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Death Waltz Recording Company is proud to exhume another classic soundtrack from the world of horror cinema with Bruno Nicolai’s incredible score to the 1981 Emilio Miraglia giallo The Night Evelyn Came Out Of The Grave (aka La Notte Che Evelyn Usci Dalla Tomba). The film is as mad as its title; Evelyn is dead before it starts and her previously institutionalized husband Alan, who has begun to murder strippers as a form of therapy, is duped by his cousin who wants to rid of his heir. Oh, and the…
Death Waltz Recording Company is proud to present Wild Beasts this marks the first time that Daniele Patucchi's score has ever been released on vinyl. A bona fide Italian horror masterpiece. Directed by Franco Prosperi (Momdo Cane). Released in 1984 the story sees a batch of PCP leaked into a zoo’s water supply infecting the animals who band together and rise up to destroy their captors. It’s one of the greatest nature run amok films ever made and is in turn thrilling, revolting, scary and hilar…
Werewolf Woman (original title La Lupa Mannara) is a 1976 Italian exploitation sleaze fest with the emphasis on sex and violence. Wild synths bubbling over skittering jazz drums is thrilling enough but composer Coriolano Gori intersperses some beautiful mellow themes throughout to temper the madness. 500 copies pressed on 180g colour in colour vinyl housed inside a 425gsm gloss varnish gatefold jacket.
Accompanying the premiere release of the lost soundtrack to the 1971 film Walkabout, The Roundtable offer a further lost piece of music associated with Nicolas Roeg’s seminal New Wave masterpiece. In addition to John Barry’s spellbinding original score, several pieces of popular music can be heard throughout the film transmitting from a portable radio, an obvious symbol of western civilization as the protagonists wander disorientated in the ancient tribal Australian wilderness. Here we have docu…
Limited edition of 300 copies. Fans of space-age pop, exotica, and bizarre and strange music in general have a reason to celebrate, as Jimmie Haskell's Count Down! LP, one of the masterpieces of the genre originally released in 1959, is now reissued on vinyl. This galactic wonder, written and directed by soundtrack composer Jimmie Haskell, features 12 rocket-like tracks in which rhythms and styles popular at the time, such as surf, twist, and cha-cha-cha, are arranged with robotic precision usin…
Death Waltz Recording Company in conjunction with PentaMusic is proud to unleash another cult classic from the video nasty era (and their first in an ongoing series from the legendary CAM Records in Italy) with Carlo Maria Cordio’s musical score to Joe D’Amato’s notorious Absurd (aka Rosso Sangue). A pseudo-sequel to Antropophagus, the film reunited D’Amato with George Eastman, star of the previous film, and brought the action from Greece to America where the near-invincible Mikos escapes …
Like Abel Ferrara, Death Waltz Recording Company are not prone to shying away from the more extreme corners of culture, and are delighted to be presenting a true underground classic for the first time ever. Ferrara’s pictures often tread the line between grindhouse trash and art-films with insightful social commentary – and unflinching realism – and MS. 45 is his most notorious film, with much of its power coming from Joe Delia’s grimy yet haunting music. A sparse piano motif initially creates a…
Known by a select few as one of Canada's most intriguing cult artists, Bruce Haack always strived for mainstream acceptance. But Haack's true ambition may have been fully realized when it was discovered that he left behind a whopping 213 reels of recordings after his death in 1988. Preservation Tapes confusingly collects just ten of these tracks, with the majority coming from a session recorded for American Christian label, Sparrow Records, during his creative peak in the early '70s. In 2016, af…
Death Waltz Recording Company is proud to exhume another classic from their catalogue in lieu of demand from the dead and the living. From the twisted mind of Lucio Fulci comes ZOMBI 2 aka ZOMBIE FLESH EATERS. A notorious gore classic and the poster child for the video nasty generation, the film gently transports the viewer from the concrete jungle of New York City to the mysterious Caribbean island of Matool, with some shark versus zombie shenanigans along the way. Our musical guide for th…
Politico dub-collage practitioners Guerilla Welfare came from Edmonton, Alberta, coincidentally the birthplace of prophetic media sage Marshall McLuhan. Armed with vanguard ideas taken from Steve Reich, Fela Kuti, Robert Fripp and Material, the duo of Curtis Ruptash and Brian Schultze adopted the “studio as instrument” mindset of Brian Eno and King Tubby creating complex textural and polyrhythmic sonic insurgencies. They overdubbed drum computers, guitar, bass, noise-makers, mallet percussion, s…
Unavailable since the film’s release in 1982, Susan Justin’s music for Forbidden World – produced by the legendary Roger Corman – mixes the electronic influences of the time with splashes of new wave, creating a score that fuses the eerie tonalities and avant-garde sensibility of Alien with the straight-up funk of ASSAULT ON PRECINCT 13. Birthed from this is a cult classic score that deserves to be held up alongside the works of Richard Band and Alan Howarth.
What immediately stands out from the…
Praised by Quentin Tarantino as one of the greatest films from Australian New Wave cinema, Next Of Kin (1982) was a highly stylised psychological thriller in the bloody tradition of European art-Horror. Scored by none other than ex-Tangerine Dream/Ash Ra Tempel drummer and German electronic music pioneer Klaus Schulze, the music featured in the film was a unique hybrid of pulsing Giallo-moods and hypnotic Berlin-School electronica. Due to the limited availability of the film over the years, rumo…
If conceivable, imagine a collaboration between Brian Eno and Aphex Twin, both in their ambient periods, recording stock music for an Italian Library music label. If so, then behold Psycorama!, a collection of experimental music used to soundtrack a series of films and documentaries produced by the Italian filmmaker Roberto Rossellini.Composed by Mario Nascimbene, a name synonymous with the golden age of Italian film music, a composer whose grandiose scores of the 1950s and 60s defined the very …
A lost paradise, a lost innocence, and a lost culture; these are the dominant themes presented in Nicolas Roeg’s 1971 masterpiece Walkabout, a survival story of two children lost in the scorched Australian wilderness. Together with other seminal Australian surrealistic outback films, (e.g. Wake In Fright) Walkabout was a film that reshaped the Australian film industry and defined the country’s New Wave. On the cusp of the film’s 45th anniversary it is pertinent to observe that the film’s origina…
**400 copies, pressed on 180g black vinyl housed in its faithfully restored original packaging and newly remastered from the original reel-to-reel tapes.** First ever vinyl re-issue of the incredibly rare Gruppo di Improvvisazione Nuova Consonanza 1975's album, which comes in a fully remastered version with new sequence / structure as per recently discovered original tapes. Copies purchased from Soundohm also include an exclusive 30x30cm 12-page booklet with never seen before pictures and essays…
Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordina…
Perhaps the most bizarre artefact to emerge from the phenomenal world of Italian Library music. Originally scored for a 1978 RAI television documentary, the album titled Tuscan castle and country seat conforms to nothing you know or understand about library music. Studying composition under maestro A.R Luciani, the young Teisco composed innovative home studio recordings that parallel the outsider technique of French soundtrack composer Francois De Roubaix. With little resemblance to the standard…
**Incredible pioneering recording of extended synthesiser and percussion technique from the Australian experimental underground. Edition of 500** Welcome to the strange musical world of Tolley & Dara, an experimental duo whose incredible music held a marginal yet vital position on the fringe of the Australian music industry during the late 1970s and early 1980s. Consisting of jazz bassist and synthesist David Tolley and percussionist Dure Dara, their union was a relationship of romance and inten…
Regarded as the link between Italian acid folk, Library music and Krautrock, Living Music was a collective of Italian Musicians, artists and poets active in the counterculture and student movement of Rome in the late 1960s and early 1970s. Taking their name and concept from the New York experimental theatre group ‘Living Theatre’ husband and wife duo Umberto Santucci (jazz critic, graphic designer (Brainticket) and photographer, library composer) and Gianfranca Montedoro (Jazz and rock singer, m…
2019 repress. Originally released in 1968, and selling less than 500 copies -- according to Robert Fripp's royalty statements -- The Cheerful Insanity of Giles, Giles, & Fripp is, of course, the pre-cursor to King Crimson. Drawing its influence from folk, pop, classical, and religious music, the album is a masterpiece on par with the greatest records that the British psychedelic and progressive movements had to offer. Reissued on LP by Cherry Red Phonograph.