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One of the essential albums of 70’s creative jazz, and a landmark recording in the second wave avant-garde movement of that era. The music of the late great saxophonist and composer Julius Hemphill presents a strong combination of Blues roots, free energy and bop complexity. Hemphill's compositions were meaty enough to offer the improvisers plenty of ideas, but they were airy and open, too. They left room for solos, accompanied by the rhythm section and unaccompanied, and for group improvisation…
In December 1979, two Art Ensemble of Chicago members - Joseph Jarman and Don Moye along with the great South African bassist Johnny Dyani gathered together under the name of Black Paladins. Inspired by the words of the great black poet Henry Dumas, the music traces a deep, dense sound path; from ancient Africa through the rural American south to the modern urban contrast. After almost thirty five years, Black Paladins still resounds with grace and power in the history of Great Black Music.
Jeanne Dielman presents a reissue of a collection of Iannis Xenakis's work titled Electronic Music, originally released in 1997. Some of the earliest works from a truly groundbreaking composer in the realms of electronic music, musique concrete, electro-acoustic, 20th century classical, and more. The Romanian-born, Greek-French composer Iannis Xenakis was instrumental in the introduction of mathematical models into composition and helped revolutionize electronic music in the middle 20th century.…
Milestone reissue! Recorded in Venice in 1961 by the French sculptor, painter, and iconoclast Jean Dubuffet, these recordings were originally released in a hyper-limited 10" box set that is all but impossible to acquire. An early progenitor of the avant-garde and musique concrete, Dubuffet's recordings nearly defy category and still sound innovative some 50+ years later. Dubuffet’s music is contained as raw and uncompromising: noisy, pure, crazy, exuberant, yet also focused and inventive. Dubuff…
**Remastered from the original master tapes, 180 gram reissue of the original vinyl release with gatefold cover** 1972s Psychonaut, by the Swiss-based Brainticket, is early seventies space rock at its finest. While the bands debut album, 1971s Cottonwoodhill, was a heavily acid-laden affair dominated by droning organ, disturbing vocals and a collection of cacophonic sound effects (causing it to carry a warning label and be banned in several countries) for their second effort, band-founder Joël V…
On translucent gold vinyl. The C.A. Quintet’s journey to Hades burned hot enough to melt the ice in their frigid Minnesota environs. A coveted collectable since the psychedelic record collecting disaster whirl first started over 30 years ago, Trip Thru Hell (1968) is rightly regarded as the epitome of local psych-cum-garage rising above its humble roots into something truly monolithic. Evolving from the local circuit into a hellish beast of keyboards, lysergic lyrics, trippy guitars and even sub…
Rising out of the smoky Parisian Mai 68 shrapnel and claiming his stake as the first French vampire movie director, the inimitable father of European horrortica, Jean Rollin (1938-2010) has smudged the painted face of surrealist cinema for over five decades. Dragging his roots from beneath the Letterist/Situationist movements, avant-garde theater, and Belgian fine art groups and entwining them around the minds of sexual revolutionaries, the European comic book cognoscenti and the Parisian free j…
Single-sided "aquatic clear" 7". Includes a copy of the original press release as well as a press cutting from the time. Limited edition of 500 for Uk. As the first and only label dedicated to liberating the private, non-commercial artifacts from Suzanne Ciani's groundbreaking Ciani Musica studio vault, Finders Keepers Records presents the first release of an incredible cryogenically suspended slice of precious, precocious, immersive fledgling synthesis. Ironically well removed from the intentio…
"Choreosonics" was what Alwin Nikolais called his musical accompaniments to his choreography -- a unique theater exposition that modern dance scholar Isa Partsch-Bergsohn
describes as "a whole new theater of motion, light and sound." In 1953,
Nikolais began drawing audiences to his dance concerts at the Henry
Street Playhouse in New York City, in which dancers became sources for
sculptural shapes; by moving through changing atmospheres of light and
sound, their relationships to the stage el…
Pioneering electroacoustic and tape music by Henk Badings assisted by Dick Raaijmakers (Kid Baltan) from the Hanover Opera Ballet production of Evolutions choreographed by Yvonne Georgi. Premiering in Hannover in 1958 then in Rome and Vienna in the following year the ballet Evolutions (Evolutionen) by Yvonne Georgi was the second of three groundbreaking collaborations with Henk Badings (bookended by Cain and Able aka Elektronisches Ballet in 1957 and Die Frau Von Andros in 1960) in which electro…
Brainnectar is Rudolf Eb.er's most developed program to date, combining psychodynamic audio-environments built from specific nature-sounds and extreme acoustics, often including ecstatic elements on instruments of shamanic origin. Binaural beats as well as isochronic tones stimulate a direct neural reaction to this unique and unheard audio-art. In addition, the grand lady of japanese extreme music - screamvocalist Junko Hiroshige (Hijokaidan) - participates on several tracks throughout this doub…
The ever-enigmatic Akira Rabelais returns! The Little Glass breaks down clearly over two discs; the first containing four plaintive solo piano parts by Harold Budd and Rabelais, followed by a 2nd disc presenting Rabelais’ hour long, inharmonic, electronic transformation of the preceding material. Rabelais has collaborated with Budd before, he provided his own incredible side-long second CD to Budd’s majestic Avalon Sutra album, and while the piano pieces that make up the first CD here are bloody…
Edition of 250. Melbourne-based artist Arek Gulbenkoglu presents A Gift Like A Hollow Vessel, his second full-length album for Penultimate Press. Following on from the 2017 release Three Days Afterwards (PP 029LP), A Gift Like A Hollow Vessel sees a sharper scalpel at play, resulting in a more nuanced release which unfolds a curious journey of suburban psychedelia. Material source from voice and body sounds, recording of non-musical processes, actions and events, breath, tapes of animal sounds s…
Edition of 250. Debut recording from two troubadours of oppositional creep, MP Hopkins and Mark Harwood. Inspired by Philip K. Dick and the useless machines that haunt us all, Disfigured With Abbreviations is a roundtable exquisite corpse which crawls through a miraculous environment, at once sensual and sinister. How is it that the perpetual promise of a future lands us in a deeper quagmire? How do two gentlemen with scruffy vocabularies fall into a sonic landscape of such haunted beauty? Follo…
Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint a…
Two short sides of sound collage from Tokyo's masterful sample artist Otomo Yoshihide. These pieces are made up of short sound samples of almost any instrument imaginable: saxophone blasts, cello strokes, short metallic chord bursts, single plucks of the guitar as well as the noises made by hand movements all set to a metronomic sampled drumbeat. Quite interesting, but not a fully realized work. If Otomo chooses to continue this process, it could potentially have wonderful results.
Two new tracks from UUUU, featuring members of Coil, Wire, and Tomaga. The motorik music hinted at on UUUU (EMEGO 239LP, 2017) is given space to unfold here. "Electric Blanket" chugs along with perpetual percussion, blankets of feedback and state-of-the-art electronics all embedded with a spectral melody that moves into more mystical ambient planes. "Nice Setting" places a strange short spoken narrative at the center of a shifting sonic landscape of skittering electronic debris and a deep shifti…
Another newly reissued album included infamous and influential NWW list. An angular & brilliant mix of free jazz & post-punk funk, this seminal 1979 album is the quintessential No Wave release & the spark for much of what has come out of the Downtown New York music scene. Although James Chances Contortions had already appeared on Brian Enos legendary No New York compilation in 1978, Buy was the groups first full-length LP. An angular and brilliant mix of free jazz and post-punk funk, this semina…
**Last copies. Newly remastered from the original tapes for optimal sound. Limited edition of 500 copies** Another incredible treasure from the vaults of Cologne radio, recorded in February 22/23rd, 1975. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives. Mantric and evocative, we could go on and on listening to the very same track all day long, it cou…
Mule Musiq present a reissue of Fumio Itabashi's Watarase, originally released in 1982. French-born English DJ, record label, owner, and music collector Gilles Peterson once called Watarase the best jazz record from Japan. Tokyo based Mule Music unearth Watabase, the second solo piano album of the Japanese jazz pianist Fumio Itabashi, remastered from the original recordings. While diving deep into the seven compositions on Watarese, any sensible listener finds out, that the instrumental piano pi…