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German ambient musician. He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played on the albums Hosianna Mantra and Seligpreisung. Comes in jewel case with slipcase.
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
What an opportuunity ! On the suggestion of Maciej Karlowski, percussionist Ramón López invited me to play in Lublin Jazz Festival. From a list of great musicians who might join us to form a trio the name of Trevor Watts was one that immediately exci…
In late fall of 2018, Ryan traveled to Valencia, California to meet with Michael for a weekend of informal conversations at California Institute of the Arts. Before Ryan returned home to Colorado, Michael gifted him a recently released recording of T…
On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking …
On My Spare Time, Isao Suzuki steps out front on piccolo bass in a luminous set of standards and ballads, wrapping bossa, Ellington and songbook classics in a warm, conversational post‑bop glow with some of Japan’s finest players.
On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.
**Finally repressed, absolutely recommended!** An incredible box-set with 33 compositions from 1964 to 2007 that includes a 92-page booklet in French and English. The best way to enter the world of Bernard Parmegiani, French composer of musique concr…
Books have been written, recordings analyzed, colleagues questioned, and nevertheless Bix Beiderbecke remains as much an enigma today, ninety-five years after his death, as he was to friends and fellow musicians during his all-too-brief, personally a…
On Delusions, Corpusse turns late‑’80s Montreal into a one‑man gothic fever dream, declaiming like a punk Rasputin over blaring Korg/organ dirges that feel equal parts dungeon synth, suicide note and cracked rock‑and‑roll theatre.
Tip! ** Edition of 100, glass-mastered CD, includes poster ** A new face from the furthest North-East of Italy, Trieste: the city of the "bora", a powerful and relentless wind that for many of its inhabitants represents a state of mind, more than a s…
Otoliths is the second album by the transatlantic quartet Earscratcher, which brings together Austrian pianist Elisabeth Harnik with three of her US-based cohorts – Dave Rempis on saxophones, Fred Lonberg-Holm on cello, and Tim Daisy on drums. Record…
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus …
Reissue of the OST by Luciano Michelini for the dramatic film Anna, quel particolare piacere (aka Anna: The Pleasure, the Torment and Secrets of a Call Girl), directed in 1973 by Giuliano Carmineo with screenplay by Sauro Scavolini, Francesco Miliazi…
Dangerous, bizarre, but most of all cool, The Cramps one again prove themselves as leaders in skull-fracturing rock ʼnʼ roll, delving even deeper into a wicked netherworld where few have dared to tread. They are the architects of a sound that has spa…
50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came b…
Composed especially for the main hall of the Orgelpark in Amsterdam, with its historical organs, Descendants was realized in the just-intonation “Dreyblatt” tuning system, derived from the first eleven harmonic overtones and their extensions based on…
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”
Philadelphia vibraphonist Khan Jamal's 1974 Palm masterpiece receives its first proper reissue. Recorded during Parisian exile, this exploratory album showcases revolutionary vibraphone techniques across four essential tracks - a crucial document of …