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La Morte accarezza a Mezzanotte
180 gram audiophile vinyl LP; Gatefold sleeve + movie poster. The first release of Spettro, a new Italian label devoted to soundtracks and libraries. A giallo film from 1972 directed by Luciano Ercoli, the movie deals with a taboo film like drugs and the LSD hallucinations of the female actress are perfectly underlined by Ferrio sublime cinematic score. Lots of spare spacey arrangements, with doomy keyboards, muffled horn riffs, and even some cool electronic harpsichord, the soundtrack offers a …
Tony Arzenta
First 200 on Amber Vinyl. 180 gram audiophile vinyl LP; Gatefold sleeve + movie poster. Just like the first one, also this thirs Spettro reissue is dedicated to the work of the great Gianni Ferrio, well known Italian master, who scored more than fifty original soundtracks other than composing countless of popular songs for star singer Mina. Tony Arzenta (Big Guns) is a 1973 Duccio Tessari giallo film, starring famous French icon Alain Delon and got a good commercial success in the 70s. Alain Del…
Ecologia Del Delitto
**ltd 400 on black vinyl** One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love in Ciprani's best work, and which made him a key force for transforming the Italian bossa and jazz soundtrack style of the 60s into something completely new for the 70s! There's a …
Free Jazz
Originally pressed in 1972 in Italy by Le Monde (a label which has in its catalog only 6 titles released in few copies for Radio and TV) is an insanely rare Library Music masterpiece. Absolute the hottest, weirdest, psych-jazz album of the era. Maria Teresa Luciani is the sister of Maestro Riccardo A. Luciani. The only known members of the session is the great Gino Marinacci on flute, here on his most obscure recording session, and Riccardo A. Luciani on all piano, fender rhodes and treated keyb…
Volume Two
2016 restock. Soft Machine's legendary second album, originally released in 1969, bridging the gap between avant-rock, psych, jazz and stream-of-consciousness weirdo absurdism. "The Soft Machine plays music for the mind. In its strictest sense, it may impose some cerebral responsibility on the listener, because you can't really hum along or have the tune pass through head as you walk in the streets. But the ultimate good feeling that the Machine generates will always remain with you, and …
Plutonian Nights / Reflects Motion (Part 1)
"Plutonian Nights," the opening jam from the 1959 Afrofuturist classic album Nubians of Plutonia, is Sun Ra's quintessential, astro-majestic party joint. Among the top grooves in his immense catalog, Ra reveals his love for R&B is inseparable from his embrace of Jazz. (He once told bassist Richard Evans, "We don't play Jazz, we play Dazz.") Pat Patrick's bari sax morphs into a Fender bass, while the swinging flow of John Gilmore & Co. gives new meaning to the notion of 'Blowing' (Out From Chica…
Saturn / Mystery Mr. Ra
Sun Ra's angular yet strident and soulful "Saturn,” recorded in 1958, displays bluesy cubist bop in perfect alter-dimensional extension of Fletcher Henderson. It's also a showcase for John Gilmore's sax acrobatics and supersonic swing. Gilmore dove deep into the Ra Omniverse; "got the concept" - as Coltrane described the tenor giant - hooked by this composition, and never left. Dual baritones of Pat Patrick and Charles Davis (who continues in the front line of the living, glowing Arkestra of 201…
El Is A Sound Of Joy
Shining sounds from the dawn of the Sun Ra Arkestra. "El is A Sound of Joy" was recorded in 1956 and appeared the following year on the very first Saturn LP, Super-Sonic Jazz. Incredible is the fact that saxophonist Charles Davis, here providing the soulful baritone anchor line (counterpoint to Ra's formidable left hand), remains in the front-line of today's Sun Ra Arkestra directed by Marshall Allen. Shuffle swing breakdown jets leisurely, casually, masterfully, painting lush, post-modern impre…
It Comes To You In A Plain Brown Wrapper
One of the most exciting aspects of reintroducing so much rare and incredible music to the world is being able to finally make available material that’s been in label-vault limbo since the day it was recorded, vital sounds locked away from the deserving ears of the legions of devoted music fans we at Sundazed count ourselves among. But when we’re able to present previously shelved material by one of the most visionary and influential artists of all time, in exceptional fidelity…
Safe As Milk
Captain Beefheart’s 1967 debut album Safe As Milk introduced the world to a one-of-a-kind visionary whose unique output had no precedent in contemporary music. Beefheart, aka Don Van Vliet, filtered the raw influence of the blues and R&B through his own singular musical sensibility and left-field lyrical wordplay, and surrounded himself with some of the most talented and inventive young musicians around. The result was an album that, even in the heady year in which it was released, sounded…
Keyboard Fantasies
Re-release of Beverly Glenn-Copeland’s rural Canadian new age suite for DX7 and TR707 …keyboard fantasies… with new carefully reconstructed glasswork design by Alan Briand, originally released in 1986. Beverly Glenn-Copeland is already known amongst collectors and music heads for two sought-after albums of folky jazz in the key of Joni. But it was this album, originally self-released on cassette in 1986 that really caught our attention. The album, entirely recorded on DX-7 and TR-707, lies…
The Raga Cycle, Palace Theatre, Paris 1972 Vol. 2
**last copies** The raga cycle given by Pandit Pran Nath at the Palace Theater in Paris 1972 was the first time a Master Indian Classical Vocalist had presented three consecutive days of ragas sung at the appropriate times of day, giving the Western audience insight into the characteristics that inform the moods and atmospheres of evening, afternoon, and morning ragas. The recording here is from the Saturday, May 27, 1972 afternoon concert and features Raagini Bheempalasi and Raag Puriya D…
1979
Thomas Leer is an innovative electronic musician from Port Glasgow, Scotland. He began singing for a local band at age 13, and was writing his own music by 18. By 1977, he had moved to London, where he fronted Pressure, a Clash-esque punk group with fellow experimental Scottish musician Robert Rental. After hearing Kraftwerk, Leer became interested in synthesizers – not long after, he was exploring the experimental techniques of Brian Eno, Zappa, Beefheart, Faust, and Can. In 1978, Thomas…
Whispered history of art (1963)
One of the most innovative artists of the second half of the 20th century is given his legendary 1963 Whispered History of Art - at once a poem, installation, performance piece and recording. Filliou’s work challenged the role of art in everyday life through conceptual strategies and innovative techniques, based on performance, chance, wit and play. The process-based approach of Robert Filliou, united with his pursuit for an anti-individualistic art that could happen at any time and place, …
Altena 1969
"Still with their black singer James Rhodes. A concert from spring 1970 in the lovely town of Altena. The cover shows sax player Tim Belbe in Charles Manson style. Good quality."
Ame Debout
First-time vinyl reissue of two extraordinary documents from Catherine Ribeiro + Alpes. Born from the tumult of the '68 riots in France, Ribeiro + Alpes defined a uniquely Gallic take on the progressive psychedelia of the time. This is ecstatic music fusing European medieval traditions with the contemporary free jazz of the era. Ribeiro, with her confrontational and surrealistic poetry, along with Patrice Moullet's invented instruments, defined a genre unto themselves and created some of the mos…
Interdimensional Folklore Vol. I
All the artists taking part in this collection come from the italian land and entered the label network thanks to the mind-altering Communion happenings in the freed spaces of Macao, Milan. In this happenings lot of ideas where shown and some new others came to life, both in musical production and life organization processes. A new kind of way of looking at the world seemed to emerge in this gatherings, we can say that it is based on a renewed version of what we usually call "psychedelia". “Psyc…
Polygraph Heartbeat
Next to being one of the core members of the acoustic deep listening ensemble Razen, Ameel Brecht is a trained guitar player who has a life-long involvement with the instrument’s repertoire under his belt. On his debut album “Polygraph Heartbeat”, he puts his guitar-heart on the line by means of 9 compositions for steel resonator and resonator mandolin. The album is a reflection of polyphonic music as seen through a multi-coloured and highly personal lens, as Ameel’s guitar idiom crossbreeds a c…
Live 1980
**ltd/numbered 1/50, with paste-on cover** Three long tracks, amazing/perfect duo (they'd have played a lot together, real tight/know each other real well); both musicians are still very very underrated ?! fantastic solos by Mr. Reid. Recorded at the New England Repertory Theatre; Feb. 25 1980
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One of the unsung baritonists in jazz, Charles Tyler had a huge tone on his instrument and played with a great deal of fire, usually in fairly free settings. After studying piano growing up in Indianapol…
Uuuu
UUUU is a new outfit featuring Edvard Graham Lewis, Thighpaulsandra, Matthew Simms, and Valentina Magaletti. Individually these humans have implanted feathers in caps such as Coil, Dome, Wire, Tomaga, etc. Collectively they form UUUU, a powerhouse construction of fierce and free sonic exploration, as liberating as it is frightening, resulting in a richly rewarding sound. The artists united present a project of exquisite curiosity and confident chaos where the individual thumbprints mesh int…