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John Cage (1912-1992) was an American composer, philosopher, poet, music theorist, artist, printmaker and amateur mycologist. He is arguably the most influential composer of the mid-twentieth century. He dedicated himself to the search for new horizons in musical composition. His method of composition: an amalgam of chance operations, latitude in performace, the use of electronic sound and the inclusion of ambient noise. His aim: to increase the territory of his art and to celebrate the richness…

2026 stock Sacred Intent gathers conversations between artist Genesis Breyer P-Orridge (1950-2020) and longtime friend and collaborator, the Swedish author Carl Abrahamsson. From the first 1986 fanzine interview about current projects, over philosophical insights, magical workings, international travels, art theory and gender revolutions, to 2019’s thoughts on life and death in the the shadow of battling leukaemia, Sacred Intent is a unique journey in which the art of conversation blooms. With (…

In 20 Jazz Funk Greats Drew Daniel (of the experimental band Matmos) creates-through both his own insights and exclusive interviews with the band-an exploded view of the album's multiple agendas: a series of close readings of each song, shot through with a sequence of thematic entries on key concepts, strategies, and contexts (noise, leisure, process, the abject, information, and repetition). This is a smart and unusual book about a pioneering band.

*200 copies limited release* Roy Rutanen’s self-titled album has remained a best-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971. What could have been the solid foundation for a promising career in the music industry was abandoned due to the lack of label support, subsequently surviving as a one-off museum piece, accessible to a select few who can afford the price commanded for original copies. This is the time for Roy’s music to shine through with …

*300 copies limited release* Cheval Fou was one of the most important, prolific and authentic psychedelic outfits that thrived on the margins of the French underground during the first half of the 70s. A precursor to the by now more well-known and equally outstanding space-rock formation NYL, Cheval Fou’s salvaged recordings are a testament to the purest made-in-Europe free-form, freak-out psychedelia. Just picture an amalgamation between Group 1850’s Agemo and Amon Duul’s Phallus Dei, with Dash…

*100 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…

We continue our deep-dive into US Prog Classics with Lift’s one-time wonder Caverns Of Your Brain. Previously released on vinyl as a bootleg, this 1977 4-track sonic labyrinth is packed with the quintessential ingredients of an instant classic. A never-come-down, fast-paced haven of complexity, with abundant mellotron/moog doses and inventive rhythmic shifts that evoke a eureka moment on every corner. This is the first official vinyl edition, featuring new and band approved cover artworks, bonus…

*Limited edition of 300* Equilibrio Vital spawned 2 remarkable albums of equal gravitas that are on top of prog collectors’ lists. Kazmor El Prisionero is a concept album that not only appeals to prog and psychedelia aficionados, but will also surprise fans of prog and folk metal. Although this is a concept album, each track is marked by its own character, with at least three dominant sub-genres harmoniously co-inhabiting its grooves, namely, hard-rock, progressive, and psychedelia. In fact, as …

*Limited edition of 300* Estructura is one of the first prog outfits that formed in Venezuela, with a pure symphonic pedigree. Both of their albums feature stellar musicianship, an explosive co-existence of neo-classical with hard-prog, punctuated by celestial keyboards and interspersed with ethereal vocals, a hyperreal space where moog twists anchor mood swings and provide syntactic orientation to a passionate trajectory in constant flux. At the same time contemplative and dynamic, slippery and…

*200 copies limited edition* You are probably familiar with the pop-psych Nirvana from the 70s and almost certainly with the renowned outfit of the same name from the 90s Seattle grunge scene. However, somewhere in between the above emerged in Buenos Aires a combo of classically trained musicians with a passion for leaving their own mark in the then burgeoning prog/psych/folk scene. Despite their short life span between 1976-1978, El Nirvana quickly rose to an acclaimed band among their more wel…

*150 copies limited edition* Agnus formed in 1973 in Santa Fe, Argentina, but it wasn’t until 1980 that they managed to release their sole magnus opus Pinturas Y Expresiones, the most expensive (3k) prog album that was ever released in Argentina.  This is a unique blend of symphonic prog with 2 faces, equally split between the 2 sides, one with a folky edge, punctuated by aethereal pastoral vocals in an intimate dialogue with flute and violin, and another packed with wandering psychedelic guitar…

*200 copies limited edition* In continuation of PQR’s incessant quest for those one-off gems of U.S. Prog, we bring you the first ever reissue of a classic among prog collectors and enthusiasts at large, the sole album by Eearthrise. In fact, this edition is 2 albums in 1, as, over and above the 4 main tracks, it features 5 previously unreleased ones, spanning key member Bill Drobile’s different compositional phases, from fuzzed out psychedelia to prog. Emerging from New Jersey’s fertile musical…

Formed in Bristol in 1974, Skywhale blended prog-rock and jazz rock with melodic, energetic instrumentals. Their 1977 album, The World At Mind’s End, showcases virtuoso musicianship and Canterbury influences.

*200 copies limited edition* After the sold-out reissues of San Michael’s and Gandalf’s albums, we plunge once more into Sweden’s labyrinthine musical vaults, to bring you Midsommar’s highly collectable debut, Belsebub är lös. Originally released in 1970, this is a psychedelic hard-rocker, occasionally amalgamating with proto-prog and folk. The self-titled opening track sets the stage for what is bound to follow. As we journey through the album’s stomping textures, we discover tunes such as Dröm…

Elemental Music proudly presents the reissue of The Wonderful World of Antonio Carlos Jobim, a timeless recording that celebrates the artistry and influence of one of Brazil’s greatest musical icons. Originally released in 1965, this classic album showcases Jobim’s unique ability to merge the sophistication of orchestral arrangements with the delicate sensuality of bossa nova, a genre he helped define and bring to international acclaim.   Produced at the height of the global bossa nova wave, The…

**LP 180gr Vinyl, Gatefold** The Deviants, headed and fronted by legendary counter-culture figure Mike Farren, were the British answer to American groups like Stooges and MC5. Coming out in 1968 a year after their debut album “Ptoof”, “Disposable” with its chaotic music is the band’s vehicle for a Total Assault On The Culture.  The album includes “Pappa-Oo-Mao-Mao”, The Deviant’s indisputable Manifesto!

Hidden in a remote, forgotten corner of German library music, Peter Patzer stands as a unique figure in the landscape of 1980s functional music production. A self-taught artist and musician, Patzer founded his own personal label, Crea Music, operating in complete autonomy from his base in Bremen, northern Germany. Between 1983 and 1989 he produced eight white vinyl LPs, all featuring the same austere tricolor sleeve - red, white and blue - with title and catalog number typewritten. A minimalist …

We are excited to announce the first reissue of Tony Scott's iconic “Manteca” album originally released in 1973. This 180-gram vinyl audiophile edition captures the essence of a true master of contaminated jazz, allowing listeners to experience Tony Scott's vibrant artistry like never before. Originally described in the album’s liner notes by Sam Charters, "Manteca" embodies the spirit of the jazz musician’s journey—a testament to durability, warmth, and exuberance. Charters notes, “You have to …

Limited Edition 300 Copies in White viny.  Formed in 2016, Others is the project of two artists longing for something more experimental in their musical work. Lesli Wood (Cobra Family Picnic) and Daniel Martin Diaz (Trees Speak, Amelia Poe) began these recordings in Wood’s warehouse studio, inviting one guest musician to sit in for each live session. Abstract violinist Vicki Brown, known for her "psychosonic visualizations," is featured throughout the record, along with guest artists Ben Nisbett…

Combining fragile and beautifully melodic acid folk with perfectly-rendered electronic effects, this remarkable album consists of what its creator describes as ‘visual music’. First released in 1970, it has gone on to become one of the most legendary and well-loved recordings of its time. It’s presented here with the full collaboration of its enigmatic creator.

Sull’Accordo Mimetico (On the Mimetic Chord) dates back to the end of the 80’s. It was commissioned by the artistic director of the ParcoScenico Festival, held in Treviso, Italy. Since the area where artists and the public gathered after the Festival was located to a very busy street, Marco asked me for a sound installation that could work as some sort of a defensive barrier for the street noise. I suggested that my work, rather than hiding the noise, should aim to harmonize the disturbances com…

300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …

*Includes 3 previously unreleased tracks* Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus, a pseudonym of Carlo Rustichelli's esteemed son: Paolo Rustichelli. The music ended up in several of her films as well as being performed in her hot live shows. Discographically at the time only a few tracks were released on 7" and 12" singles that ar…

Reissue of the Japanese group Air featuring percussionist Yuji Imamura. Seems like half split between moderate Jazz Rock with monster improvised parts and outlandish Avant Jazz with strong percussion minimalism and tribal rhythms, the instrumental arsenal is huge and promising (various strings, winds, keyboards, electronic equipements). Two side long instrumental tracks, the material is mostly based on individual soloing depending on each musician.

*2022 stock* Recorded in 1973, “Morning Flight” by trombonist Hiroshi Fukumura is a stunning modal and spiritual jazz album! Genius work from Japanese trombonist Hiroshi Fukumura – working here at the helm of a twin-trombone group that also features the talents of Shigeharu Mukai – in a style that's filled with soul and free-thinking imagination! The two players work together beautifully here – avoiding any of the cliches of trombone-heavy groups from the past – and instead, using the open-ended…

*2022 stock* "A beautifully spare session from the mid 70s – one that features bass and cello from Isao Suzuki – stretching out here in a sound that's totally unique! The trio's a great one – with Donald Bailey on drums and Tsuyoshi Yamamoto on both acoustic piano and Fender Rhodes – the latter of which sounds amazing next to Suzuki mellow-stepping lines. If you've heard any of Suzuki's other albums from the period, the style is somewhat similar – quite soulful throughout, but with an easygoing,…

“Spanish Flower” by Tee & Company, an all-star band assembled by producer Takeshi “Tee” Fujii, is an extended (nearly 19 minutes) modal workout very much in the mode of Coltrane or McCoy Tyner‘s 1970s solo work, but the tasteful guitar solo that appears at the 11:30 mark, right after the flute fanfare, is by none other than Masayuki Takayanagi!

Classic Japanese free jazz monster, originally released in 1972. Recorded live at Aoi Studio, Tokyo on 19 May 1972. The late 60s and early 70s was the time that Japanese free jazz began to lift off (see We Now Create LP of Togashi Masahiko with Takayanagi, Motoharu and other heavyweights releasing the 1st free jazz LP in Japan) and blossom into a fierce musical power to be reckoned with. Legendary combos such as Masayuki Takayanagi New Direction were soon responsible to be the originators of thi…

*2022 stock* Few, if any, international audiophile jazz recordings have maintained the kind of deep and profound influence over techniques and even entire label repretoire as Three Blind Mice's Blow Up, Midnight Sugar and Misty. Originally recorded in Tokyo in 1974, this Piano Trio release from TBM features Tsuyoshi Yamamoto on piano, Isoo Fukui on bass and Tetsujiro Obara on drums. The of-the-moment realism of Yoshihiko Kannari's recordings and production aesthetic of producer and label head Ta…

*2022 stock* Amazing 1976 record by drummer George Otsuka, Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: George Ostuka (drums), Shozo Sasaki (tenor and soprano sax), Fumio Karashima (piano, electric piano and synthesizer), Mitsuako Furuno (bass), Norio Ohno (percussion).

Imada's last album for TBM. The lyrical and flowing solo opening "Maki" is a reprise of the title track from his first solo album (JVC), the title track from TBM5003 (2), a reprise of TBM14 with electric piano (3) (2), a reprise of the title track from TBM5003; (3), a reprise of TBM14 with electric piano; and (4), an ethereal synth piece." - Koki Hanawa

*2022 stock* "Hidehiko Matsumoto Quartet – Sleepy released by Three Blind Mice. Album recorded in 1976  and it was DSD mastering from the original analogue master tapes. This record, made in 1976 in a one-horn quartet setting, showcases Matsumoto’s brilliant playing on both tenor saxophone and flute. He is a true master of both instruments and it is a great pleasure to hear him beautifully recorded by the people of Three Blind Mice. A masterpiece, with great sound." - Audiophile Music

*2022 stock* "This is a live recording of "5 Days in Jazz 1976". The album features the seventh release of TBM's "5 Days in Jazz 1976," which concentrates the charm of Tsuyoshi Yamamoto, including his signature tune "Misty," "Summertime," featuring Oyui, and "Cookin' the Blues", which shows off his signature blues feeling to the fullest." - Koki Hanawa

*2022 stock* "Mindblowing sounds from Japanese bassist Isoo Fukui – one of a handful of 70s players on that scene who really helped reinvent the sound of his instrument in jazz! Isoo really drives the group here up from the bottom – by playing both bass and cello with these well-inflected notes that are heavy on soul and rhythm, and which often enforce a modal sensibility that's carried out perfectly by the vibes of Kazuhiro Matsuishi and piano of Hideo Ichikawa! A few numbers feature guitar fro…

"This is a live recording of "Shuko Mizuno's World Evening" on the fourth day of "5 Days In Jazz 1976", which made the genius Shuko Mizuno known to the world. The massive, fast-paced jazz-rock piece "Concentration" and "Jazz Orchestra '75 Part II" are breathtaking performances. Katsumi Watanabe's superb solo is also noteworthy!" - Koki Hanawa

"Five of Japan's most famous arrangers (Miki, Yamaya, Takahashi, Ueda, Maeda) have come together to create a rare big band work. Highlights include the title track with its electric sound arranged by Miki and the dynamic "Giant Steps" arranged by Maeda. "Koki Hanawa

*2022 stock* Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz album, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973.

Follow-up to Atsusaku (2016) by Gareth Davis (bass clarinet) and Merzbow. The earlier theme of mechanical compression is here extended into a meditation on the fears of mechanisation in the natural environment: North Sea wind farms, Southern Californian industry, the survival of animals in overrun habitats. Three tracks of impenetrable manipulated field recordings against saturated bass clarinet midrange and Merzbow's analogue/digital crossfire, with brief recognisable voices flashing through.

Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.

States grew from a live-electronics setup developed by Tijs Ham (Tapage) in 2016: analogue feedback routed through digital manipulation to form a self-balancing, self-generating chaotic system, capable of producing its own deep melodic and textured material once the performer steps back. The 2017 sessions at Steim with bass clarinetist Gareth Davis insert a reed voice into this recursive system, opening it to spacious interplay between acoustic gesture and the autonomy of the patch.