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"Communist Dub is Pan Sonic member Ilpo Väisänen's second solo album for Editions Mego (Asuma having appeared 2001). This striking new release is a statement against technocracy and the erosion of human community. Whilst Jamaican dub and ska are often cited as an influence on Väisänen's work, this album utilizes dub as strategy as opposed to genre -- the precise manipulation of sound and the removal of all extraneous material to create a disorientating landscape of austere spaces. Pulled in…
Frequencies is an ongoing process focusing on basic sound generation systems. For this edition, frequencies (a / fragments) the system consists of a series of custom made devices in which computer-controlled solenoids activate a variety of tuning forks. The resulting sound fragments, when articulated in conjunction with synthetic sine waves, create frictions between the acoustic and electronic elements. The tuning fork, producing a sound closest to a pure sinewave, provides a historical linkage …
Line is proud to present a new full length solo recording by German electronic music pioneer Asmus Tietchens. Soirée is the result of extended recycling. Beginning from the investigation of: what will happen if I recycle (not remix) some of my older compositions and then recycle the recyclings and then recycle the recycled recyclings… ad infinitum? Quite quickly the initial pieces vanished totally. New structures and sounds emerged depending on the methods and tools I used.Each of the pieces on …
John Wiese's long awaited Deviate From Balance is the artist's first album since 2011's Seven Of Wands (PAN). Recorded throughout Europe/UK, Australia, and the US, the album includes scored ensemble pieces including over 20 musicians on each, recorded in Melbourne and Portland, as well as audio documentation of installation pieces Wind Changed Direction, a four-channel sound piece presented in the garden of the Getty Center (curated by Liars), and Battery Instruments, an eight-channel piece…
Mabushii itazura na inori (which translates as Dazzling, mischievous prayer) is the staggering new studio album from guitarist and vocalist Keiji Haino’s Fushitsusha, the second in a series of three thematically and structurally linked sets recorded with drummer Ikuro Takahashi and bassist Mitsuru Nasuno.Bassist Nasuno also plays with Haino in his electric blues group, Seijaku, and the new Fushitsusha album has a direct umbilical to their experiments with slurred roadhouse phrasing and overlappi…
"Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time I'd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beac…
Original LP from 1978; classic works for tape and voice. "Sten Hanson has worked in the area of experimental music, literature and intermedia art since the early sixties. His large and varied production includes instrumental and electronic music, music drama, performance, music for dance and theatre, works for radio and television, literary works and large outdoor events. This record presents his main work in the text-sound field -- The Trilogy of Vocal Energy -- and also two examples of the sho…
Incredible italian avant/free progressive album from the historic early Seventies finally rediscovered and dusted off the vaults !!! After a very long time, BTF distributes one of the rarest italian progressive albums of all time: Cincinnato, a masterwork recording originally released back in 1974 and never before reissued on LP! Featuring some great progressive and jazz-rock tracks and an incredible 20-minutes long suite. This is a superb release and the ultimate collector's item of the italian…
Dedales is the second LP from Opera Mort following a debut for the inhouse label of the sadly defunct Parisian record shop Bimbo Tower. The project is an ongoing collaboration between Jo Tanz and Laurent Gerard, two figures from France's contemporary avant garde underground; Jo with his Tanzprocesz label and Laurent with his Élg project (Élg's Mil Pluton' album appeared on Alter in 2012). They also form two thirds of the trio Reines D'Angleterre with the legendary French artist Ghedalia Ta…
Recording by Louise Landes Levi on traditional bowed harp or sarangi and Hilary Jeffery (who also plays with Catherine Christer Hennix) on trombone drone. Levi studied sarangi under the guidance of Annapurna Devi and Ali Akbar Khan. Levi & Jeffery interpret the perennial tradition of Indian raga - informed by the deep dream of the 20th century & the visionary ensembles of the mid century: The Floating Lotus Magic Opera Company (Daniel Moore) & The Theatre of Eternal Music (La Monte Young &…
Public service reissue of this impossibly rare and choice title in the Vibra oeuvre, originally issued by the band in 2004 as an edition of 250. Featuring the “classic” lineup (Mick Flower, Neil Campbell, Bridget Hayden, Adam Davenport, Julian Bradley) that made “Queen of Guess” (vhf#77) and “Dabbling With Gravity and Who You Are” (vhf#66), this self-titled double takes a wild ride through the inner-workings of VCO’s stream of consciousness.
Many of the tracks (selected from research & dev…
Stephen O'Malley (Sunn0))), KTL), Daniel O'Sullivan (Ulver, Mothlite, Guapo), Kristoffer Rygg (Ulver), Steve Noble (N.E.W., Company, etc). En Form For Blå documents the continued evolution of this unlikely collective, a collision of players from various avant, improv, metal, and "other" threads who together make a unique and arresting sound. Documenting three gigs in Oslo recorded in 2010, the music is deep and weird, with liquid sounds juddering around the occasionally identifiable percussion o…
Music of Tanzania is a spectacular collection of field recordings gathered by Laurent Jeanneau between December 1999 and March 2000. This debut volume of Sublime Frequencies' exploration of indigenous Tanzanian music compiles sacred and profane songs and dances of the Hadza, Datoga, and Makonde people. Highlights include stoned ecstatic dancing in a Hadza encampment; a drunken celebration of preteen sexual initiation from a Makonde fishing village; baboon imitations performed on the malimba…
Bush Taxi Mali: Field Recordings from Mali is an aural tour through the heart of Mali. These field recordings were made by Tucker Martine in 1998 while traveling throughout the West African country. This blend of bluesy ngonis, clamoring street sounds, the stunning voice of Jalimusa Amanita Diabaté (of the famous Diabaté family), passing radios, Fulani flutes, runaway sound systems, and chants from the Dogon country creates a unique portrait of Mali's rich musical heritage. Eventually Martine fo…
Restocked again, very last copies, hurry up....Awesome one! This one is very easy to describe: among all qbico and a-star records combined together (around 150/200 LP), this is among the three most powerful ones. imagine a cross betw Kluster and Taj Mahal Travellers with a Middle East feel (musicians are from Egypt, Turkey and Lebanon); their 1st record, rec. live in Beirut. the sound that you hear at the end of the second clip it's not a monster's breath. THE ticket to the ride.
This epic double set combines an LP of all-electric rock mayhem with a CD of subtle drum/shakuhachi tracks. Electric Lotus is the Youngs and Neilson's self-proclaimed 'rock' album, and it is a mind-boggling clutch of guitar/bass/drums demolition. Coming off like an amphetamine-fueled Guru Guru, the music tumbles out in a crazy quilt of stun-level attack zonage, especially on the side-long Electric Lotus. Neilson's staggering freedrumming hits a new peak here, stepping beyond his laudable work wi…
Destroy All Monsters are known by some for their role as a bastion of resistance of Detroit's rock; for being, during their second period, the band in which Ron Asheton would reappear. For others, they are a pivotal reference point in the copious but relatively unknown avant-garde underground from the same city, after Thurston Moore and Byron Coley dug up their first recordings in 1996 and the original line-up reunited. Destroy All Monsters comprises two complementary and interconnected po…
Gatefold LP version on 180 gram vinyl with CD. Originally released in 1980, Jon Hassell and Brian Eno's collaborative album Fourth World Music Vol. I: Possible Musics is a sound document whose ongoing influence seems beyond dispute. Not only is the album a defining moment in the development of what Eno coined as "ambient music" but it also facilitated the introduction of Hassell's "future primitive" trumpet stylings and visionary "Fourth World" musical theories to the broader public. These v…
"The much-revered avant-garde guitarist John Fahey (1939-2001) incorporated influences ranging from folk, blues, and bluegrass to classical music, musique concrete, and noise in his primarily acoustic guitar-based compositions. Considered a legend by many, Fahey released upward of three dozen LPs in his lifetime. Relatively late in life, Fahey extended his so-called 'American Primitive' approach beyond music, and into the creation of a substantial body of paintings. Painting on found post…
Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …