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"Another brilliant posthumous album by Letha Rodman Melchior. Letha's music, as her visual art, was a great collaged pile of extreme strangeness, with seemingly irreconcilable objects butting heads in ways that end up making great sense. I met Letha a long time ago, when she was in Cell, but I had not much idea of her work beyond that until she had moved to North Carolina and I started hearing her health was bad. Siltbreeze put out an amazing album called Handbook for Mortals (2013), and it was …
The artist formerly known as Ergo Phizmiz, releases his first work under his birth name, DW Robertson with Disco Carousel Vol. 1, a demented ode to the power of mechanical music. Robertson on the record: ''Everybody knows that mechanical music is the highest form of entertainment, that's why the fairground, that age old uber-entertainment, rang with the chaotic splendor of Barrel Organs, Orchestrions, Bellenoens and Serinettes. In the 20th century, as the delicate mechanisms of automata fe…
out of print LP, "These are the days" is a collection of short pieces all around of memory concept... a sort of back-up of experiences on Claudio's preferred media (tapes and vinyls). Tapes and vinyls are here used in a double way: in their common way, the Universal recognized one. As sound reproducers, as technological element of our day-life with their own personal story linked to all the people who owned them... they are full of memory, they are part of our World. But if you change the rules …
XXX is a four LP collection featuring Scorch Trio's recordings. It includes Scorch Trio (2002), Luggumt (2004), Brolt (2008) and a radio session entitled Oval. In Norway, Scorch Trio was greeted with 6/6 reviews in the two biggest newspapers and The Wire said "the scope of their improvisational ideas is breathtaking", in spirit comparing the album to The Mahavishnu Orchestra's The Inner Mounting Flame (1971). Four years after Luggumt, Brolt was to become the final album with Paal Nilssen-Love be…
Alasdair Roberts continues to do his bit for Scottish folk heritage on a fyne suite of augmented standards and new songs accompanied by his pals. Alasdair brings his undoubted charm, skill and imagination to ten songs ranging from celebratory elegies ('The Merry Wake') to doom-laden laments ('The Laverock in the Blackthorn'), distilling the passion, pain and yearning of hundreds of years of tradition with a timeless voice, perfectly summed up by fellow countryman and poet Robin Robertson: …
Faitiche welcomes two young artists from Canada. Jonathan Scherk and Daniel Majer hail from the post-rock and experimental scene in Vancouver, where they shared a studio for several years. In artistic terms, too, there is a surprising coherence: on It's Counterpart, their solo work naturally blends to create a joint album, making it hard to distinguish between their contributions. Majer describes his part as a shadow-like reflection to Scherk’s brightly meandering collages. The album’s title ref…
After performing at a concert in Oakland, 2010 and feeling proud of their musical output, Tom Carter (Charlambides) and Pete Swanson (Yellow Swans) decided to collaborate with one another again as a guitar duo. The resulting record amalgamates Tom's recent self-oscillating, power starved shredding psychedelia, with Pete's self proclaimed "more neanderthal attempts at VU/Roy Montgomery inspired simple melodicism". Ultimately, the album is an unusual haze of oscillator sweeps, dying batte…
2015 release. Terry Riley's In C Mali by Africa Express is the first ever recording of Riley’s minimalist work by an African ensemble. In C Mali was originally written by Terry Riley in 1964. Upon hearing this new version the composer said that he was “overwhelmed and delighted”. The piece is conducted by Anton De Ridder who has lent his expertise to Max Richter, Jonny Greenwood and These New Puritans to name but a few.
Mastered by Lawrence English and cut at D&M in Berlin* Sanso-Xtro's long awaited follow-up to her 2005 debut for Type finally arrives, and sees an amazing development of sound. It's a gentle, fragile collection of songs and instrumentals that remind us at one moment of Talk Talk, at others of old Alan Lomax recordings, with Gamelan and Kosmische experiments dropped in-between the gaps. In the time that has passed since 'Sentimentalist' Melissa Agate removed herself from the UK to South Au…
Natalie Sandtorv is releasing her debut solo album 'Pieces of Solitude' on the 20th of November. Using a voice with an organic interaction with electronics she expresses distinctive poetic sound art characterized by droning tension and intense abrupt parts.'Pieces of Solitude' is about the many forms of loneliness in both a positive and negative sense, and is therefore particularly suitable as a solo album. The album is imbued by a dark and melancholy mood with occasional massive and intense se…
Kye is proud to present Being Small, the new LP by Matthew Revert. Lovely collection of Matthew's philosophies, worldviews and wisdom recorded cheaply at his home in Melbourne, Australia. Being Small arrives in a Matthew Revert designed sleeve with matching labels in an edition of 300 copies.Matthew Revert is a designer, writer and musician from Melbourne, Australia. He has developed a reputation as one of the preeminent graphic designers in the small press world, having given his unique touch t…
**250 copies** Improvised soundtrack to a non-existent Western, recorded in the late '90s by James Kirk, Nathan Thompson and Tim Cornelius. "Deep South kitchen-sink explorers have been circling the drain in counterclockwise fashion for at least half my life and yet I am still reduced to shameless gobsmackery in the presence of this sterling new collection of historic treasures. Committed live-to-tape in the comfy climes of a living room / recording studio / temple affectionately known as 'Canong…
Shelter Press has present the third and final volume of Gabriel Saloman's Movement Building series. For fans of Saloman's post-Yellow Swans work -- an already dense catalog of darkly cinematic compositions mostly conceived as accompaniment to some of Vancouver's edgier contemporary dance companies -- Movement Building Vol. III is not only a much anticipated conclusion to this trilogy, it is the most fully realized album in years. Whereas Movement Building Vol. I (SHELTER 051LP, 2014) and Vol. …
2014 release. Les Duresses emerges through a prism of speculative intonation. Marc Sabat uncovers an opening of tonal possibilities that he roots in an unfinished composition for solo violin by Morton Feldman. From its enigmatic notation and the conceptual tendencies expressed by Feldman, Sabat determines that the fragment is written in an alternate tonal space. Throughout Les Duresses, this space is given shape and consideration. Sabat draws on a sound world, not from Feldman, but like Feldman,…
Red Brut is the moniker of Marijn Verbiesen (part of Sweat Tongue and JSCA). As Red Brut she is isolated, displaying a highly talented ear for day-to-day sounds, musique concréte composition and spontaneous sound collage. The KRAAK record series — documenting off-stream’s currents — presents her self-titled debut, recorded at home and re-arranged in the come-down of an immersive tour in Japan. The 7 chapters document an intuitive and reflective journey through sensitive amateurism and hi-end mus…
**500 copies** "In 1995 Justo Bagüeste released a record called I.P.D.; it claimed to induce in the listener a pleasant dream, heading for the final sprint towards that collective promise beyond the end of the millennium. I.P.D. was some sort of Goldberg Variations for the turn of the century, played on mini-Moog, short-wave radios and analog synths. In 2016, Bagüeste and Suso Sáiz (producer of I.P.D.) performed at Periferias Festival in Huesca; they were to play a reinterpretation of the record…
Finally, Hospital Productions unveil the long awaited vinyl debut from the elusive Salford Electronics, backed with killer remixes by Ancient Methods and Vatican Shadow. Tipped if you're into Burial, Regis, Silent Servant...!Plucked from right under our noses, Salford Electronics appears to be a handle for David Padbury, whose credits for industrial units such as Death Pact International and The Grey Wolves stretch back to the ‘80s. Under the SE mantle however, Padbury pursues a stealthy, menaci…
Based upon Maja Ratkje´s music created for the ballet ”Sult” (”Hunger") by profiled director Jo Strømgren for the Norwegian National Ballet, this is a departure from records and live settings normally associated with Maja S. K. Ratkje, as we find her placed behind a modified, wiggly and out of tune pump organ, singing songs and improvising. Metal tubes, PVC tubes and a wind machine were built into the organ; guitar strings, a bass string, a resin thread, metal and glass percussion and a bow are …
**300 copies** Continental is the new full-length solo record by Milan-based multi-instrumentalist Nicola Ratti, following recent releases on Where to Now? and Room40. Conceived of by Ratti as a "series of big rooms or places to get lost in, full of small details and characterized each by a single flavor or perfume", it is a surprising and vibrant collection of music. Working with a palette of spare, expertly deployed percussive synthesis techniques, Ratti's work here is both labyrinthine and co…
Renowned international composer Maja Ratkje is a founding member in two of Norway's most respected improvisational units -- Spunk & Fe-Mail. Like much of Ratkje's work Stalker flawlessly contrasts these two distinct emotional and audio extremes. While Stalker is influenced by the hardest Japanese noise it is also a quiet emotional drift based around Bertolt Brecht's story of a girl who has drowned and is floating down a river while her body slowly dissolves leaving only her hair to remain. With …