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new limited (only 356 copies) split lp on christian of sarah's charity's new private label, with silkscreen printing and transparent vinyl. mciaa side recorded live in portugal. family underground side is a beautiful spike of heavy velvets drone.
Dag Are Haugan is certainly for most people not the most common name. Being half of the legendary Norvegian outfit Alog made him one of the most original musicians of the last decade. At the start of our label we did carry his debut on Myke Droner stating it as “classic". A couple of years further we received this wonderfull demo. You can call it guitar-glitch if you want... The result comes close to a beatless Gas, a more guitar-driven Novisad, etc... Pressed on vinyl-only, with artwork from Ru…
THE WIRE'S BEST OF 2010! While Morse followed traditional avenues of rugged folk narrative tinged w/ psychedelic foxing, Mass is an unchartered, one-way trip through a world of ritual. Broken guitars, percussive loops, backwards tracking, a (home-made) glass harmonium, lullabies, bagpipe thievery & the odd bit of fighting talk are just some of the many bricks laid here. New Zealand’s Alastair Galbraith, while originally coming from the Flying Nun stable of bands, has for many years now been…
**Individually Hand Numbered and Stamped** Recorded over the course of a single day, direct to analogue tape, Plug Music Ramoon brings together multi-instrumental free-rockers Neil Campbell, John-Clyde Evans and Stewart Keith for a new limited edition LP. 'Flamingo Moon' kicks us off with a terrific dirge hinged together by rhythmic synth patterns, providing an exoskeleton of modulated filter patterns. It's not long before the 'anything goes' factor of 'Punk Rocker / Mug Cracker' takes …
Restocked, last copies: limited edition of 323 copies, this LP is a live recording for piano, voice and electronics. Issued in a beautiful red vinyl pressing, it's a terrific minimal droning piano in La Mount Young vein
250 copies, vinyl limited edition. 'Some days everything goes wrong. Some days sky is always grey. Some days lovers goes. Some days the disease focuses on friends, other ones pass away. Some days life is hard to live. When everything happens at the same time, the same summer, it could be called a Dark summer. Summer 2006 was a Dark summer.' Thierry Müller. Rough improvisations (guitar and/or bass - 1 or 2 takes) recorded by Thierry Müller in summer 2006
Obscure early tape, very thought to find nowadays: this tape is rich with texture and dynamics that make for a stunning listen, its details are intricate resonation and transformations of the sound sculptures in the environment
The annual collegno offering from the Donaueschingen Music Festival, for the millennium year2000, runs to 4 CDs and just under 5 hours of new music, for combinationsranging from a straightforward string trio, to 4 soloists, 4 ensembles, andlive electronics! All the works areperformed 'live', and all are world première performances, so that this set,with its illuminating notes by each of the 11 composers, constitutes aninvaluable historical document.
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
It is in itself a brilliant achievement to transform this complex religious-philosophical satirical novel from 1930s Moscow into a spellbinding opera. And each setting is imbued with its very special local color, whether it's Satan's ball, the asylum, the evil apartment, or the Place of the Skull: "Höller underpins, surrounds, conveys or impedes the sung and spoken parts by a dramatic theater music of powerful images and driving force, making use of the orchestral range of sounds both moderately…
JUST ARRIVED, awesome and low priced essential triple CD set with the piano compositions by John Cage (1912–92) regarded as one of the most influential and controversial composers of the 20th century. It is not only his music that this reputation is based on – his ideas were revolutionary, and he cast doubt on the supremacy of European art and music, when it was unchallenged and such views were considered heretic. Cage rejected the status held by harmony, instrumentation and even the devel…
John Cage may still be known as avant-garde, a musical rebel, who greatly influenced music all over the world. But not all his music was written for prepared piano or consisted of electronic sounds. He also wrote several pieces for the ‘traditional’ combination of violin and piano. One CD of this album is devoted to this complete part of Cage’s output. He developed a keen interest in percussion, hence his prepared piano compositions. This lead to a number of unusual works, including one f…
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
They call their home studio the Space Room; they name their pieces after galaxies and nebulas; and their cat appears to be an alien. Please act surprised when you learn that this duo from Torino, Italy, plays space music -- not your ordinary brand, though: experimental space music. Maurizio Opalio and Roberto Opalio are exploring the cosmos through epic improvised journeys involving astral percussion, electric astral guitar drones, and space toys. Their territory is somewhere past the fringes of…
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
The first book which deals in depth with the school of American repetitive music, better known as minimal music. The author discusses in detail the work of La Monte Young, Terry Riley, Steve Reich and Philip Glass and places them in the tradition of Western music. Minimal music thus emerges as the latest stage in a development leading from Schoenberg, Webem, Stockhausen and Cage.Considering the philosophical thinking of Deleuze and Lyotard, the representatives of the so-called French 'libidinal …
The Wire magazine has come to be known as the authoritative source on modern music. This collection of essays springs originally from the Undercurrents, and subsequently, the Tangents series of articles that were “thinkpieces” based on 12 basic themes or forces that have and continue to shape modern music. The 19 essays, broken into 4 categories: electrification, occultism, mechanism and freedom, were contributed by some of the most prominent modern music writers and offer insight into ideas a…
the series of texts was originally spoken improvisationally into a micro cassette recorder while driving to and from my studio in 1988. nothing was written down or planned before i pressed 'record'. the entire work is printed here. unedited and in the order spoken. the periods mark the ending of each recorded segment. some of the pieces are responses to things seen and some are about speaking, and the sounds of words. i would suggest not only a mental reading, but a verbal one as well.the drawin…
In 177 pages Eddie Prévost includes twenty-nine thought-provoking essays on ideas, perceptions, reactions and the practices of improvised music, as well as a short index. Reactions to the real world - in particular, the political, corporate and commercial ones - are never far from the surface and the place of the individual is mirrored through that of the musician developing his or her own position, responsiveness and voice in a group context. Discourses include the questioning of terminology su…