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"The second album by Matt Ulery’s Loom fulfills the desire of its leader to front a “band with a sound not only determined by the compositions and the instrumentation, but with the actual players who perform the music.” Ulery, a Chicago-based bassist and composer, adds, “This is why Loom has had an immediately identifiable sound, striving for maximum range of emotional depth while appealing far beyond strictly jazz listeners.”Loom projects a sonically rich, expansive sound on Flora. Fauna. Fervo…
Following volume I (8mm, 2008) and II (Presto?!. 2009), and previously released in a super small cassette edition on Tulip, Stefano Pilia's Last Days III is finally available in a new remastered one sided LP edition. The intuitions of the first two chapters of this series of 'Last days' shine in 'Atlantic City' in all their beauty. Stefano’s touch is so warm and gentle, always unique in creating that feeling of soft, warm nostalgia, loud, and passionate as he’s strumming his strings with …
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
Originally titled Rocket Number Nine. Tracklisting: Onward, Somewhere in Space, Interplanetary Music, Interstellar Low Ways, Space Loneliness, Space Aura, Rocket Number Nine Take off for the Planet Venus. Recorded at various locations, Chicago, late 1960.
Chubby Wolf was the title used by the late Dani Baquet-Long of Celer for her most glacially refined recordings. Her work is now carefully and lovingly curated by her husband and partner in Celer, Will Long, who has picked one of her most accessible albums 'Turkey Decoy' for this posthumous release on Digitalis. The phosphorescent cybernetic ambience of opener 'Cantankerous Baby' sets an understated tone which continues through the album, across the glassy pond-like reflections of 'Birthday…
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
Absolutely mindblowing album of layered, distorted and decimated 80's synthpop meets MBV style sonic devastation - one of the albums of the year!* Occasionally artists crop up that manage to extract tangible yet ambiguous feelings of darkness while somehow pushing musical boundaries without pause for breath. Cold Cave is one of those artists. His 'Cremations' album for Dominic Fernow's Hosptial imprint is a collection of two EPs and one LP released over the last 18 months, traversing the …
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
Restocked, last copies: limited edition of 323 copies, this LP is a live recording for piano, voice and electronics. Issued in a beautiful red vinyl pressing, it's a terrific minimal droning piano in La Mount Young vein
Take the manic snorts of captain liberty, dissonant as chalk & the next moment as melodic as sharp yet slick, metal teeth. Take the mermaid, 1988, turn the tides, gently, gently away. Selected breath/silences/selected feedback. Take an argument you have here w/ an empty street while the memory of high traffic is leaking back. Sirenum has a real "spiritual food" vibe & it's fucking pain & pleasure relief in this real met en zonder sort of way.
Daniel Higgs returns with his second full length recording for Holy Mountain after last year's critically acclaimed Ancestral Songs and his contribution. "Atomic Yggdrasil Tarot," to Thrill Jockey's series of books collecting art and music. Metempsychotic Melodies continues to document Higgs' rise as a solo performer. Raw picked banjo drones dominate Metempsychic Melodies as the instrumental "Universal Salutation" fades into the waking dream soliloquy of observation "Love Abides." "Leontocephali…
Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…
The Young Cricketer is Chris Corsano's debut of Frankenstein-gamelan skin detail. It's a monster and a babe all wrapped under the guise of The Solo Drum Album. Corsano's flea-market kit of cast-iron pot lids, super-bouncy-balls on sticks, butter knives, and even a sax mouth-piece jammed-in-a-hose conjures a part rhythmic maelstrom, like a Milford Graves drip painting, and the sweet metallic ice drones of Tony Conrad and Keiji Haino rubbing sticks together until end days. Globally known for a doz…
is the highly anticipated and Anna’s first release in co-operation with the Mannequin label from Rome, Italy. CHROMAGAIN were Luca Pastore (bass, guitar, synthesiser, lyrics, backing vocals), Silvio Ferrero (synthesisers) and Davide Bassino (vocals, lyrics) from Torino, Italy, and was formed in 1982. CHROMAGAIN had two other singers (at first Riccardo Acuto, then Danilo ‘Dana’ Barbero) before Davide Bassino joined as the main vocalist and core member. They started as a post-punk outfit in 1982, …
Originally issued on cassette on the R.E.P. label in the '80s in very limited quantities, then re-issued on a 10 CD-R box set entitled Makoto Kawabata early works 1978-1981 (ltd. ed. 100 copies only). "This is a music that I originally composed for a play called Alice in Nakedland. The play was some erotic expressionist nonsense, sort of like Alice in Wonderland and Dr. Caligari's Crime added together then divided by two. My script was used, but my music was rejected by the other staff members."…
on yellow vinyl! All string synths and spring reverb, this is an analog dream. Nothing less than some of the finest classically-orchestrated synthetic pop of the thirty odd years people have been attempting it.
An absolutely great (silkscreend, tip-on style cover) reissue of Peter Brötzmann's Machine Gun LP. Peter Brötzmann, tenor sax, baritone sax. Willem Breuker, tenor sax, bass clarinet. Evan Parker, tenor sax. Fred Van Hove, piano. Peter Kowald, double bass. Buschi Niebergall, double bass. Han Bennink, drums. Svenke Johansson, drums. Recorded in 1969 the music still sounds armed and dangerous.