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The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box set, and the audio quality is quite good and the performances are outstanding. On these tracks, the group locks into one long, propulsive groove after another, blending minimalism with improvisation. Whereas "Spoon" and "Paperhouse" diverge quite a bi…
Since they first emerged on FMP in 1971, a series of recordings - often referred to as the Berlin Trilogy, have represented an axis point in the history of Jazz. Made earlier the same year by Peter Brötzmann, Fred Van Hove, Han Bennink, and Albert Mangelsdorff - Elements, Couscouss de la Mauresque, and The End quickly became legendary for their towering artistry and worth, but their larger contextual concern - with how they came to be, was an answer to a quite multilayered war being waged in th…
** Killer. Released in 1977 on Horo Records, first time available again after 40 years** New York-born alto saxophonist Steve Lacy became associated with the avant-garde jazz movement from the mid-1950s, playing on free jazz pianist Cecil Taylor’s influential debut LP and early work by the Canadian pianist Gil Evans, before serving a long tenure with the idiosyncratic improv pianist Theolonius Monk, whose work he would continue to reference throughout his career. Visiting Europe from the md-1960…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
** In process of restock** Recorded between 1979 - 1981 on a Mechlabor STM-610 reel-to-reel analog recorder at Gusztáv’s home in Budapest. Occult synthwave dressed with ritual, avant-garde/psych elements, merged in an absolute mystical masterpiece! For the first time after 36 years Mutant Embryo Records is proud to announce the official release of Gusztáv Fekete cryptic material. Recorded on reel tapes between 1979-1981 with true analogue sound, this album constitutes the Holy Grail of late 70's…
**Small repress available, with new cover** Reissue with unreleased tracks from the only one tour of this super group assembled in 1975 by Franco Battiato, Lino Capra Vaccina, Juri Camisasca, Mino Di Martino, Roberto Mazza, Terra Di Benedetto. Presenting a remarkable range of his country’s visionary musical minds. The album encounters Battiato at the height of his powers and in the midst of crucial juncture in his career - the transition between his early experimental rock efforts from the firs…
Edition of 25 copies, 14 CDs, book-bound, with 14 original collages by Hartmut Geerken (on each of the 14 CD sleeves). Archive edition of Geerkens' talk pieces in a period of twenty years with Klaus Ramm, Pierre Garnier, Robert Lax, Jochen Gerz, Herbert Achternbusch, Grace Yoon, Sainkho Namtchylak, Jörg Drews, and others. Hartmut Geerken is a German musician, composer, writer, journalist, playwright and filmmaker. Geerken studied orientalism, philosophy, German studies and comparative religion i…
"Usually, only particular circumstances trigger our awareness of the sounds that surround us. To most of us sound functions as a backdrop for visual experience. Sound artists on the other hand shift our attention to the immense possibilities for acoustic variety. The Museum of Contemporary Art celebrates a special occasion, focusing on sound. In April we will present works by the graduating students from the Nordic Sound Art programme a cross-nordic collaboration between several art academies in…
As Stupid As A Fish is an album/art book documenting Sean McCann's performance, recorded at the Berkeley Art Museum in the Spring of 2019. 166 color pages, 8.5″ x 10″ perfect bound, scented with “Stupid Fish” perfume. Comes with 30-minute cassette of music made for the book. Limited edition of 50 copies, signed and numbered. A monograph made in the Winter of 2018, with a microscopic camera, paints, pens, and ultra-marine powder. Texts are hung throughout the book; revering dreams of night, sea…
Deluxe edition on sirio black 140gr, silver and black printing, 166 pages. Throughout the heady years of Italy’s 1970s and ’80s avant-garde and jazz music scenes, Roberto Masotti was on hand to observe and photograph some of the most significant bands, musicians and concerts of the twentieth century. Serving as staff photographer for Gong magazine, as well as Ecm and Cramps labels since 1973, Masotti photographed such musicians as John Cage, Morton Feldman, Sun Ra, Arvo Pärt, Julius Eastman, Ar…
Poems of resistance against death and the dead squares. After years of collecting and reading the stuff, Byron Coley started writing poetry in 1998 as a reaction to the death vortex seemingly surrounding everything in his life at the time. From that moment on, he wrote lots of poems, mainly published in chapbooks, broadsides, and underground magazines: all almost impossible to find. Defense Against Squares is the first major collection of Byron Coley's poetry to be published. It features odes…
The 50th release by the aufabwegen label is also part of the edition elektronik of the Deutscher Musikrat. The extensive double CD compilation comes with a detailed booklet. The release links up the history of the aufabwegen label with a personal take on the evolution of noise music in Germany. It traces the developments from the early cathartic powers of pure noise via bruitistic sound researches up to the formation of an aesthetic of noises themselves; a self conscious sound culture. This move…
Heretics is a series of portraits of radical heretical figures found throughout the history of schismatic thinking.Heretics like Caravaggio, William Burroughs, Jose Mujica, Marquis de Sade and Johnny Rotten, fascinated the artists. These influential figures are presented here in the form of poetic texts and catchy melodies combined with experimental noise.With the addition of ex-Sonic Youth guitarist, singer and songwriter Thurston Moore, Anne-James Chaton and Andy Moor’s more than a decade long…
**1000 copies** Blast First Petite's PsychoPomp for M.T.V., a 260-page, full-color, hardback book - a PsychoPomp is a "guide of souls", whose purpose is to escort deceased souls from Earth to the afterlife. Includes a broad range of artistic contributions (text, photographic and visual remembrances) from Mika Vainio's artist friends and collaborators, an updated and exhaustive Mika discography, Jennifer Lucy Allen's unedited transcript for her "Invisible Jukebox" with Vainio in The Wire (2013) -…
300 pages, A4, black and white and colour. A fake book is a collection of musical lead sheets usually containing melody line, basic chords and words where appropriate - the minimal information in other words required to fake an impromptu arrangement of a song. This is Alvin Curran’s, offering a lifetime’s work and experience in the form of useful fragments, instructions, graphic scores and compositions of a bewilderingly wide variety. The alvin curran fakebook is an atypical autobiography i…
Alberto Savinio - The Island Man presents the proceedings of the homage organized by NoMus at Milan’s Museo del Novecento from January 17 to May 15, 2017. The event (consisting of an exhibition, seminars, concerts, listening and film sessions) was dedicated to Alberto Savinio (brother of the famous painter Giorgio de Chirico), one of the most original and versatile talents of the Twentieth Century: writer, artist, playwriter, musician, set designer, yet also author of radioplays, sketches for th…