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Action Mécanique
“Michel Doneda soprano and soprano saxophones. Jonas Kocher accordion, objects. Recorded live on 27th november 2009 at Red House, Sofia, Bulgaria. Mastering by Christian Weber. Design: Fabienne Bartel. Limited edition of 160 numeroted copies. Screenprint on sandpaper. The duo explores and questions the sound, listening and space with sound actions simple, minimal and acoustic. Entirely improvised, the duo's approach is in place and time of the concert, thus inviting a real experience of listenin…
Donaueschinger Musiktage 2004
Unusually, the 2004 annual COL LEGNO release from the Donaueschinger Musiktage is devoted to the work of one composer, Englishman Benedict Mason, and to just one extensive and curiously-titled work, commissioned in 2001 by the German Südwestrundfunk. Specially written for the hall in Donaueschingen where this live recording of the work’s first performance was made, Mason’s music explores space and acoustic, as well as the character of a variety of instruments, to fascinating effect.
Out
Janek Schaefer is an architect. This might explain his vision on his music. A good building closes up into your memory without you even noticing it. The same goes for Schaefer's soundsculptures. Clearly structured soundloops baffling their way into perception. You can use his music in art-galleries, train-stations, living-rooms: anywhere really. Each time/place conducts his work to a different perception. Even a high volume or low volume defines another way in the listening experience which unfo…
missa beati pauperes spiritu
In cooperation with IEM Graz and musikprotokoll 2005 (steirischer herbst, ORF). Excursion into the Middle Ages: Klaus Lang’s latest composition breathes new life into Gregorian chant more than a thousand years old. One hears the traditional sequence of the mass movements, but newly composed material gives it a new interpretation. Klaus Lang does not wish to evoke images in his listeners but rather empty and impoverish their minds.
Electronic music
Iannis Xenakis is without a doubt one of the major figures in the development of music in the 20th century. In 1957, he joined Pierre Schaeffer and others at the GRM (Groupe de Recherches Musicales) in Paris, and it was there that Xenakis composed his early works for electronic tape. Xenakis' distinct sound is already apparent in 'Diamorphoses' (1957) which incorporates sounds of distant earthquakes, car crashes, jet engines, and other 'noise-like' sounds, and 'Concret PH' (1958), based on the s…
Nachtgesänge / Konzert für Violoncello und Orchester / Intrada /
Young Müller (b. 1964, Switzerland) writes in a consistently romantic style — unexpected col legno fare! Perhaps Sterling should have released this. The warm Hesse settings, Nachtgesänge, could be mistaken for Szymanowski or Zemlinsky; indeed, Ernman sounds as though she’d be ideal in a Strauss opera. Darkly emotional, the single-movement cello concerto taps Shostakovich and Lutoslawski’s pathos; the idée fixe’s colorful unfolding reminds the listener of Dutilleux. Müller maintains his anachroni…
Live At Blå
First live document and fourth album overall from a band that mixes free jazz ecstasy with garage rock intensity. Even with no electricity, they make a hell of a noise and the album is an explosion of energy. Recorded at the Bla in Oslo.
Universe Symphony / Second Symphony
The most ambitious and grandest of his projects would of course never see completion. For over forty years, Ives continued to supplement the material for his Universe Symphony, adding both notes and details. At some point, the scenario he envisaged got somewhat out of hand, Henry Cowell reported. “Several orchestras and large parties of singers, male and female, were to be placed in valleys, on mountain slopes and on summits,” and “6 to 10 different orchestras on several mountain tops, each movi…
Chamber Music Vol. 1
It is the eternal questions that Nikolaus Brass mainly concerns himself with in his compositional work: the question of existence, of being, and first and foremost of all possible intermediate stages at the edge of what is conceivable, of what can just be grasped. In VOID (1999) he investigates the feeling left by loss, "structural empty spaces that bear the construction of sound while challenging it at the same time." For a due (2003), Brass has borrowed short captions from Yashushi Inoue's nov…
Between 13 and 16
Heavly influenced by the seventies, this band is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape. Playing together since 1995, the four members of Bron y Aur , attracted soon attention thanks to the quality of the first two demotapes (1997 and 1998) and obviously for two previous albums. Always considered a band who take roots in the seventies, they don't hide having spent their days in youth between Zeppelin and Sabbath, to b…
Sufiq
Those keeping a running count will know that Sufiq brings the Muslimgauze CD catalog into the triple digits. This mini-album is especially significant, as it extends the extraordinary productivity of Muslimgauze auteur Bryn Jones beyond his untimely passing. New Muslimgauze titles have emerged since, but each was scheduled prior to Jones’ death in January of 1999. Active to the end, Jones left behind a store of finished masters. Sufiq sees the first release of material from this impressiv…
Concerto for Prepared Piano and Chamber Orchestra / Sixty-Eight
For each of his compositions for prepared piano Cage created a specific piano preparation chart, setting out in meticulous detail the strings to be prepared, and the materials and manipulations to be used for preparing them. For the Concerto for Prepared Piano and Chamber Orchestra (1951), 53 tones of the keyboard must be prepared; and in this case Cage himself was astonished at the complexity of these preparations. The range of sounds is further expanded by an extra bridge installed in the pian…
Fever
Each composition of this CD is dedicated to a person, or to the work of a person: Malcolm Goldstein, Amadeu Antonio Kiowa, Ingeborg Bachmann, Elvis Presley and Yoko Tawada. Throughout these five sound portraits, Kaul displays a fertile imagination and a penchant für exotic instrumentation, which includes a hurdy-gurdy, Korean gongs Japanese and Tibetan temple bells, kalimba, Tanzanian lute, bowed gopichand from India, glass harp, kanjira, tabla and frame drum, and Western percussion instruments.…
Sleepless
4th album of TIRE DER NACHT. Sounds like "ZERO SET". Featuring: D.Moebius (CLUSTER).
Chamber Music
It is with great shrewdness that Uroš Rojko has almost maxed out the unusual juxtapositions of an accordion with a viola and a piano, respectively. His fondness for the accordion may have its roots in his folk music past. On the present recording, however, these roots are not in evidence. Even the Tangos speak a language of their own, which Rojko creates by juggling characteristic fragments of tango, thereby reducing them to their essence. Even the first bars of his pieces exhibit the correspond…
passt
Peter Rehberg (aka Pita) and Ramon Bauer completed their trilogy for the label Touch with the 2001 CD Passt. This album, short at 33 minutes, maintains an uncomfortable relationship with glitch electronica. Rehberg & Bauer's first CDs pioneered the genre, which quickly went through an ossification process. Closing their series, the artists try to distance themselves from the glitch culture, bringing a humorous and critical touch to the music. But meta-music this is not; we remain in glitch terri…
Saxophone & Piano 1
Maurice Karkoff (b. 1927) Sonatina fur Alt-Saxophon und Klavier (1985); Toccata -Varianter- Burla Henk Badings (1907-1987) La Malinconia (1949) Miklos Maros (b.1943) Undulations (1986); WernerWolf Glaser (b. 1910) Allegro, Cadenza e Adagio (1950) Otmar Macha (b.1922) Plac Saxofonu (1968) Ernst- tlothar von Knorr (1896-1973) Sonate fur Alt-Saxophon und Klavier (1932) Phantasie- Allegro Allegretto scherzando Signal. Works dedicated to the recording artists. JOHN-EDWARD KELLY, saxophone BOB VERSTEE…
Der Tod und das Mädchen II
The tale of the Sleeping Beauty set somewhere between science fiction and biting social criticism. In her texts Elfriede Jelinek explores the states of sleep, of apparent death, of semi-consciousness, or of being barely awake – and in doing so investigates Austrian everyday life in all its uniqueness, including all the petty power games and battles of the sexes. Jelinek's grim texts, recited by Anne Bennent, Hanna Schygulla and an artificially generated voice, are combined with Olga Neuwirth's t…
Dying sun
The third album by the established and highly respected Greek/Swedish/Norwegian trio Looper: Nikos Veliotis (cello), Martin Küchen (saxophone) and Ingar Zach (percussion). Recorded at GMEA auditorium in Albi, France, by Benjamin Maumus, January 2010. Music by Looper. Edited, mixed by Nikos Veliotis. Mastered by Coti K. Co-release Cathnor recordings.
Airforms
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construction. The houses were built by spraying concrete over an inflated balloon structure. Inspired by the nautilus sea shell, the houses were an investigation into the aesthetic possibilities of structures formed by air, and the psychological effects of l…