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Siri Aurdal by Eline Mugaas is an artist book produced on the occasion of a two-person exhibition by the artists at Kunstnernes Hus (Norway). The publication features Eline Mugaas collaging together decades of drawings, documentation, collages, and ephemera by Siri Aurdal with a lyrical approach reminiscent of Mugaas’ work with the magazine ALBUM. This method unfolds the traditional logic of an exhibition catalog, replacing its typical organizational structure (chronology, installation views, th…
Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of in…
**Edition of 300 copies, numbered** This experiment in minimal music serves as a soothing lullaby for people who find themselves separated from their favorite snorer, people pining for a snoring ex, or as the perfect soundtrack for people burning the midnight oil.It’s the sound that keeps the earplug industry afloat. The sound that drives sleepless, bleary-eyed partners to beat their sleeping other-half with a pillow and into separate beds. Like a lot of popular music snoring is one of those noi…
2016 release. Following 2015's Teaspoon To The Ocean, Jib Kidder delivers an uncanny dance LP featuring no-input mixer sequenced together with drum machine. It steers the chaotic atmosphere of Lou Reed's Metal Machine Music (1975) towards an emotive tide of information that, whether too much or too little, makes it hard to grasp but easy to eat up. If electronic music has been made familiar (through musique concréte or Lee Gamble) with the conversion of noise into dance, New Works For Realist…
'Kostis Kilymis - electronics, objects. Leif Elggren - voice, text and dance. 'I now feel - when listening to the recording - like we opened a dark negative window in that respectful old event hall, for the 14 minutes we played. Like corpses and spirits marching through, only to be sucked back at the press of a pause button.' - Kostis Kilymis
Recorded live at 'spiti politismou - f.e.x.' on december the 4th 2010 during absurd's farewell edition (absurd #84) 'bye bye butterfly' Mastered by …
**30 copies square lathe cut 7" records, in 3 color silk-screened pack with insert** Avant guitarists Bill Nace and Sandy Ewen join forces on this extremely limited release, offering two very dense improvised tracks which, as per title, were recorded live.
A cold vision of a dark trash covered future full of Sci-Fi nightmares & strange out of body experiences. Annihilation synth & tape collage, cut up, sped up & dialed to oblivion. Earth Crown steps it back, slows down the pulse, lets the edges of the static curl around the drone to the breaking point, where the damage is let loose, purged out & built again. This LP is a reminder of how cold, desolate, & haunting life can be.
**500 copies only, remastered & the first vinyl reissue EVER of this legendary Japanoise LP. Pressed on 180 gram vinyl. Wow!** On King of Noise Hijokaidan is pared down to the duo of Jojo Hiroshige (on electric guitar) and Toshiji Mikawa (on drums, electronics, and voice.) In it’s early years, Hijokaidan saw as many as 19 members, but whether it be 19 or just two, Hijokaidan creates the same sheer wall of noise that gives them their apt title, King of Noise! On the opening track The Wreck of a O…
Following on from 2012's split LP with Gareth Hardwick, Gold Beach is the fourth album and third release on Low Point by Danish composer P Jørgensen. After working on several commissions, including the score to Kim, a 2009 documentary film about World War Two Danish resistance leader, Kim Malthe-Bruun, Gold Beach was painstakingly recorded, processed and assembled over the course of the last four years. Unlike Jørgensen's previous works, electro-acoustic compositions subject to heavy compu…
Limited Edition Colour Vinyl, 300 Copies. Uganda’s immense Nyege Nyege Tapes return with an incredible collection of percussive ritual music from Mbale; a unique document of ancient tradition meets modern electronics from the pearl of Africa and another precious eye-opener from this important label. After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege…
Based on the original score for the film I Am Here (2014), written and directed by Anders Morgenthaler, starring Kim Basinger, Jordan Prentice and Sebastian Schipper. Written and produced by Jóhann Jóhannsson and BJ Nilsen. This is the first collaboration between Jóhann Jóhannsson and BJ Nilsen -- very much a mix between their two worlds, you can hear both their signatures, and with the help of additional musicians, including Hildur Guðnadóttir on cello and the remarkable voices of Elfa Ma…
**300 copies** Kaspi & Stride is a new project from Justin Tripp, best known as one half of the Georgia equation. Leanings has its origins in rigorous yet laid back studio sessions, dual personal practice sensibilities that seem to get at Tripp’s creative ethos as well as any descriptors might. The material here was born out of collaborative studio sessions with multi-instrumentalist Jimy Seitang (Conga Square / Stygian Stride) - the “Stride” of K&S. The music from these sessions has been rework…
The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelworks remain ver…
One of James ‘Wooden Wand’ Jackson Toth’s favourite bands, these Midwestern lo-fi poppers make a good case for why the Velvet Underground are one of the most influential bands of the last fifty years. While they add their own spin to the sound, for the most part ‘Dost’ is an unpretentious and timeless garage-rock trawl through that very specific druggy Velvets-style basement subgenre. They manage it well too, apparently the band have been largely unrecorded even though they have been play…
On the second side of Versatile Ambience, Jeph Jerman utters an all too accurate observation of our overheated culture, describing us at “the smithy’s forge, replacing art with scrutiny.” Throughout their new record, Jerman and Barnes show us another, alchemical possibility—fusing art and scrutiny together. Across a dozen years, the duo of Jerman and Barnes has offered powerful, minimal music rooted in a shared dedication to the creative act of listening. Jerman is a veteran of the creative mus…
Kiss The Anus Of A Black Cat is the music project of Stef Heeren which saw the light in 2005 with it’s debut record ‘If the sky falls, we shall catch larks’ on the adventurous Kraak label. Inspired by alternative folk acts such as Current 93 and Six Organs Of Admittance, Stef commenced on an solo musical embarkment after the demise of several punk bands he was involved in. The band’s name is translated as “doing black magic” and pretends to glorify counterculture. Because of it’s notoriet…
Face Disappears After Interrogation is the first vinyl release from Mick Travis, a wandering noise deconstructionist based in the UK who was previously responsible for cassette transgressions issued by his own Medusa label and Aaron Dilloway’s Hanson Records. An occasional member of Dilloway’s rotating extreme ensemble The Nevari Butchers, Travis loosely orbits the Michigan <-> Ohio underground circuits that spawned the dense network of projects branching out of the Bulb/Wolf Eyes/Hanson family …
"Rainbow Mask" is a 12" record which contains a long piece on each side. The sound was originally taken from our first session in Geneva in Autumn 2006.Hitoshi processed Carole's viola and voice thorough various effectors in realtime. And we kept playing until the studio space was totally filled with our harmony and noises.Although the sound was quite rough, the experience in the space was strong enough to impress ourselves.("Lunastus" in "Sporing Promenade" is also taken from a part of the sess…
An extended voice/ radical vocality album, Songline was recorded during one evening in the rooms of a former Swisscom telephone relay station in Zürich. I decided to use the main room, which was entirely empty. Its linoleum floors, bare walls and many windows made for a very resonant space. Double glass windows sealed off the world outside but many sounds still emanated from somewhere deep in the bowels of the building.My vocal work goes back a few years now, appearing here and there on various…
Black To Comm’s Marc Richter returns under his Jemh Circs guise for a 2nd album of sonic abstractions. In contrast to Black To Comm’s analogue tape and vinyl based sound, in Jemh Circs he works with digital sources by primarily sampling modern Pop Music (and various other oddities) on YouTube (et al.) and sending chunks of it through a variety of arcane transformations and mutations. Using similar esoteric methods as on his 2016 debut album but with very different results the record decon…