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El Camino Real
Hypnotic new electronic ambient recording using another recently discovered loop from the archive. Premiered at Bleeding Edge Festival, Montalvo Arts Center, August 2006.
Scalpel
Aidan Baker has tried his hand in many different areas of music and it’s always amazing to here the outcome, as more often than not the results are excellent. There have been records that dabble more in psych, kraut, ambient, drone, and so on. However here on Scalpel, Baker has combined a familiar ambiance within his body of work with folk music for something that is loosely being dubbed as his “folk/drone” album. I really didn’t know what to make of that at first. I suppose a descri…
Stage
Stage is Steinbrüchel’s second full-length solo release on LINE. The album contains 10 scenes that move between warm organic and melodic digitalised sounds and cold crystalline-like sparks. The sounds and compositions are even more detailed and have a more melodic approach then previous recordings by Steinbrüchel. Single isolated and stretched tones are structured together with smaller loops and particles of clicks and noises into dense atmospheres. Parts of the sounds used in several scenes are…
Phantom Broadcast
Following the records made in collaboration with Francisco López and the instrumental ensemble Zeitkratzer, John Duncan returns to solo work and to exploring further the sound source he's always preferred, shortwave. We know nothing about the actual radio transmission that Duncan picked up on 18 April 2002 in the course of a single recording that gave life to this work. Only shadows remain, taking on the aspect of bells, resonating into infinity, together with reverberations and apparent choruse…
Further Materials
A sequel to the Other Materials compilation (released via Richard Chartier’s own 3Particles label), this album draws together the various compilation tracks released by the artist between the years 2002 and 2005. Many of these pieces take the form of miniatures, meaning they’re both shorter and more condensed than Chartier’s conventional output, the most succinct of these being the two-minute sound sculpture ‘Tracing (Sketch For)’ lifted from Raster Noton’s Frequencies [Hz]. You’ll…
Feral
Daniel Menche has established himself as a musician with a sense of focus and determination uncharacteristic in a genre known for its randomness and chaotic structure.Rather than creating 'noise,' he strives for order and cohesiveness. His presentation of sonic structures is similar to the way a writer depicts a story, an allegory seems to arise, which uses confusion as a symbol for the imaginative process of total sound purity; aural intensity is not a representation of confusion or the chaotic…
Zweifarbige Gesten
Beautiful debut full-length album for Jennifer Veillerobe, a french-german musician, co-curator of senufo editions and one half of ‘eselsohr ’. The CD is centered around a minimal sequence of sonic events, alternating between modular synthesizer patterns / textures and simple acoustic gestures captured with a portable digital recorder. realised without any processing or overdubbing; the cd is an attempt to define a narrative using nothing but sharp edits and careful sequencing of non-homogeneous…
Sonic Messenger
Limited ed. of 400 copies with a bonus album of music packaged in a custom designed full color gatefold case with a mounted 12 page booklet of bonus artwork. What if the Voyager space craft became sentient? Would it destroy humanity? Who is to say it wouldn’t become the most far-out musician of the galaxy? Expo ‘70’s sonic reach seems to extend past even the concept of space/time itself. One Eno Eon past normal, the patter of Expo ‘70’s dark matter squeaks and moans in wave forms, like the Dopp…
Point of Convergence
Trapped on an ocean of disparate languages, sound gravitates towards meaning, escaping the obsolescence of mother tongues by denying the slow decay of time. In the biblical tale of the Tower of Babel, God punishes the tower builders by scattering them across the earth, unintelligible to each other. As they departed their blissful prison of same-think, they became drunk with new songs, washing down their newfound 'auditory cheesecake' with sectarian babble. In as much as their speech had be…
Circulations
Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, he rehearsed these solos with musicians Frédéric Doumas, Rémy Décrouy, Rafaëlle Rinaudo, and Agathe Fourneau (respectively) and recorded them. Then, Macé composed a tape part for each solo, …
CULTURES ÉLECTRONIQUES 18
Bourges 2005 , Concours international de Musiques et d'Art sonore Electroacoustique
L\'Aiguille Du Dru
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
Theology
"The CD "Theology" contains the source recordings used for the LP "The Religious Experience", and is limited to 450 copies. The two albums and their music should be considered as mirror opposites. Where theology is a completely artificial system of belief, a religious experience is the immediate experience of the thing itself. Likewise, the music on "Theology" is complex and elaborate, while "The Religious Experience" is much simpler, going directly to the heart of the material compri…
Translations & articulations
Catalogue of the exhibition "Translations & Articulations" Griffin Contemporary Exhibitions, Los Angeles, CA. published in an edition of 2000 copies. This special edition of 966 copies contain the compact disc of space enclosed by planes or surfaces.
Percussion Ensemble
Jarrod Fowler is a percussionist from Massachusetts, USA. ‘Percussion Ensemble’ is a non-musical rhythmsystemic aggregate ready-made from percussive dialectical composites of “experimental percussion music”. Jarrod Fowler's projects are systemic investigations of musical thought and practice. These experiments question instabilities shared by both music and non-music. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 180 copies.
Archival Series - Musique Concrète Soundtracks To Experimental S
Second in the newer trilogy, featuring a piece each by robert cohen-solal and bernard parmegiani, each the score for a film by piotr kamler.
Elektrofoni: Works For Micro Intervallic Guitar 1965-1978
restocked...AWESOME REISSUE! Elektrofoni is a 3CD / 1DVD box-set which for the first time presents the ground-breaking works by Norwegian experimental composer, guitarist and micro-tonal music pioneer Bjørn Fongaard (1919-1980). The box-set is produced by Lars Mørch Finborud og Lasse Marhaug of Prisma Records. The seeds to the Elektrofoni box-set began when Lasse Marhaug a few years ago found a copy of the old Electronic Music From Norway LP compilation at a second-hand record store in St…
Inhumane Humans
Novi_sad is the guise for Thanasis Kaproulias (b. 1980) who holds a degree from the Economic University of Piraues. He lives and works in Athens, Greece. Influenced by the pioneers of audio assault, he began generating sounds in 2005. No studies, no academic education, no scholarships, just pure learning by doing. Amplified environmental recordings, drone manipulations, structured ambient soundscapes, microtones vs overtones, all come together in a hyper structure of iconoclastic form. Novi_s…
Blue eyes of the march
New gatefold handmade cover. 500 copies. "There's an amazing attention to aesthetics that Andrew Chalk undeniably pays for each release with his name on it. It starts with the music and continues through the cover artwork, packaging, and presentation. The first part of Blue Eyes of the March is a 20 minute long piece which sounds like it was created by a prepared guitar, tuned only to play a limited number of pre-determined notes as they're quietly plucked and resonate for long stretches. The to…