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New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…

2 CD edition of Nicolas Collins 1986 warped electronic work, with bonus material from a 1987 cassette-only release, plus a video and PC & Mac software to create your own Devil Music!  "Devil's Music" and more! We presents the vinyl and CD reissue of Nicolas Collins' live radio sampling masterpiece, originally released on vinyl in 1986, served up in all its stuttering glory, a time capsule of the mid-80s New York City airwaves, acclaimed by Philip Sherburne as "an …

30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.

Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These  experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.

Beautiful debut full-length album for Jennifer Veillerobe, a french-german musician, co-curator of senufo editions and one half of ‘eselsohr ’. The CD is centered around a minimal sequence of sonic events, alternating between modular synthesizer patterns / textures and simple acoustic gestures captured with a portable digital recorder. realised without any processing or overdubbing; the cd is an attempt to define a narrative using nothing but sharp edits and careful sequencing of non-homogeneous…

Trapped on an ocean of disparate languages, sound gravitates towards meaning, escaping the obsolescence of mother tongues by denying the slow decay of time. In the biblical tale of the Tower of Babel, God punishes the tower builders by scattering them across the earth, unintelligible to each other. As they departed their blissful prison of same-think, they became drunk with new songs, washing down their newfound 'auditory cheesecake' with sectarian babble. In as much as their speech had be…

Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…

estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…

Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …

Very rare, original and now long deleted 10"  by Canadian artist Rodney Graham, a conceptual artist and long time Bruce Nauman associate that  subverts distinctions of format and genre, and the result is an entertaining and intelligent artist's ''book.'' "Getting it Together in the Country" consists of an LP and an extensive text insert. The LP contains recordings of Graham improvising on the guitar to the legendarily surrealistic mass love scene Michelangelo Antonioni's film "Zabriskie Poi…

beautiful catalogue + cd edition, the cd contains a field recording of the installation ear(th), which was a collaboration with two scientists from cal tech - Ann Polsenberg-Thomas, and Mark Simons. The installation consisted of an 8' x 16' x 24' wooden structure with 80 robots on the roof that would strike glockenspiel bars based on data translating an image of an earthquake. It was comissioned by the Williamson Gallery at Art center college of design for The tender land festival. The CD was d…

Original copy of this awesome double album by visionary futurist composer Alberto Savinio, issued in 1978 by Multhipla label. A very rare item, original and in new codition, for those into avant garde artists editions, fluxus related, broken music ecc.

Awesome and obscure release, the music on this disc is a collection of awesome noisy sound works establishing Tinguely in the tradition of Luigi Russolo’s noise machines or John Cage’s Imaginary Landscapes. Tinguely’s sculptures rotating parts create awkward rhythm patterns, metallic rattlings and loud percussion sounds, more often than not on the verge of falling apart. Similar sounds can be heard in Jean-Marc Vivenza’s robust take on ‘bruitisme’ or Pierre Bastien’s self-build mecano instrument…

Majestic triple-disc and book from mssr. heidsieck containing a 3+ hour piece from 1978 - the third and final installment in the regular-sized book/cd trilogy of heidsieck’s 70s work (along with “le carrefour” and “canal street.”) again: essential listening for the student of outsider yalp...

this 7" was created for the exhibition "invisible other" at the new american art union in portland oregon. in the original installation the 7" sat on a turntable that could be activated by viewers. here are some notes that accompanied the work... the sound was created by editing out all of the speaking out of the soundtrack LP of robert bresson's film "proces de jeanne d'arc".    

Second regular-size book/disc set in this reissue campaign of heidsieck’s seminal self-released sound-poetry work from the 70s. this edition covers the “passe-partout” series (“nº 10 à 21”) written & executed between january and december 1972...

Sound poetry and other text sound experiments from Sweden from the 60's.Lars-Gunnar Bodin, Ilmar Laaban, Sten Hanson, Ake Hodell, Bengt Emil Johnson.

ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …

ONJT+ (Otomo Yoshihide’s New Jazz Trio +) plays Ornette Coleman’s “Lonely Woman” and Albert Ayler’s “Bells.” ONJT means Otomo Yoshide’s New Jazz Trio; Otomo Yoshihide (guitar), Mizutani Hiroaki (bass, misc.), Yoshigaki Yasuhiro (drums, percussion), and “+” means guests for those 2 CDs: Sachiko M (sinewaves) and Jim O’Rourke (EMS synthesizer). Otomo continues his “New Jazz” project from ONJQ (Quintet) via ONJE (Ensemble) to ONJO (Orchestra), and now he organizes ONJT + (Trio +) as his core …

"Un biglietto del tram" is an historical album, featuring some of the most important, militant, political and proletarian fighting songs of the Seventies. Stormy Six sound is acoustic here, but it does not copy the anglo-american folk style; in fact it shows a very personal and original approach and a mediterrean influence. This CD is a milestone of the italian Seventies music scene!Available in the usual BTF deluxe papersleeve CD series with gatefold cover and detailed booklet with vintage phot…

LAST COPIES remastered from the original dat master-tapes by tommi keränen under the supervision of t.mikawa. 40 page colour booklet with extensive liner-notes by fumio kosakai, t.mikawa, otomo yoshihide and jim sauter. each disc packaged in an individual wallet cover with original cassette artwork. booklet and discs housed in a solid box. limited editon of 500 copies"i love incapacitants more than anything. my love for them is reaffirmed as i listen again to their many cassette releases. they’r…

One of their miraculous duo result is their first CD "Territory" (dmf-112, 2006). This work, "DOTS" is even more overpowering, speed, ramified rhythm, edits, and so on. First, they recorded their improvised music in studio, then they overdubbed various sounds, edited the materials and mixed different effects into the tunes. This is the music for the prog rock, math rock, post rock fans. Dense and Fiery !

7" w/7 differents covers: 2 songs, 11 minutes, released January 2001

This series is done by small (80mm) CD packed in an envelope-style cardboard. Amazing release

Xabier iriondo and mattia Coletti. Polvere by some means is the avant/kraut folk project of this couple of musicians and beside the experimental/post-psychedelic characteristics of the cd it shows their melodical/acoustic virtues.

One of their best releases so far - "Gruppo ormai storico che si avvicina a un nobile, quanto discreto, ventennale e che ha alle spalle un'assidua militanza tra le fila dell'industrial più sotterraneo, soprattutto in tempi come gli anni '80 in cui certi generi erano relegati a qualcosa di più marginale della semplice nicchia, i Tasaday si richiamano con questo loro ultimo lavoro In attesa, nel labirinto al …

Sachiko M and Otomo Yoshihide. Five concerts (Kyoto, Helsinki, Barcelona, Brussels, Tokyo) recorded 2000-2004.

Dead C. mainstay's multiple personalities mull the merits of the back-to-monodiglycerides movement.

One CD with Astro Twin : Ami Yoshida (voice) and Utah Kawasaki (analog synthesizer). One CD with Cosmos : Sachiko M (sinewaves and contact-mics) and Ami Yoshida (voice).

Magazine (English and JAPANese) with interviewes FROM Kazue Sawai, Yukiko Tanaka, Samm Bennett, Tetuzi Akiyama, Uchihashi Kazuhisa, Masahiko Okura, Sachiko M, Taku Sugimoto, Kazuo Imai, Aki Onda, texts by Tetsu Saitoh, Michel Doneda, Otomo Yoshhide… [•] Double CD with ae, Masahiko Okura, Shuichi Chino, Samm Bennett, Tetuzi Akiyama & Martin NG, Yumiko Tanaka, Han Bennink & Kazuo Imai, Une chance pour l’ombre, Optrum, Naoaki Miyamoto, Sachiko M, Mi Yeon, Park Je Chun, Kang Tae Hwan.

"19 minute EP from Otomo, his first this week. All manner of high pitched or just plain aggravative tones juxtaposed in a not-entirely-un-Mego/Ikeda-like fashion. Rather non-sleep inducing. By a long shot. Good for what ails you though." -- Hrvatski.