envelops the listener in a vibrating collage of drifting tex…
The great surprise with the French quintet Hubbub comes with seeing them in performance before you’ve heard one of their recordings. Five men walk on stage, two carry saxophones, one a guitar, the pianist and drummer sit down at their instruments. It looks like a conventional notion of a band, the sole concession to the world of electronics the Gibson Les Paul, itself a guitar design that has changed little in the past sixty years. Every instrument carries with it the expectation of a characteri…