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2016 Edition. Free As Dead is another project of prolific French Harsh Noise Wall artist Romain Perrot, who deviates from his other known projects like walled noise acts Vomir and guitar noise Falot. Free As Dead builds it’s disturbing ambience with harsh funeral organ noise, and together with the collaborative efforts of Andy Bolus (of Evil Moisture) Tombeau Vital creates an almost soundtrack-like horror story revolving around Perrot’s (pervasive) alter ego of a B-Grade masked monster and his d…
**199 copies** Controlled Death is the new project by the Japanese noise legend Masonna and Symphony For the Black Murder was its first official work released in April 2018 as a vinyl edition of 199 copies which immediately sold out at source. The activities of Controlled Death are like an archaic revival to the music experience before Masonna. We can also find the pathology image of the early industrial period and the shadows of Vienna actionists such as Hermann Nitsch. The existence and art th…
**Original 1995 copies, still sealed*+ Paul Earls (USA, 1934-1998) was a composer and multi-media artist, affiliated with the Center for Advanced Visual Studies at MIT. His electronic music and sound installations, incorporating laser imagery, accompanied many indoor and outdoor staged events internationally. Earls' 1968 Moog piece "Monday Music" was recently featured on Waveshaper Media's acclaimed compilation "Electronic Voyages: Early Moog Recordings 1964-1969". Earls was a teacher composer e…
Sinistri, formerly known as Starfuckers, is an experimental music unit based in Italy. Starting from an original, raw, minimal and high power approach to the rock language, they soon developed a personal direction exploring the space between proto-punk, black roots and contemporary classical music. Sinistri is a trio who uses electric, electronic and acoustic instruments, operating under the principles of intuitive music, exploiting asyncrony and non-metrical rhythms. Sinistri's music comes out …
** 2021 Stock ** "Between 2009 and 2011, Swiss percussionist Christian Wolfarth released four 7"s presenting eight short examples of his playing. Utilising purely acoustic methods, they varied between remarkably electronic sounding drones to clattering asymmetrical rhythms with quite a range in between, and showed the process of Wolfarth finding a voice in what was already a widely researched area of sound. Scheer is a new solo disc of two pieces that consolidate those experiments in extended wo…
Debut release in the new Confront Core Series imprint. Studio recording of the text piece "There is no love" which was premiered at Cafe Oto, London on 31st October 2016 as part of the Confront Recordings Twentieth Anniversary celebrations."On October 2016 Rhodri Davies and Mark Wastell premiered There Is No Love at London’s Cafe Oto, playing along a recording of David Sylvian’s reading of segments of Bernard-Marie Koltès’ In The Solitude Of Cotton Fields. This studio version juxtaposes the same…
CD version. Souffle Continu Records present the first ever reissue of Areski's Un Beau Matin, originally released in 1970. Only those who read all the credits on record liner notes will know the full details: Areski is of course Brigitte Fontaine's partner in life, but also her creative alter ego, and the composer of the music of most of her songs. Even though it was his wife Brigitte and not him who wrote the lyrics, Areski is a poet in his own right. Furthermore, he is polyvalent: compos…
* Originally released as a private edition 6 cassettes box, instantly sold out * Sewer Election at their finest. Double-CD reissue of the six-tape-box. Improvised harsh electronics & feedback. Recorded & mixed at Studio Malign early 2020. "Sewer Election is a name to be held in the highest regard. While initially hooking audiences on one of the most hard-hitting takes on harsh noise available, he also proved to be the master of an unsettling and emotive tape music style which has come to be wide…
Avant-Garde Sonic Ammo ca.1968! Mono version, clear vinyl. Sundazed brings you the reissue of the self-titled album from The United States Of America. U.S.A., led by respected modern classical avant garde musician Joseph Byrd, cut a wide swath through the 1968 world of rock, just then comfortably settling in to its backwoods dreams of country-rock to find the debut U.S.A. album howling like an infant terrible on its front doorstep. At the centre of the U.S.A.'s fiercely experimental universe wer…
Lovely archival work with sublime slices of musique concrète courtesy of Small Cruel Party, aka Seattle composer William Ransone. In his own words, this is “Manipulation of physical objects in acoustic space and a great deal of concentrated activity. Even in pieces involving dense sound at high volume the resultant effect is one of intense calm.”Small Cruel Party's work is focused on the inherent mysterious and beautiful quality of sound itself, with the emphasis on noninstrumental sound source…
If there was one sound guaranteed to shock in British jazz during 1966 it was that of the Spontaneous Music Ensemble, the free-improvising collective centred around drummer John Stevens which that year helped establish London’s Little Theatre Club as a stronghold of the ‘new wave’. Although the avant-garde were slow in gaining a toe-hold on British jazz tastes, every so often a grass roots jazz club would take a chance on the new style, such as the night in June 1966 when the SME alighted on Gre…
Since 1978 saxophonist Larry Ochs' activities have been primarily centered on the Rova Saxophone Quartet, but increasingly, survival in the jazz world demands the pursuit of parallel projects. Consequently Ochs participates in groups as diverse as the all-improv Maybe Monday and his uncategorizable Sax and Drumming Core, as well as the trio found on Spiller Alley. Ochs has stated that all his written music has been concerned with the integration of composition and improvisation using non-traditi…
** 2021 Repress ** A great reunion of the Jeff Parker/Rob Mazurek duo – a pair who've only continued to grow strongly in the years since their Chicago Underground classics – and who bring all that sense of energy to play in their music! The sounds here represent the deeper, more mature styles that both musicians have hit – a way of almost being more powerful by being less aggressive – especially from Mazurek, who's got this wonderfully gentle touch on his horn at times – wrapped up in these wave…
Rogueart presents Joshua Abrams' Cloud Script. All compositions by Joshua Abrams. Recorded by Ken Brown on September 26th 2016 at Electrical Audio, Chicago, IL, USA. Joshua Abrams (double bass), Ari Brown (tenor saxophone), Jeff Parker (guitar), Gerald Cleaver (drums).
“Sharp, deeply interactive, and soulful music; brilliant quartet!” - Rogueart
Saltern presents its fifth release, Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Élia…
Putojefe Records is proud to present Vortice Rosso, the first album by Italian composer Flavio Bonometti: a tumultuous journey through the languages of the avant-garde masterfully synthesized in 12 pieces of contemporary classical. After a brilliant career as a violist at La Scala Theatre in Milan and in many other orchestras, Flavio Bonometti gave up the stage to dedicate himself exclusively to his music. The tracks of Vortice Rosso, produced and recorded over the last 10 years, are born from t…
Music created through the use of old, modified, Lenco turntables, modified and manipulated in countless ways. But it has more in common with the anti-electronica of Pan Sonic or the early minimalism of Steve Reich, than to other experimental turntablists.
With Secrets From The Storm, NYC-based singer and guitarist Peg Simone has put a remarkable avant-garde spin on the blues, collaborating with writer Holly Anderson and fellow Table Of The Elements star Jonathan Kane, who assists on the epic opening cut 'Levee/1927', a radical and poetic take on the original ('When The Levee Breaks') by Memphis Minnie and Kansas Joe McCoy. This is quite some opening, shaping an incredible twenty-two minutes over which Kane adds his guitar and kick drum, leaving y…
Slow Reels combines Ian Hawgood's love of reel-to-reel tape machines and vintage synthesizers with James Murray's melodicism and richly textured digital sound design. Their Morr Music debut, "Farewell Islands", is an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism.
"Eternal finds Sean Smith in peak compositional form, coaxing sensory-enhancing textures from an ensemble of players. His erstwhile acoustic guitar providing the anchor, Smith provides common links with Eastern and Middle Eastern folk music, folk-rock, Appalachian stomp, and Robbie Basho-esque American Raga that bobs and weaves but never ribbons itself away from its common tether. Especially reminiscent of the tilaka-adorned works of Sandy Bull and Peter Walker, with nods towards the Eastern inf…