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The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…
**Edition of 400** Edge Of Nothing was first released in a cassette edition of 5 (!) copies on David Jackman’s Aeroplane imprint, and then included on the legendary “The Elephant Table Album” DLP in 1983 (feat. Coil, Nurse With Wound, SPK, Lustmord etc). Both tracks presented here are the January 2003 mixes of the original material, which was derived from variously stimulating a cymbal with bows, knuckles, loops etc. An extremely dense piece of experimental noise where (allegedly) the B side is …
**Edition of 600** A four track mini CD combining the never released two 10 inch's Maus (DS57) and Die Hennen Zähne (DS66). Die Hennen Zähne opens with Die Kralle actually a David Jackman track from his archive recorded in the early 1980's. Next is the title track Die Hennen Zähne, a joyful noise not unlike some of the TNB/Organum material incl. the sound of broken glass and tibetan horns, best to be experienced loud. Maus is the centre piece of this mini album and typical old school Organum. Th…
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…
Emblematic of the anxiety that the group manages to build, sound on sound, with meticulous cruelty, is the first album, More Violence And Geography (Complacency, 1988 - Die Stadt, 2002), contemporary to the cassette Fifteen (Complacency, 1988). Since 1983 Illusion Of Safety has been the ongoing project of Daniel Burke, working alone and with various collaborators. They have released over 20 CDs on labels such as Complacency, Die Stadt, Experimedia, Odd Size, Silent, Soleilmoon, Staalplaat, Tesco…
A new album by Michael Prime who is another prolific sound composer for many years. Being an active member of Morphogenesis he also collaborated with among others: David Jackman/Organum, Jim O'Rourke, Eddie Prevost, David Toop, Adam Bohman. He's also one half of Negative Entropy a collaborational project with G. Feyton (Noise Makers Five). Recorded between December 1998 and December 2000 Requiem is one of his most intense works so far and quite different from his more inviromental studies. Dedic…
Leaving the rigid beats behind this time, Richard H. Kirk introduces a new alias through a new (for him) label. The first Orchestra Terrestrial release comes from Die Stadt and is packaged exquisitely with a fold-out CD case and six prints of digital artwork representing six of the eight songs here (three by Naked Art, three by Designers Republic). While Kirk has has contrasted his usual style by creating an atmospheric soundbath with lengthy delays heavily absent of drum machines and thumping b…
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
Die Stadt is very pleased to announce the release of a long time project, an LP by Carl Michael von Hausswolff. C.M. von Hausswolff is a prolific sound composer for almost 20 years now who lives and works in Stockholm/Sweden. He was the founder of now defunct Swedish label Radium and still is one of the two King's of Elgaland-Vargaland (together with fellow artist Leif Elggren). His works (also under the name PHAUSS in his early years) have been released on labels such as Touch, Sub Rosa, Fire, …
Those readers familiar with the world of experimental music will know the name David Jackman, primarily from his work under the name Organum. As Organum, Jackman has created some of the finest, most haunting drone recordings of the last decade. This CD is a reissue of a 1996 cassette-only release that appeared in an edition of only 61 copies. Perhaps slightly similar to the sampling work of John Wall, here Jackman has taken found recordings of orchestras, and overlaid them to create two eerie co…
One of the most prolific artists of the Japanese experimental noise scene, Keiji Haino teams up for his 2nd album with the critically acclaimed ensemble Zeitkratzer. Frenetic musical material, wild and beautiful.On his second release with Zeitkratzer, the enigmatic icon of the Japanese noise experimental scene Keiji Haino concentrates solely on his voice. No electronics are used except for amplification. Nevertheless, this live recording is even more radical than the first one ('Electronic…
Featuring the title track, picked by Andy Votel for B-Music's The BYG Deal compilation. "Recorded during the same sessions as the Mad Rockers LP, with the same musicians, Bloody Rockers features more free jazz meets rock explorations by the Kühns and Co., plus a couple of incredibly groovy floorkillers. The album was only released in France back in 1969 and has never been reissued before. This edition comes in remastered sound (by mastering magician Denis Blackham @ Skye Mastering) and faith…
The Wind in High Places is an elegant, haunting collection album containing three of John Luther Adams’s serenely powerful recent string works: (1) The Wind in High Places (2011), a three-movement string quartet commissioned to celebrate the 50th anniversary of Theodore Front Musical Literature, performed by JACK Quartet; (2) Canticles of the Sky, a four-movement piece for four cello choirs, performed by the 48-member Northwestern University Cello Ensemble, directed and conducted by Hans Jørgen …
**300 copies** Recorded over a six year period, Sabbatical’s 'Sundown' draws inspiration in minimal, post-minimal and Fourth World composers such as Alvin Curran, Jon Hassell, and Dan Morehouse. 'The album was produced with a large array of instruments, including autoharp, omnichord, melodica, various synthesizers, tape delay, bass guitar, and toy piano, but with each note these instruments make carefully folded into another. Reflecting its long conception, every track is exquisitely paced throu…
**Edition of 350 copies** Two great tracks full of crazy breaks and ready to sample. Baterasso by Daniela Casa is a drum & bass funk banger… a pure gem enhanced with insane hand clapping. On the flip side is Canottaggio by Remigio Ducros – the best funk tune from the Lo Sport double LP – an enthralling and totally infectious beat. This is also the first of a new Four Flies 45s series, properly designed for DJs, producers, and worldwide music lovers, and focused on the very best Italian library g…
Released as a short-run private press LP in 1965, Harry Taussig's 'Fate Is Only Once' has long been a coveted collectible among American Primitive guitar enthusiasts. The album presages the broader movement. Acoustic musicians were still largely stuck in a rigid "Folk" mindset in 1965, and there are just not that many other examples of the exploratory guitar sounds found on 'Fate' during this time period. Alternating between haunting originals and jaunty blues-based traditional numbers, this abs…
With track titles translating to Song For The Devil and The Witches, Francois Tusques’ rarest commercially released LP casts an early stylistic premonition of the vampire themed improvised soundtracks recorded for director Jean Rollin merely months after its release. Assembling the very same group of musical sorcerers this albums personnel (featuring, amongst others, soprano saxophonist Barney Wilen) reads like a who’s who of France’s early improvised music/free jazz scene resulting in a wholly …
Last copies **Edition of 300, comes with 8-page glossy photo booklet and double D/L code. Mastered by Rashad Becker at D&M Berlin** Music by Piotr Kurek for theatre performances directed by Tian Gebing and Grzegorz Jarzyna:Composed as a means to map the cultural translation between Chinese culture and European traditions, Piotr Kurek’s A Sacrifice Shall Be Made / All The Wicked Scenes is comprised of pieces composed between 2016 and 2018 specifically to accompany theatre performances directed by…
Small restock - Amazing find! Very few original copies of this Library gem available! - Almost nothing is known about Lamberto Macchi’s lone LP, Downtown - released sometime during the early '80s - other than it is the creation of the son of legendary Italian composer and Gruppo di Improvvisazione Nuova Consonanza member, Egisto Macchi, and that it contains contributions by the elder.Covering a vast range of territory, it was likely to have been conceived as a library LP, for use in television a…
180 gram audiophile vinyl pressing. While the instrumental Fourth had forayed deep into jazz-rock territory, Fifth found Soft Machine working almost completely in the jazz idiom. As Soft Machine moved further away from rock on Third [MOVLP183] and Fourth [MOVLP1602], drummer/vocalist Robert Wyatt's dissatisfaction with the band's direction grew and, by the time sessions started for Fifth in late 1971, he had left permanently to form Matching Mole. Wyatt's replacement Phil Howard's propulsive rhy…