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Jim O’Rourke returns with his first physical solo album since 2015’s Simple Songs, following a relatively steady supply of download-only releases via his Steamroom Bandcamp (over 20 of them since 2015) and collaborations with John Duncan, Keiji Haino, Oren Ambarchi, Peter Brötzmann, Merzbow, Fennesz and others in the interim. Anyone familiar with his exceptional Steamroom output will have an inkling of what to expect here; this is Jim O’Rourke at his most meditative, absorbing and quietly subver…
In 2012 Important Records released Reverberations: Tape & Electronic Music 1961-1970 (IMPREC 352CD), a historic 12-CD box set compiling much of Pauline Oliveros' early and unreleased electronic work. Reverberations 1 is the first release in an ongoing series dedicated to releasing the entire 12-CD box set on vinyl. Organized chronologically by studio, the complete Reverberations not only documents Pauline's earliest electronic music but it also functions as an early history of electronic music i…
Featuring some of the most innovative players from Beirut, Cairo and Istanbul, Karkhana met for the first time in Beirut in 2014, bringing together influences from the three major experimental music scenes of the region and beyond. Through their live shows, the band’s seven multi-instrumentalists build a transcendental atmosphere developing what could possibly be called Free Middle Eastern music. Shades and traces of shaabi, tarab, sufi and much more are heard in the distinct blend of free jazz …
A new chapter of the ongoing series of live recordings of the Turkish quartet Konstrukt, this time teaming up with saxophonist Akira Sakata, already a key character of the Japanese free jazz movement since the 1970s. Recorded at Kargart in Istanbul on January 17th 2015, this seventy-minute long jam is one of the most psychedelic act of the band so far, with Sakata's growling shomyo-alike chant finding the perfect setting - like a snake charmer - in a jungle of constantly reinvented sound. Killer…
**Exact LP repro edition. Limited Edition of 200 copies, remastered sound.** Although he was one of Italy’s leading jazz musicians, playing the piano at an international level in a mainstream style, it is probable that Romano Mussolini owed some of his fame to also being the third son of the Fascist dictator Benito Mussolini. A common idea that everyone had before listening to his music, and discovering the importance he always gave to every musician who had the opportunity to play and grow arti…
Subtitled 'A comprehensive Approach to recondition the early years of ClockDVA' and covering the years 1978-1980, this 4LP edition (housed in slipcase holder and limited to 400 copies only, plus shirt) is a sequel to the 2012 Horology boxset which scanned Adi Newton and ClockDVA's pioneering Sheffield electronics circa 1978 - 1980. Formed in Sheffield in 1978, around the core lineup of Adi Newton, Steven Turner, David Hammond, and Simon Elliot-Kemp, ClockDVA built upon the havoc created by their…
Staalplaat presents a double LP reissue of Muslimgauze's Ingaza, originally released in 1999 (the year of his death) as part of the Box Of Silk And Dogs set. Those not familiar with Bryn Jones's style will listen slack-jawed at the sheer anticipatory nature of his sound collages. He was a cult artist, politically motivated for the Arab-Palestinian cause and a seminal experimenter with ethnic samples' and minimal and electronic rhythms. The atmospheres retain their original charm, full and gloomy…
Edition of 300. Quasar's debut LP , originally released in 1979. Nebular Trajectory's deceptively straight opening salvo scarcely prepares one for the deeply blasted kraut inspired vision of jazz rock that ensues. Dzyan's "Time Machine" is the most immediate and obvious reference point for the sizzling but liquidly loose interplay of their power-trio-plus-effects set-up. Man Coda if anything raises the stakes further by plunging the entire proceedings even deeper "into the pudding" via a further…
Edition of 300. Killer Aussie LP from from 1981. This is completely off-the-hook abstract Australian psych-rock. At the time self-produced by the Quasar and never formally distributed, copies of this super-limited pressing were creeping their way across the globe, and eentually it has been reissued. Recorded direct to digital tape by just a drummer, bassist, and guitarist, the sounds run the gamut from surging, moody, textural, and nearly beatless masterpieces like “Man Coda” and “Reality’s Way”…
Acabou Chorare is the second album from Novos Baianos, who formed in Bahia, Brazil in the 1960’s. They are considered to be one of the most important and revolutionary groups in Brazilian music. Acabou Chorare (translated as Stop Crying) was originally released in 1972 by Som Livre after the success of their first LP É Ferro na Boneca in 1970. It is considered to be one of the most important and influential albums of all time, charting at number one in a Rolling Stone Brazil's 'Top 100 Brazilian…
** 500 copies white vinyl** An ongon is an important shamanic tool inhabited by spirits. An anthropomorphic ritual object, highly abstract in form or more realistic, that at the same time attracts and contains spirits. A fetish. In the same way, some traditions, some melodies, some rhythms, sounds and instruments attract special spirits and energies. "Exuvia" is the first work in which Antonio Bertoni uses the pseudonym Ongon. Ongon's music originates from multiple influences and researches: gna…
Clear vinyl edition of 500 copies. Silent Servant - former Tropic Of Cancer and Sandwell District producer, Juan Mendez - made his stunning album debut with the poised fusion of epic techno, primitive post punk, and industrial electronics on 'Negative Fascination' for Hospital Productions in 2012. Recorded just months after he stopped recording with Sandwell District, on Negative Fascination Mendez explored his divergent yet compatible tastes to their fullest, recognising and reconciling their …
Senyawa stir primordial spirits in the cosmically heavy doom and psych explorations of ‘Sujud’, the Indonesian duo’s stellar debut with Sublime Frequencies. Since arriving to global underground acclaim in 2015 with the ‘Menjadi’ LP on Rabih Beaini’s Morphine Records, Senyawa have established themselves among the most beguiling acts in circulation right now by meshing traditional Indonesian music with elements of doom metal and free improvisation to realise a sound truly without precedent. Senyaw…
The unique and visionary Elodie return with the latest of theirenigmatic, twilight meanderings. Sticking true to their roots, the lush Elodie signature sound has here been further refined to a delightfully high degree. Awesome!! Finally out, the fourth album by the par of Andrew Chalk and Timo Van Luijk, a musical fantasy in two movements, symbolising the evocative power and poetry of ancient illustration. Edition of 300 copies.
Brecht Ameel’s (Razen) solo project with the aid of one acid drenched phantom quartet in which he mixes tapes and baroque lute into a sloow hallucinatory eerie whole. Ideal for night listening in the woods 70 copies.
Irish/English/Scottish/Italian prog collaboration of United Bible Studies which includes Aldo Becca, Gayle Brogan, David Colohan, Sophie Cooper, Christian Culak, Alan Davidson, Matt Leivers and Alison O'Donnell. Reminds me of the spaciest bits of Franco Leprino with the psych folk elements of Claudio Rocchi thrown in. Heady stuff. 70 copies.
Blossoming transcendent Massachusetts-flowers sparking Velvet Underground-rays of light, reflecting in the scrying mirror of one’s inner being. Bridge Of Flowers. Like drinking wine under the grace of god. 70 copies.
Live recording of Samara Lubelski (Metabolismus, Hall of Fame) and Marcia Bassett (Hototogisu, GHQ) when they played in Neue Schachtel, Germany. Cosmic rays of inner twilight violin and guitar drones highligthing swirling patterns into the vortex of the mind’s eye. Relax, smoke a cigar and drink a glass of red wine. 70 copies.
Few copies, sold out at source. Additional contribution from Toshimaru Nakamura (no-input mixer) recorded by Steve Bates and David Sylvian, Montreal. Tubular bell and concert bass drum recorded by Matthew Sansom, Surrey University, 2006. Original text by Bernard Marie Koltès. Compositional structure by Mark Wastell. Mixed and mastered by Rupert Clervaux. Personnel: Rhodri Davies - lap harp, table harp, vibraphone, radio; David Sylvian - voice, vocal treatments, electronics; Mark Wastell - tam ta…